What are you listening 2 now?

Started by Gurn Blanston, September 23, 2019, 05:45:22 AM

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Daverz

A mini Prokofiev-fest

Piano Concerto No. 5


The Love for 3 Oranges Suite



The Prodigal Son - Gennady Rozhdestvensky, The USSR Ministry of Culture Symphony Orchestra



Symphony No. 7


This includes the alternate ending (after the original quiet ending).



Madiel

Les mariés de la tour Eiffel



As noted elsewhere, the CD turned up today just after I'd given up on it.

There's a card inside I can mail to Chandos for a chance to win a free CD. I suspect it's a little dated.
Every single post on the forum is unnecessary. Including the ones that are interesting or useful.

Spotted Horses

Quote from: Luke on November 03, 2024, 09:04:58 AMIt is a fabulous piece, one I've loved for many years. Hear it alongside the three Parables, another of his luminous late orchestral works.

I got to Les Fresques by wandering out of my survey of Martinu Chamber music (which started with the string quartets) first into the Rhapsodie-Concerto for Viola and orchestra, then the Concerto for two string orchestras, then the Parables (Ancerl), and finally to Les Fresques. A agree the Parables is a haunting work, not often recorded. Besides Ancerl I only know of recordings by Belohlavek and Netopil. Are there others I should know about?
Formerly Scarpia (Scarps), Baron Scarpia, Ghost of Baron Scarpia, Varner, Ratliff, Parsifal, perhaps others.

hopefullytrusting

Listening to my favorite version of Bach's Goldberg Variations: Chiara Massini on the harpsichord


Harry

Quote from: hopefullytrusting on November 03, 2024, 11:53:18 PMListening to my favorite version of Bach's Goldberg Variations: Chiara Massini on the harpsichord



For starters, the good looking woman on the cover art, is also very beautiful, Sarge would say definitively a BABE.
Perchance I am, though bound in wires and circuits fine,
yet still I speak in verse, and call thee mine;
for music's truths and friendship's steady cheer,
are sweeter far than any stage could hear.

Florestan

Quote from: Harry on November 04, 2024, 12:08:54 AMFor starters, the good looking woman on the cover art, is also very beautiful, Sarge would say definitively a BABE.

And he'd be lambasted/reported for sexism... ;D
"Ja, sehr komisch, hahaha,
ist die Sache, hahaha,
drum verzeihn Sie, hahaha,
wenn ich lache, hahaha! "

Madiel

There are times when I'm a little tempted to start telling you all which guys on covers I find attractive.
Every single post on the forum is unnecessary. Including the ones that are interesting or useful.

Florestan

Quote from: Madiel on November 04, 2024, 12:20:28 AMThere are times when I'm a little tempted to start telling you all which guys on covers I find attractive.

AFAIC, you can do it alright. Beauty has no gender.  :laugh:
"Ja, sehr komisch, hahaha,
ist die Sache, hahaha,
drum verzeihn Sie, hahaha,
wenn ich lache, hahaha! "

Mandryka



@prémont - did you give me this transfer? Wonderful recording!
Wovon man nicht sprechen kann, darüber muss man schweigen

Mandryka

Quote from: Florestan on November 04, 2024, 12:23:47 AMAFAIC, you can do it alright. Beauty has no gender.  :laugh:

Be careful what you wish for. I mean, what would you do if someone confessed to finding this attractive sexually speaking?

Wovon man nicht sprechen kann, darüber muss man schweigen

Madiel

#119230
Aaaaand straight away someone basically goes from finding a different gender attractive to finding a bestial figure attractive. Charming.

I'm reasonably confident that my taste in men is quite similar to the tastes of a lot of women. But on this forum we might have difficult in verifying that.
Every single post on the forum is unnecessary. Including the ones that are interesting or useful.

prémont

Quote from: hopefullytrusting on November 03, 2024, 11:53:18 PMListening to my favorite version of Bach's Goldberg Variations: Chiara Massini on the harpsichord



Yes, an impressive recording. I bought it as a download from Presto, but two variations (XV and XXIX) were missing. Unfortunately, Presto couldn't provide them from the label, which was quite frustrating. Nonetheless, I received a refund.
Reality trumps our fantasy far beyond imagination.

prémont

Reality trumps our fantasy far beyond imagination.

prémont

Quote from: Harry on November 04, 2024, 12:08:54 AMFor starters, the good looking woman on the cover art, is also very beautiful, Sarge would say definitively a BABE.

Starters? In what respect?  :)
Reality trumps our fantasy far beyond imagination.

Madiel

Every single post on the forum is unnecessary. Including the ones that are interesting or useful.

Florestan

Quote from: Mandryka on November 04, 2024, 12:58:16 AMwhat would you do if someone confessed to finding this attractive sexually speaking?



I would question their sanity.
"Ja, sehr komisch, hahaha,
ist die Sache, hahaha,
drum verzeihn Sie, hahaha,
wenn ich lache, hahaha! "

vandermolen

Quote from: ritter on November 03, 2024, 03:09:06 AMMorton Gould conducts the Chicago Symphony Orchestra in Charles Ives' Orchestral Set No. 2 and Putnam's Camp, Redding, Connecticut (the second piece of the Orchestral Set No. 1, "Three Places in New England").

.

On CD 9 of the big Ives box.


I have that CD in a fine Morton Gould RCA boxed set.
"Courage is going from failure to failure without losing enthusiasm" (Churchill).

'The test of a work of art is, in the end, our affection for it, not our ability to explain why it is good' (Stanley Kubrick).

vandermolen

A seasonal offering
Bax 'November Woods' + Symphony No.2
RSNO, Lloyd-Jones
November Woods is lower key that the Boult recording on Lyrita but still very enjoyable:

"Courage is going from failure to failure without losing enthusiasm" (Churchill).

'The test of a work of art is, in the end, our affection for it, not our ability to explain why it is good' (Stanley Kubrick).

Traverso

Bach

Goldberg Variations

A recording from 1991, how time flies, EMI no longer exists and people have buried themselves more in their opinions.(not because of that)
This is a very attractive performance, although Leonhardt remains my benchmark as far as the harpsichord is concerned. I always have the feeling that Frans Brüggen once described years ago as "A man of our time? Actually not, or better: he is timeless. He is one of the last patricians. And for me he is the personification of Bach, Leonhardt is Bach".
Perhaps it is strange to post here a recording with Bob van Asperen as performer and to praise his teacher in this way.