What are you listening 2 now?

Started by Gurn Blanston, September 23, 2019, 05:45:22 AM

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Que

#120240


Beauty Farm did Early Music lovers a big favour with this recording of 4 masses by Noel Bauldeweyn, a neglected Franco-Flemish master from the generation that was active around 1500.

What this has to do with a bearded guy in a hoodie against a pschodelic background is anyone's guess...  ;D

vandermolen

Quote from: Karl Henning on November 24, 2024, 02:45:47 PMI met some rescue owls this Thursday last. Marvelous birds.
I gather that Malipiero's home was some kind of sanctuary for animals.
"Courage is going from failure to failure without losing enthusiasm" (Churchill).

'The test of a work of art is, in the end, our affection for it, not our ability to explain why it is good' (Stanley Kubrick).

ritter

Some (light) Mahler today: Lieder eines fahrenden Gesellen, with Eugenia Zareska (ms), amd the London Philharmnic Orchestra, conducted by Eduard van Beinum.



Van Beinum (whose work I'm not really acquainted with) achieves very light (and very attractive) orchestral textures. Zareska mya at some points sound a tad operatic, but is very convincing and expressive in the songs. A very enjoyable recording!
 « Et n'oubliez pas que le trombone est à Voltaire ce que l'optimisme est à la percussion. » 

Madiel

Mozart: first listen as far as I know to Vesperae solennes de Dominica, K.321

Possibly this cover is the original iteration of a recording that's been in a few forms.

Every single post on the forum is unnecessary. Including the ones that are interesting or useful.

Iota

Quote from: Iota on November 24, 2024, 10:35:55 AM

Bach: Sonata No. 1 in B minor, BWV1014
Lucy van Dael (violin), Bob van Asperen (harpsichord)


A highly pleasant experience. I love the way the violin's first entry just seems to emerge from the lamenting harpsichord introduction. Van Dael's ornaments feel relaxed and free whatever the speed of the music, indeed her playing overall feels very free-spirited. She and van Asperen sound a very comfortable pairing.

Quote from: Mandryka on November 24, 2024, 01:19:26 PMI think they're an item, as they say.

Ah, that may explain some of the ease with which they play. Whatever factors are at play, their musicianship makes for very pleasant listening indeed, More of them today from the same cd with Bach's Sonata No. 2 for Violin and Harpsichord, BWV 1015, with JSB conjuring up a particularly sparkling Allegro second movement.

Iota

Quote from: vandermolen on November 24, 2024, 02:08:51 AMMalipiero SQ No.5 'dei capricci' (1950)
I was pleased to read that Malipiero composed with an owl perched on his shoulder.
One of my favourite SQs:


Haha, now that you've made me aware of it, so am I. :)  Will check out the string quartet in the light of this colourful information.

Roasted Swan

I am very guilty as a listener of seeking out the new and unfamiliar while taking "standard" repertoire or performances for granted.  Then once in a while I listen to a couple of such discs and remember what all the fuss is about;

Recently two such discs -



Yes of course it really is a toweringly classic performance.  The VPO blaze in a way that really doesn't sound at all like them.  Sometimes you have to listen to it all over again to make the point afresh!  Then a recording of classic repertoire;



Oh no, not Tchaik 1 again again.....  But what a great piece it is.  This is a performance I had no particular expectations of - the coupling of the Tanyev completion of the 3rd concerto was the draw.  But how wrong I was.  Glemser plays with real old-school virtuoso flair and attack.  And Wit and Polish National RSO are inspired collaborators.  This shouldn't be a surprise given that Wit/PNRSO have produced superb large scale recordings of Turangalila and other works to great effect.  I did wonder if the mid-90's recording date meant that back then the orchestra still had a  bit of that Eastern-bloc bite and snarl that for me works so well in this kind of repertoire.  Possibly because this is from the time when Naxos meant cheap discs quickly recorded with often sub-par results this meant have slipped under the radar.  30 years on it measures up very well indeed....

DavidW

@Roasted Swan That Kleiber recording is one for the ages! I'm always up for a listen to Tchaikovsky's piano concerto #3, so I'll add that one to the list.

Traverso

Bach

Continuing with these recordings with a beautiful organ from Amsterdam.

CD 2








Mookalafalas

It's all good...

vandermolen

#120250
Quote from: Iota on November 25, 2024, 04:04:52 AMHaha, now that you've made me aware of it, so am I. :)  Will check out the string quartet in the light of this colourful information.
;D
Extract from Musicweb review:
The sixth string quartet L'Arca di Noe completed in 1947 is yet another example of Malipiero's unconventional approach. The subtitle ('Noah's Ark') has given way to several, sometimes diverging interpretations. Some think that it refers to the fact that Malipiero's home was a refuge for numerous animals and that he was said to be used to composing with an owl perched on his shoulder! Others think that it refers to Malipiero's attempt at gathering sometimes disparate elements into one single entity. Needless to say that I think the latter is the most likely.
"Courage is going from failure to failure without losing enthusiasm" (Churchill).

'The test of a work of art is, in the end, our affection for it, not our ability to explain why it is good' (Stanley Kubrick).

vandermolen

Quote from: VonStupp on November 24, 2024, 08:08:00 AMHeitor Villa-Lobos
Symphony 12
Uirapuru
Mandú-Çárárá
São Paulo SO & Choirs - Isaac Karabtchevsky

Finishing up the symphonies, here paired with two symphonic poems, the second with chorus. I will probably pick up with V-L's string quartets after the new year.
VS


The magical Uirapuru is my favourite work by VL.
"Courage is going from failure to failure without losing enthusiasm" (Churchill).

'The test of a work of art is, in the end, our affection for it, not our ability to explain why it is good' (Stanley Kubrick).

vandermolen

Can't stop playing Steinberg's 3rd Symphony
The redemptive 'Triumph-against-the-odds' conclusion is very moving and has me on the edge of my seat. The whole work is terrific. Miaskovsky comes to mind throughout the work and I was pleased to read that the Symphony is dedicated to him.
"Courage is going from failure to failure without losing enthusiasm" (Churchill).

'The test of a work of art is, in the end, our affection for it, not our ability to explain why it is good' (Stanley Kubrick).

ritter

Beethoven's Piano Concerto No. 4 in G major, op. 58. Rudolf Serkin and the Philadelphia Orchestra, conducted by Eugene Ormandy.

CD 2 of this set:

 « Et n'oubliez pas que le trombone est à Voltaire ce que l'optimisme est à la percussion. » 

foxandpeng

Quote from: vandermolen on November 25, 2024, 06:02:13 AMCan't stop playing Steinberg's 3rd Symphony
The redemptive 'Triumph-against-the-odds' conclusion is very moving and has me on the edge of my seat. The whole work is terrific. Miaskovsky comes to mind throughout the work and I was pleased to read that the Symphony is dedicated to him.


On my list :)
"A quiet secluded life in the country, with the possibility of being useful to people ... then work which one hopes may be of some use; then rest, nature, books, music, love for one's neighbour — such is my idea of happiness"

Tolstoy

Harry

I've always had great respect for Paddington because he is amusingly English and a eccentric bear He is a great British institution and emits great wisdom with every growl. Of course I have Paddington at home, he is a member of the family, sure he is from the moment he was born. We have adopted him.

foxandpeng

"A quiet secluded life in the country, with the possibility of being useful to people ... then work which one hopes may be of some use; then rest, nature, books, music, love for one's neighbour — such is my idea of happiness"

Tolstoy

Karl Henning

Quote from: ritter on November 24, 2024, 12:07:49 PMIt's been a while since I last listened to any of Prokofiev's symphonies. So today, I've pulled Symphony No. 4 from the shelves, in both its versions (op. 47 and op. 112). Mstislav Rostropovich conducts the French National Orchestra.

CD 1 of the "Complete Symphonies" set."
The Op. 112 has grown on me.

TD: Listening to the Jerusalem Quartet play "Wolferl."
K. 157, 458 & 589.
Karl Henning, Ph.D.
Composer & Clarinetist
Boston MA
http://www.karlhenning.com/
[Matisse] was interested neither in fending off opposition,
nor in competing for the favor of wayward friends.
His only competition was with himself. — Françoise Gilot

Dry Brett Kavanaugh

Alexander Yossifov violin concerto No. 1.




Traverso

Schütz

Musikalische Exequien

This if my first Schütz recording and I still love it.