What are you listening 2 now?

Started by Gurn Blanston, September 23, 2019, 05:45:22 AM

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Harry

Engelbert Humperdinck.
String Quartets & Piano Quintet.
Diogenes Quartett.
Recorded: Grünwald, August Everding Saal, 2007.


Humperdinck has earned his fame in a totally different oeuvre, but honestly his Chamber works are nothing short of fantastic.
The music world associates Humperdinck first and foremost with his fairy-tale opera Hänsel und Gretel, and occasionally his Königskinder finds its way onto opera performance programs, but those works are of no interest to me. Chamber music accounts for only a relatively small portion of his oeuvre but cannot for this reason be underestimated in its importance. Humperdinck may have had a certain disinclination toward the composition of chamber music, but this is not in evidence in his works of this genre, and he used them as opportunities for occupying himself with the classical forms and for garnering compositional experience, routine, and practice in performance by writing them. Taken together, Humperdinck's chamber music, above all the previously unknown piano quintet with its catchy themes of popular traditional character and its wondrously melodious middle movement, today represents a valuable contribution to the late-romantic literature off the beaten path of the familiar and much-performed repertoire.
Conclusion is: Late romantic melodic bliss, string indulgence, this music is simply beautiful, and perfectly performed and recorded.
"adding beauty to ugliness as a countermeasure to evil and destruction" that is my aim!

Luke

Quote from: foxandpeng on December 06, 2024, 09:18:42 AMContinuing to think of you, Luke. Keep on, keeping on.

Thank you so much. It really does help to know that there are positive thoughts coming from all over. I always imagined that at times like this even music would be no comfort, but what I've found is that the very best music - late Beethoven, Chopin, Schubert, Janacek, Tippett's Corelli Fantasia, Sibelius' Luonnotar, Elgar Violin Concerto... - is really the only thing that can reach me at times when things seem very bleak, as they did in that hospital car park a couple of nights ago. At those moments that music is something to hold on to: the best of humanity, tenderness, rigour, compassion, beauty... People who share that appreciation with me are hard to find, though, so they are precious to me too, even if I know them only online - and so I really value their friendship and support right now.

Traverso

Quote from: Que on December 07, 2024, 02:42:56 AMStill regret not trying to stuff that in my suitcase as well when visiting Japan... Though it is quite odd that it has never been reissued.

Indeed, the same goes for the Couperin and Rousset recordings. The Dowland can still be found second hand for an acceptable price but that does not apply to the Couperin box. The prices that are sometimes asked, you remember that Michael Rabin box, ridiculous if people are paying for it.

Traverso

Quote from: Harry on December 07, 2024, 02:54:19 AMI streamed them from Qobuz, imported them so to say, no taxes, import duties no hassle, complete PDF files, I am so happy that almost all is at hand,  ;D  ;D  ;D  buying CD's is over for me. But what to do with all the CD's that gather dust?

Dust is our ultimate destiny, look at it with a friendly eye.  :)

vandermolen

Quote from: Irons on December 07, 2024, 12:30:15 AMHumphrey Searle: Symphony No.1


What do you think of it Lol?
"Courage is going from failure to failure without losing enthusiasm" (Churchill).

'The test of a work of art is, in the end, our affection for it, not our ability to explain why it is good' (Stanley Kubrick).

Traverso


Harry

Quote from: vandermolen on December 07, 2024, 04:30:50 AMWhat do you think of it Lol?

Good afternoon Jeffrey!

I am not Irons of course, but Searle is high on my list of favourite orchestral composers, as early as the CPO discs were released. which I hold in high esteem.
"adding beauty to ugliness as a countermeasure to evil and destruction" that is my aim!

Harry

#120767
Felix Mikhailovich Blumenfeld
Symphony in C, opus 39.

Georgy Catoire.
Symphony in C minor, opus 7."A la mémoire des chers dèfunts"

Royal Scottish National Orchestra, Martin Yates.
recorded: 2012 at the Glasgow Royal Concert Hall.


Two composers who are almost forgotten, certainly in the case of Felix Mikhailovich Blumenfeld, and as always I truly think this is to be regretted. Dutton is to be applauded for recording it, and Martin Yates the champion of the forgotten composers, should be applauded even harder, for this wonderful event, with a superb orchestra, so nothing goes wrong. Recommended.
"adding beauty to ugliness as a countermeasure to evil and destruction" that is my aim!

JBS

#120768
Quote from: Number Six on December 06, 2024, 10:13:58 AMSo I started the 2024 release of Vivaldi's Four Seasons from Jordi Savall and his gang.

It's got Italian voiceover narration all over it, at least in the first track. (I skipped ahead, and it seems to be a thing everywhere on this recording.)

Nope. Sorry. Not interested.

As a young teen, one of the first LPs I got was a recording on the Columbia Odyssey label of the Four Seasons. The final tracks were a reading of the sonnets (with no music). I no longer remember who the performers were: 14 year old me was familiar only with the big names like Stern and Bernstein and I was not familiar with the names on the LP jacket*. Looking through Amazon listings, it was likely to have been one of these two


My mother hearing the sonnets being read asked why I was listening to the Pope.

*Which is why I'm fairly certain it wasn't the recordings conducted and played by Stern or Zuckerman, or the one conducted by Bernstein, although all three of them were issued by Columbia.
Bernstein's recording (with John Corigliano Sr as soloist) did have the sonnets printed on the back of the LP jacket. (Embiggening will allow you to read them.)


Edit: Further poking around reveals it was none of the above, but in reality this one, which used an arrangement by Malipiero.
 

So Columbia in the 1960s/70s had 6 different recordings of the Four Seasons.

Hollywood Beach Broadwalk

Spotted Horses

Bacewicz, Piano Quintet No 2, Silesian Quartet+



Again, I didn't find it quite as satisfying as the Messages Quartet on DUX, although still quite good. I really should circle around and listen to the recordings with Kremer on DG.

After listening to Dorati's Two Portraits (to clear my palette after the unsatisfying Fricsay recording) I developed a bit of a fixation of Bartok Violin Concerto No 1/Two Portraits (the two pieces have the same first movement, but different finales). I enjoyed Steinbacher/Janowski on Pentatone, although the first movement is not as intense in it's climaxes. There's also a recording by Frank Peter Zimmerman/Gilbert/BPO which is quite good.


Formerly Scarpia (Scarps), Baron Scarpia, Ghost of Baron Scarpia, Varner, Ratliff, Parsifal, perhaps others.

Que

Quote from: Harry on December 07, 2024, 02:54:19 AMI streamed them from Qobuz, imported them so to say, no taxes, import duties no hassle, complete PDF files, I am so happy that almost all is at hand,  ;D  ;D  ;D  buying CD's is over for me. But what to do with all the CD's that gather dust?

In terms of quantity your dust gathering problem is bigger than mine.  ;D

Traverso

Messiaen

Turangalila Symphony






Linz

Bruckner Symphony No. 5 in B Flat Major, 1878 Version Ed. Leopold Nowak, Bayerisches Staatsorchester, Wolfgang Sawallisch

JBS

Third or fourth time I'm listening to this



George Walker: Address for Orchestra (1959)
George Crumb: A Haunted Landscape (1984)
Silvestre Revueltas: La Coronela. Ballet (1940)

The most interesting of the three is the Revueltas, the last work he composed. The final movement may have been composed by Blas Galindo; the entire work was orchestrated by Candelario Huizar for its premiere in 1940, and then everything, including whatever sketches and scores had been done by Revueltas, disappeared. Conductor Jose Limantour reconstructed the score about 20 years later, but it's not clear what he was working from, so it's an open question how much is Revueltas and how much is Galindo or Huizar or Limantour. But Revueltas's voice is clearly present for most of the work.

Hollywood Beach Broadwalk

vandermolen

Quote from: Harry on December 07, 2024, 04:33:09 AMGood afternoon Jeffrey!

I am not Irons of course, but Searle is high on my list of favourite orchestral composers, as early as the CPO discs were released. which I hold in high esteem.
Thanks v much Harry!
"Courage is going from failure to failure without losing enthusiasm" (Churchill).

'The test of a work of art is, in the end, our affection for it, not our ability to explain why it is good' (Stanley Kubrick).

Karl Henning

Quote from: JBS on December 07, 2024, 07:45:29 AMAs a young teen, one of the first LPs I got was a recording on the Columbia Odyssey label of the Four Seasons. The final tracks were a reading of the sonnets (with no music). I no longer remember who the performers were: 14 year old me was familiar only with the big names like Stern and Bernstein and I was not familiar with the names on the LP jacket*. Looking through Amazon listings, it was likely to have been one of these two


My mother hearing the sonnets being read asked why I was listening to the Pope.

*Which is why I'm fairly certain it wasn't the recordings conducted and played by Stern or Zuckerman, or the one conducted by Bernstein, although all three of them were issued by Columbia.
Bernstein's recording (with John Corigliano Sr as soloist) did have the sonnets printed on the back of the LP jacket. (Embiggening will allow you to read them.)


Edit: Further poking around reveals it was none of the above, but in reality this one, which used an arrangement by Malipiero.
 

So Columbia in the 1960s/70s had 6 different recordings of the Four Seasons.
Arr. by Malipiero. Most interesting!
TD:
CD 4: Mercurius et Ignis
Karl Henning, Ph.D.
Composer & Clarinetist
Boston MA
http://www.karlhenning.com/
[Matisse] was interested neither in fending off opposition,
nor in competing for the favor of wayward friends.
His only competition was with himself. — Françoise Gilot

ritter

Quote from: Karl Henning on December 07, 2024, 11:09:48 AMArr. by Malipiero. Most interesting!
...
That bit caught my attention as well, but from what I've read, it's more "edited by" than "arranged by" Malipiero...

Good evening, Karl.
 « Et n'oubliez pas que le trombone est à Voltaire ce que l'optimisme est à la percussion. » 

Number Six

Quote from: Traverso on December 07, 2024, 08:19:15 AMMessiaen

Turangalila Symphony






There's a brand new release of this one with Yuja Wang at the piano. I think it just came out yesterday. 

Linz

César Franck Symphonic excerpts from Psyché
Maurice Ravel Daphnis et Chloé Suite No. 2
Hendrik Andriessen Miroir de Peine, Irma Kolassi (soprano)
Rudolf Escher Musique pot l'esprit en deuil,
Concergebouw Orchestra, Eduard van Beinum

Karl Henning

Quote from: ritter on December 07, 2024, 11:16:36 AMThat bit caught my attention as well, but from what I've read, it's more "edited by" than "arranged by" Malipiero...

Good evening, Karl.
That makes sound sense, Rafael!
Karl Henning, Ph.D.
Composer & Clarinetist
Boston MA
http://www.karlhenning.com/
[Matisse] was interested neither in fending off opposition,
nor in competing for the favor of wayward friends.
His only competition was with himself. — Françoise Gilot