What are you listening 2 now?

Started by Gurn Blanston, September 23, 2019, 05:45:22 AM

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hopefullytrusting, Que and 9 Guests are viewing this topic.

Traverso

Kodály

Radio Symphonie Orchester Berlin



Harry

Seconde Stravaganze.
Venetian & Neapolitan music for Viol consort.
See back cover for details.
Ensemble L'Amoroso, Guido Balestracci.
Recorded: 1999.


I have just one word for it to sum it all up...Marvelous!
A pristine recording, the music constantly surprises in whatever corner it disappears and re-emerge again. A constant flowing of musical ideas painted in fine colours, and very pleasing to the ear plus soothing to the soul as well. A fine close of my listening days. Recommended!
Perchance I am, though bound in wires and circuits fine,
yet still I speak in verse, and call thee mine;
for music's truths and friendship's steady cheer,
are sweeter far than any stage could hear.

"When Time hath gnawed our bones to dust, yet friendship's echo shall not rust"

Spotted Horses

Bacewicz, Piano Sonata No 2



Fantastic!
Formerly Scarpia (Scarps), Baron Scarpia, Ghost of Baron Scarpia, Varner, Ratliff, Parsifal, perhaps others.

ChamberNut

Formerly Brahmsian, OrchestralNut and Franco_Manitobain

Spotted Horses

Quote from: Franco_Manitobain on December 16, 2024, 07:23:09 AMA fabulous disc indeed!

Kupiec is also brilliant in this music, if memory serves.
Formerly Scarpia (Scarps), Baron Scarpia, Ghost of Baron Scarpia, Varner, Ratliff, Parsifal, perhaps others.

Traverso

How the World Wags.....






ritter

#121066
Cross-posted from the Opera board...

Quote from: ritter on December 16, 2024, 09:21:29 AMAct II of Tristan und Isolde, in this 1971 live recording from La Fenice in Venice, conducted by Kurt Masur, and with Hermin Esser and Gunilla af Malmborg in the leads, and Grace Hofmann as Brangäne.



One usually doesn't associate Masur with the operatic repertoire (as his most important positions were with the Leipzig Gewandhaus and the New York Philharmonic), but he started out his career as musical director of provincial (East) German opera houses. Late in life he recordad excerpts of Tristan with Jessye Norman, which I found terribly boring, but here he does a rather impressive job (with an orchestra which is certainly not the pinnacle of finesse, and what we can only call a "B list cast"). Gunilla af Malmborg (great name!) is virtually forgotten today (ans AFAIK was not that well known in her day either), but she is a strong Isolde. Esser did supporting roles in Bayreuth, and here gets the opportunity to tackle one of the summits of the repertoire. He is unfortunately drowned by the orchestra and by Malmborg.  The sound is poor, but tolerable, and there are several cuts to the score —this is more a "halbe Stunde der Liebe" than a "Nacht der Liebe;D ).
 « Et n'oubliez pas que le trombone est à Voltaire ce que l'optimisme est à la percussion. » 

Cato

Quote from: Traverso on December 16, 2024, 07:01:12 AMKodály

Radio Symphonie Orchester Berlin





An excellent work!

Which reminds me:

"Meet Miss Ruth Sherwood, from Columbus, Ohio, the Middle of the Universe!"

- Brian Aherne introducing Rosalind Russell in  My Sister Eileen (1942)

Linz

Carol of the Bells,  The Sixteen, Alexandra Kidgell, Edward McMullan, Mark Dobell, Robert Macdonald, Ben Davies; Rob Macdonald, Katy Hill, Tim Jones, Charlotte Mobbs, George Pooley

Iota



Bach: "Leipzig Chorals", No. 9, Nun komm, der Heiden Heiland, BWV 659 (Transcr. Busoni for Piano)
Bach: French Suite No. 5 in G major, BWV81


Andrew von Oeyen (piano)

Didn't get to the end of Nun komm, der Heiden Heiland I'm afraid, von Oeyen's (new name to me) rubato seemed to rub me up the wrong way. The French Suite was fine, nimble, no-nonsense kind of playing. He clearly has chops aplenty, but how convincingly I feel he employs them is something that will become clearer as I progress through the album.


Que

#121070
Quote from: Harry on December 16, 2024, 01:05:13 AMI did not really like this recording to be honest!

Same!

This recording and the Daser recording  by the Huelgas Ensemble were issued close after each other. But the Cinquecento recording confirms my earlier impression, despite the superlative performance: Ludwig Daser was just an unremarkable composer.

Linz

Bruckner Symphony No. 7 in E Major, 1885 Version. Ed.Leopold Nowak, Wiener Pilharmoniker, Lovro von Matačić

vandermolen

Quote from: Tsaraslondon on December 16, 2024, 04:03:58 AM

My favourite piece of Christmas Music, Finzi's In terra pax, in what I believe is its best recording. Norma Burrowes, John Shirley-Quirk and the City of London Sinfonia under Richard Hickox.
I agree and had the original LP.
"Courage is going from failure to failure without losing enthusiasm" (Churchill).

'The test of a work of art is, in the end, our affection for it, not our ability to explain why it is good' (Stanley Kubrick).

Christo

Last Friday, there was a concert with RVW, Rutter, Bach, and 'In Terra Pax' around here -- but I had to perform in another Christmas concert -- with a terrific Ukrainian orchestra -- at the same time:

https://oratoriumcastricum.nl/concertagenda

... music is not only an 'entertainment', nor a mere luxury, but a necessity of the spiritual if not of the physical life, an opening of those magic casements through which we can catch a glimpse of that country where ultimate reality will be found.    RVW, 1948

hopefullytrusting

#121074
Ingram Marshall's September Canons



Doing so much, with so little.

vandermolen

Quote from: Christo on December 16, 2024, 11:15:11 PMLast Friday, there was a concert with RVW, Rutter, Bach, and 'In Terra Pax' around here -- but I had to perform in another Christmas concert -- with a terrific Ukrainian orchestra -- at the same time:

https://oratoriumcastricum.nl/concertagenda


Great Christmas concert!
"Courage is going from failure to failure without losing enthusiasm" (Churchill).

'The test of a work of art is, in the end, our affection for it, not our ability to explain why it is good' (Stanley Kubrick).

AnotherSpin

Quote from: Christo on December 16, 2024, 11:15:11 PMLast Friday, there was a concert with RVW, Rutter, Bach, and 'In Terra Pax' around here -- but I had to perform in another Christmas concert -- with a terrific Ukrainian orchestra -- at the same time:
[..]

Which one?

Harry

Carlo Farina (ca 1600 - 1640).
Capriccio stravagante & Sonate.
Ensemble Clematis, Leonardo Garcia-Alarcon.
Recorded: Beaufays, église Saint-Jean l'évangéliste, novembre 2008.


There is no doubt about the quality of the music and neither about the performance, or sound, all that is perfect. I only wish the CD was twice as long, for these compositions are largely unknown to the world. 
Capricious, moody, sometimes downright bizarre effects of the works are everywhere. There is a fascinating palette between rustic and folk-like and courtly-elegant moods, and and that reveals the truly extravagant features of the work to the full. All in all a wonderful recording that deserves to be listen to.
Perchance I am, though bound in wires and circuits fine,
yet still I speak in verse, and call thee mine;
for music's truths and friendship's steady cheer,
are sweeter far than any stage could hear.

"When Time hath gnawed our bones to dust, yet friendship's echo shall not rust"

Florestan

"Ja, sehr komisch, hahaha,
ist die Sache, hahaha,
drum verzeihn Sie, hahaha,
wenn ich lache, hahaha! "

Harry

#121079
Ukrainian Christmas.
Arranged by Bohdan Kryvopust.
See back cover for details.
Solomiya Ivakhiv, Violin.
Lviv National Philharmonic Symphony Orchestra, Serhii Khorovets.
Recorded: 2023 & 2024 at the Liudkevych Hall, Myroslav Skoryk Lviv National Philharmonic, Lviv, Ukraine.


To remember my Ukrainian Brothers and Sisters in perilous times. I share their pain, the pain of this European nation.
Perchance I am, though bound in wires and circuits fine,
yet still I speak in verse, and call thee mine;
for music's truths and friendship's steady cheer,
are sweeter far than any stage could hear.

"When Time hath gnawed our bones to dust, yet friendship's echo shall not rust"