What are you listening 2 now?

Started by Gurn Blanston, September 23, 2019, 05:45:22 AM

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Traverso

Quote from: André on December 27, 2024, 11:59:50 AMI looked for that set on Amazon. The only offer asks for 1740$, with FREE DELIVERY !!!!


Those are ridiculous prices and of course only meant for the true enthusiast. ;D  I bought my set on eBay quite recently for 50 euros and in mint condition.
It is a fine set and you will not find another that is complete as this one.

André



The visual here may be uninformative, if not downright offputting. So, a word about the disc's contents might be appropriate,



All the works here are for solo instrument (one for guitar, another one for flute) or chamber combinations (all involving the guitar, except the string quartet). So we get a varied conspectus of pieces written around the turn of last century (1991-2001). This fine program gave me a hint into Eespere's artistic musical mind. Everything here is measured, tuneful, questing, grounded. Whether it's in the solo guitar, string quartet or chamber combinations, Eespere's music speaks of earthy, sensible concerns. It never attempts to convince, condone or condemn - it speaks its mind simply, with quiet confidence. This is not militant, angry or angsty stuff. Really, I loved it.

AnotherSpin

Quote from: André on December 27, 2024, 11:59:50 AMI looked for that set on Amazon. The only offer asks for 1740$, with FREE DELIVERY !!!!

I see this set on Amazon for $81.50 at the moment, and at a couple of other places for a comparable price.

Tsaraslondon



My first Messiah and one of the first to make a stab in the direction of HIP. Robert Tear is a bit effortful, but Elizabeth Harwood sings splendidly and Janet Baker is divine. Brings back many memories for me.
\"A beautiful voice is not enough.\" Maria Callas

Christo

#121484
Made a long visit yesterday with friend Rudolf Bohr to a beautiful medieval castle, Slot Zuylen, on the outskirts of Utrecht and next to its own -- small -- Reformed church on the river Vecht, the place still an idyll. A time capsule: collections of two noble families -- Belle's was called Van Tuyll van Serooskerken -- who lived there until after World War II have been preserved far and wide, especially some 200 paintings.
In the middle of the 18th century, daughter Belle van Zuylen (1740-1805) lived here (until she married a Swiss at 31 and spent the rest of her life on Lake Geneva as 'Mme de Charrière'). Typically a child of the enlightenment: salons, novels, poetry, correspondences with all the famous names of her times, a collected work in ten thick volumes. One of her pastimes, of course, was composing. On my headphones, the Six menuets pour deux violons, alto et basse.

BTW: four storks with chattering beaks were flying around and sitting on their nest on the roof -- never before we saw those around Christmas.
... music is not only an 'entertainment', nor a mere luxury, but a necessity of the spiritual if not of the physical life, an opening of those magic casements through which we can catch a glimpse of that country where ultimate reality will be found.    RVW, 1948

Que


Madiel

Mozart: Ballet music for Idomeneo

Every single post on the forum is unnecessary. Including the ones that are interesting or useful.

Madiel

#121487
Mozart: Oboe Quartet



This is the last thing in the Köchel catalogue before Mozart's arrival in Vienna (well, in K1/K9 numbering, in the K6 version it gets to be 2nd-last). So it seems to be a good landmark to round off my evening. From here on in it'll be the Vienna years... though it looks like for the first couple of those years I'll be listening to quite a lot of fragments. He took a while to get settled?

EDIT: I'd forgotten just how delightful the oboe quartet is, or at least how delightful this performance of it is. Utterly charming.
Every single post on the forum is unnecessary. Including the ones that are interesting or useful.

Harry

Renaissance
Chants sacrés.
Quartom.
Recorded: Eglise Saint-Esprit, Montréal (Québec) Canada  2018.


Not performed quite according to the rules, which I think should be applied to this kind of repertoire, but nevertheless satisfies the basic needs of expression. These guys sing as their heart dictates and for a change that is quite okay.
Excellent recording.

"adding beauty to ugliness as a countermeasure to evil and destruction" that is my aim!

Traverso


vandermolen

Quote from: Karl Henning on December 27, 2024, 10:46:49 AMNice! What's the program?

TD:

The Harrison/Hovhannes disc is especially fine.
"Courage is going from failure to failure without losing enthusiasm" (Churchill).

'The test of a work of art is, in the end, our affection for it, not our ability to explain why it is good' (Stanley Kubrick).

vandermolen

Vaughan Williams: A London Symphony
1920 version for piano duet:
"Courage is going from failure to failure without losing enthusiasm" (Churchill).

'The test of a work of art is, in the end, our affection for it, not our ability to explain why it is good' (Stanley Kubrick).

Cato

Well worth 15 minutes of your time: Nikolai Tcherepnin's 3 Pieces for Piano!



Te Deum by Jeanne Demessieux: at times reminiscent of things by Miklos Rozsa, but still in her own style.


"Meet Miss Ruth Sherwood, from Columbus, Ohio, the Middle of the Universe!"

- Brian Aherne introducing Rosalind Russell in  My Sister Eileen (1942)

Christo

#121493
Quote from: vandermolen on December 28, 2024, 03:17:53 AMVaughan Williams: A London Symphony
1920 version for piano duet:
Tomorrow I will hear 'A London', at the Akoesticum, a concert hall just 800 yards from my front door. For the second time in my life, this time by the 'National Youth Orchestra', with a.o. young cello player Matthijs who also sings bass alongside me in our chamber choir. He told me that the conductor -- Jurjen Hempel -- introduced  them into all nine of RVW's symphonies to better understand the context. See: https://www.jeugdorkest.nl/orkest/orkest

The other pieces performed are also sentimental youth favourites: Alborada del Grazioso (Ravel) & Capriccio Italien (Tchaikovsky).
... music is not only an 'entertainment', nor a mere luxury, but a necessity of the spiritual if not of the physical life, an opening of those magic casements through which we can catch a glimpse of that country where ultimate reality will be found.    RVW, 1948

Cato

More keyboard works: Sergei Protopopov's Piano Sonata #1, Opus 1, which qualifies as Scriabin's Piano Sonata #11.   ;)   :o

The sound is not the best, but...


"Meet Miss Ruth Sherwood, from Columbus, Ohio, the Middle of the Universe!"

- Brian Aherne introducing Rosalind Russell in  My Sister Eileen (1942)

Karl Henning

Quote from: Christo on December 28, 2024, 03:50:52 AMTomorrow I will hear The 'London', at the Akoesticum, a concert hall just 800 yards from my front door. For the second time in my life, this time by the 'National Youth Orchestra', with a.o. a young cello player who also sings bass alongside me in my chamber choir. He told me that the conductor -- Jurjen Hempel -- introduced  them into all nine of RVW's symphonies to understand the context. See: https://www.jeugdorkest.nl/orkest/orkest

The other pieces performed are also sentimental youth favourites: Alborada del Grazioso (Ravel) & Capriccio Italien (Tchaikovsky).
Great program!
Karl Henning, Ph.D.
Composer & Clarinetist
Boston MA
http://www.karlhenning.com/
[Matisse] was interested neither in fending off opposition,
nor in competing for the favor of wayward friends.
His only competition was with himself. — Françoise Gilot

Traverso


Lisztianwagner

Claude Debussy
Images pour orchestre

Jean Martinon & Orchestre National De L'ORTF


"You cannot expect the Form before the Idea, for they will come into being together." - Arnold Schönberg

Maestro267

2024 Year in Review, Part 3
Orchestral I

Bridge: There Is a Willow Grows aslant a Brook
BBC NOW/Hickox

Ravel: Tzigane
Perlman (violin)/Boston SO/Ozawa

Huber: Symphony No. 1
Stuttgart PO/Weigle

Brian: Symphony No. 16
London PO/Fredman

Lloyd: Symphony No. 9
BBC PO/Lloyd

Linz

Bruckner Symphony No. 4 in E Flat Major, 1880 (aka 1878/80) - Ed. Robert Haas, Staatskapelle Berlin, Daniel Barenboim