What are you listening 2 now?

Started by Gurn Blanston, September 23, 2019, 05:45:22 AM

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Linz (+ 1 Hidden) and 25 Guests are viewing this topic.

ritter

#121840
Driving back home this afternoon from the suburbs of Madrid, I caught Reynaldo Hahn's Piano Concerto on the radio, just a few bars after the beginning. The performance was first rate (the soloist, that is). At the end, the presenter (after labelling the concerto as "adorable"  :) ) said this was the most recent recording of the work, that of William Youn with the Berlin Radio Symphony Orchestra conducted by Valentin Uryupin.

 « Et n'oubliez pas que le trombone est à Voltaire ce que l'optimisme est à la percussion. » 

Madiel

Quote from: ando on January 05, 2025, 08:23:11 AMThought you might find Gielen's live video recording of the Mahler 9 of interest:


There's a DVD in the box. As per the cover of the box.
Every single post on the forum is unnecessary. Including the ones that are interesting or useful.

Iota

Quote from: Traverso on January 05, 2025, 03:41:54 AMHard to say, it came to me spontaneously. The idea that the dog was being pulled along by its owner while it wanted to sniff around longer seemed like a funny image to me, certainly not meant with an insulting intention.

If it feels that whay I will avoid such expressions in the future.


As far as I'm concerned you can conjure up your expressions whenever you fancy, I find them always colourful and very often illuminating.

Iota

Quote from: Mandryka on January 05, 2025, 06:08:58 AMLeusink's a bit of a pariah among the cognoscenti partly because they don't like the rough and ready quality -- you know what they're like -- but also because he makes quite a bit of cash out of his Bach concerts (people like Bach in Holland so he can sell tickets in little towns in the middle of nowhere)  but pays his singers a pittance, and apparently treats them shabbily (horrible food, one night cheap hotels with uncomfortable beds, third class travel. punishing regime  etc.)


Am very sorry to hear the about treatment of his singers. I will see if it slightly puts me off him when I next listen.

Traverso

Quote from: Iota on January 05, 2025, 10:40:07 AMAs far as I'm concerned you can conjure up your expressions whenever you fancy, I find them always colourful and very often illuminating.

It seems that I'm in good company,  thank you for the kind words.

AnotherSpin


Lisztianwagner

Dmitri Shostakovich
String Quartet No.13

Borodin Quartet


"You cannot expect the Form before the Idea, for they will come into being together." - Arnold Schönberg

ando

#121847
Quote from: Madiel on January 05, 2025, 10:39:54 AMThere's a DVD in the box. As per the cover of the box.
Yes, of course. Volume 6 is one of my favorite in the SWR series.


Bachtoven

Wilder has very successfully transcribed several piano works by Mozart and Haydn, including Mozart's K.626b discovered in 2018. His playing is excellent, but it sounds like a home recording to me. A little digital reverb would likely improve the sound.

ChamberNut

Marvelous, wondrous work with incredible orchestration! I do happen to prefer this performance over the Zinman.




Formerly Brahmsian, OrchestralNut and Franco_Manitobain

Daverz

#121850
Haydn: Symphony No. 22 "Philosopher" - Dorati/Philharmonia Hungarica


The cor anglais is mic'd to sound huge.  The oboe quacks like a duck.  I'll try again later to listen past these flaws.   

Listening inspired by this negative Grammophone review of the Salonen recording of No. 22, which recommends the Dorati.

https://www.gramophone.co.uk/review/haydn-symphonies-nos-2278-and-82

EDIT:  Moved on to Klumpp.  Ok, I suppose it's in the nature of the cor anglais to sound loud against a small ensemble (as the French horn usually does).  But that Philharmonia Hungarica oboe is still very quacky.


prémont

Quote from: Iota on January 05, 2025, 10:40:07 AMAs far as I'm concerned you [Traverso] can conjure up your expressions whenever you fancy, I find them always colourful and very often illuminating.

Count me in.
Reality trumps our fantasy far beyond imagination.

Karl Henning

Quote from: Franco_Manitobain on January 05, 2025, 12:20:49 PMMarvelous, wondrous work with incredible orchestration! I do happen to prefer this performance over the Zinman.





Interestingly, that's an orchestra which has appeared in one of the Jens and Joe podcasts. A fine band, and Segerstam is a fine director.
Karl Henning, Ph.D.
Composer & Clarinetist
Boston MA
http://www.karlhenning.com/
[Matisse] was interested neither in fending off opposition,
nor in competing for the favor of wayward friends.
His only competition was with himself. — Françoise Gilot

Daverz

#121853
Quote from: Karl Henning on January 05, 2025, 01:20:47 PMInterestingly, that's an orchestra which has appeared in one of the Jens and Joe podcasts. A fine band, and Segerstam is a fine director.

We lost him in October. 

Check out that photo on Wikipedia:

https://en.wikipedia.org/wiki/Leif_Segerstam



Segerstam long before he turned into the elder Brahms.

Thread duty:

Goldmark: VIolin Concerto - Joshua Bell, Los Angeles PO, Salonen


Linz

Bruckner Symphony No. 6 in A Major, 1881 Version. Ed. Leopold Nowak, NDR-Sinfonieorcchester, Günter Wand

ChamberNut

Now listening to:

Tres obras de juventud, for piano
Homenaje "Pour le tombeau to Paul Dukas"


Jean-François Heisser

From this delectable set!



Original release

Formerly Brahmsian, OrchestralNut and Franco_Manitobain

Karl Henning

Quote from: Daverz on January 05, 2025, 01:24:07 PMWe lost him in October. 

Check out that photo on Wikipedia:

https://en.wikipedia.org/wiki/Leif_Segerstam


So we did. I felt a little something, casting that verb in the present tense. 
Karl Henning, Ph.D.
Composer & Clarinetist
Boston MA
http://www.karlhenning.com/
[Matisse] was interested neither in fending off opposition,
nor in competing for the favor of wayward friends.
His only competition was with himself. — Françoise Gilot

pjme

Quote from: Franco_Manitobain on January 05, 2025, 12:20:49 PMMarvelous, wondrous work with incredible orchestration! I do happen to prefer this performance over the Zinman.







This was the very first cd I ever bought...

ChamberNut

Quote from: pjme on January 05, 2025, 01:44:12 PM
This was the very first cd I ever bought...

Ah, that is very interesting!  :) I have not heard "Le buisson ardent", nor the other works listed!
Formerly Brahmsian, OrchestralNut and Franco_Manitobain

Number Six



Beethoven: Symphony No. 9
Norrington, London Classical Players