What are you listening 2 now?

Started by Gurn Blanston, September 23, 2019, 05:45:22 AM

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T. D.


Karl Henning

Karl Henning, Ph.D.
Composer & Clarinetist
Boston MA
http://www.karlhenning.com/
[Matisse] was interested neither in fending off opposition,
nor in competing for the favor of wayward friends.
His only competition was with himself. — Françoise Gilot

JBS

Quote from: JBS on January 17, 2025, 05:11:54 PMHaving dissed Delius in the Omissions thread, it's only natural that my run through of this box brings me to a CD full of Delius (RPO conducted by Beecham)

Over the Hills and Far Away
North Country Sketches
Eventyr

Closing Scene from Koanga


And moving on to the first Elgar CD in the set (he gets the lion's share, with 4 1/2 CDs out of 12)

Symphony 1
Sea Pictures

Yvonne Minton mezzo-soprano/London Philharmonic/Daniel Barenboim conductor

Hollywood Beach Broadwalk

brewski

Dipping into the Minnesota Orchestra's livestream, with violinist Johan Dalene in Nielsen's Violin Concerto, which I don't recall ever hearing live. Thomas Søndergård and the ensemble are on point, as usual.

"I set down a beautiful chord on paper—and suddenly it rusts."
—Alfred Schnittke (1934-1998)

ChamberNut

Quote from: JBS on January 17, 2025, 05:11:54 PMHaving dissed Delius in the Omissions thread, it's only natural that my run through of this box brings me to a CD full of Delius (RPO conducted by Beecham)

Over the Hills and Far Away
North Country Sketches
Eventyr

Closing Scene from Koanga


I gather the cover to this box set doesn't do any favours to remove the 'cow pat' prejudice of a lot of British music?
Formerly Brahmsian, OrchestralNut and Franco_Manitobain

Karl Henning

Quote from: JBS on January 17, 2025, 05:49:00 PMAnd moving on to the first Elgar CD in the set (he gets the lion's share, with 4 1/2 CDs out of 12)

Symphony 1
Sea Pictures

Yvonne Minton mezzo-soprano/London Philharmonic/Daniel Barenboim conductor
I enjoyed the Delius in the Barbirolli doorstop better than I anticipated, but I still don't regard him as a favorite composer.
Karl Henning, Ph.D.
Composer & Clarinetist
Boston MA
http://www.karlhenning.com/
[Matisse] was interested neither in fending off opposition,
nor in competing for the favor of wayward friends.
His only competition was with himself. — Françoise Gilot

André

Quote from: Der einsame Einsiedler on January 16, 2025, 06:27:22 AMThis will be my last post for awhile on this forum, but I just want to say I was in the Masur is dull as dishwater camp until I started to listen to some of his recordings with fresh ears. I'm proud to say that I have been thoroughly enjoying all of the recordings of his that I've been listening to over the past couple of days. Like the Mendelssohn Jungendsinfonien box set on Berlin Classics and now this Liszt box set on Warner (EMI). Seems as thought I've turned some kind of corner with Masur.

John is that you ? And you're leaving already ? 🤨

Karl Henning

Quote from: brewski on January 17, 2025, 05:50:56 PMDipping into the Minnesota Orchestra's livestream, with violinist Johan Dalene in Nielsen's Violin Concerto, which I don't recall ever hearing live. Thomas Søndergård and the ensemble are on point, as usual.

Nice! I'm in!
Karl Henning, Ph.D.
Composer & Clarinetist
Boston MA
http://www.karlhenning.com/
[Matisse] was interested neither in fending off opposition,
nor in competing for the favor of wayward friends.
His only competition was with himself. — Françoise Gilot

André

Quote from: AnotherSpin on January 16, 2025, 02:10:12 AMSymphony No 7



One of my favourite versions of the 7th. Slow tempi in the allegros, but very pointed rythms. And the symphonic poems under Chalabala: chef's kiss !

André

Quote from: hopefullytrusting on January 16, 2025, 06:42:11 AMThe Violin Sonatas of Emil Sjögren! 8)

Beautiful stuff. Nordic romanticism at its best.

JBS

Quote from: Franco_Manitobain on January 17, 2025, 05:51:53 PMI gather the cover to this box set doesn't do any favours to remove the 'cow pat' prejudice of a lot of British music?

No. And it leaves out a surprising amount.
RVW gets 1 CD, Holst none at all.
Elgar gets 4 1/2, Walton 2 1/2, Britten 1 1/2. So no Bax, Rubbra, Arnold. And some are old recordings: Beecham conducts Delius plus Arnell and Berners. Then there's Mitropolous's RVW and Stokowski's RVW 6. Most of the Walton is conducted by Kostelanetz and Ormandy.  Sony's British archives must have been rather slim.

Hollywood Beach Broadwalk

T. D.


Mookalafalas

On Disk 3 of Brawn's LvB sonata survey.

It's all good...

Madiel

My own playing of a song from Sullivan's The Mikado on repeat, so that I can be my own backing track for an audition for The Pirates of Penzance because it turns out there won't be a pianist available (in part because I said no because I wanted to audition instead).

Which is VERY weird, and also reveals my piano could do with tuning.  :o

I'll be returning to listening to a commercial recording as soon as possible.
Nobody has to apologise for using their brain.

Karl Henning

Quote from: Madiel on January 17, 2025, 09:06:11 PMMy own playing of a song from Sullivan's The Mikado on repeat, so that I can be my own backing track for an audition for The Pirates of Penzance because it turns out there won't be a pianist available (in part because I said no because I wanted to audition instead).

Which is VERY weird, and also reveals my piano could do with tuning.  :o

I'll be returning to listening to a commercial recording as soon as possible.
Good luck!
Karl Henning, Ph.D.
Composer & Clarinetist
Boston MA
http://www.karlhenning.com/
[Matisse] was interested neither in fending off opposition,
nor in competing for the favor of wayward friends.
His only competition was with himself. — Françoise Gilot

Madiel

Nielsen

Symphony No.3, 'Sinfonia espansiva'
Violin Concerto



Plenty of sources will tell you both of these works premiered in the same concert. I've yet to find anyone who will tell me which got played first! Ah well. I'm doing the symphony now, the concerto straight after.
Nobody has to apologise for using their brain.

AnotherSpin

Quote from: André on January 17, 2025, 05:52:21 PMJohn is that you ? And you're leaving already ? 🤨


Some people leave without saying goodbye, while others say goodbye and never leave.

Que

And I just stumbled upon De Labyrintho's new recording of Josquin Desprez' Missa L'Homme Armé super voces musicales:


Madiel

Mozart: Die Entführung aus dem Serail



Act One so far. I'm not sure I'll listen to the whole thing tonight as I started a lot later than planned (trying to find a version, video or audio, where I could read English - you'd think an English production from a legitimate Youtube channel would have English subtitles available but no).

But I might just be a fan of Singspiel. I rather like having some spoken dialogue in there to break things up, and it pays off really well in the very first scene where Osmin ignores Belmonte when he speaks and only pays attention to him once he starts singing.

Opinions on this particular recording seem to vary a bit, but it's perfectly fine for my purposes of hearing a work.
Nobody has to apologise for using their brain.

Que



Another from the same Italain label NovAntiqua. I knew Marco Pesci from an Italian Renaissance recital on Naxos. This is equally enjoyable!  :)

The Flemish Pierre Phalèse (c. 1510-c. 1575) was the first publisher to edit extensive anthologies of lute music with pieces by Italian and French lute composers.

The Luculentum, published in 1568, includes 163 compositions for lute, of which 8 are for two lutes. The music here selected represents all the musical genres of Renaissance lute composition: fantasies, dances and tablatures, arrangements for lute of famous vocal works.


https://www.novantiqua.net/prodotto/Luculentum-Theatrum-Musicum