What are you listening 2 now?

Started by Gurn Blanston, September 23, 2019, 05:45:22 AM

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ChamberNut

La Vida Breve (again!)

This time, conducted by Rafael Frühbeck de Burgos

Amazing performance!







Formerly Brahmsian, OrchestralNut and Franco_Manitobain

Que

#124881
Quote from: SonicMan46 on February 27, 2025, 06:52:29 AMHi Que - 👍  Own the 8-disc box inserted above (probably an inexpensive box bargain from JPC - can't remember?)  Dave :)


Probably! And  the set with the concertos for mixed instruments as well?
I had convinced myself that I didn't need it on account of lack of space and the option of streaming... 8)

Que

Quote from: Harry on February 27, 2025, 06:18:16 AMThe Musical Universe of
Andreas Pevernage (1542/3–91).
And other works by: Gerard van Turnhout, (1520-1580) Kyrie from "Missa O Maria vernans"/ Antoine Barbe, (1505-1564) Agnus Dei from "Missa Vecy la danse de Barbarie"/ Severin Cornet, (1530-1582, Tibi laus, tibi gloria.
Chansons, Motets, Madrigals.
Utopia Ensemble.
Michaela Riener, Mezzo-soprano, Bart Uvyn, Countertenor, Adriaan De Koster, Tenor,  Lieven Termont, Baritone,  Guillaume Olry, Bass.
Recorded 11–13 September 2020 at Sint-Paulus Church, Antwerp, Belgium.
Cover: Rosary bead, Flanders, c.1525–50.


After the Requiem for an Emperor, I was curious after a few of their other recordings, and found the same qualities in the present one, abundantly so I might add! The same treats are to be expected, and for this I say thanks to @Que who made me aware of this ensemble. So far as I can see, only three recordings on Qobuz. Excellently recorded and performed. superb informative PDF file.

I liked that recording performance-wise, but found the music was not that interesting.
Though they do deserve praise for digging up unknown repertoire.

Der lächelnde Schatten

NP:

Handel
Concerto Grosso In C, HWV 318, "Alexander's Feast"
English Baroque Soloists
Gardiner


From this set -



Listening to the other recording I own of this work and I like the Pinnock much more. There's something about Pinnock's Handel that is special to me. I suppose it has a lot to with temperament, but also the ensemble playing is so important here where certain nuances need to happen within the instrumental interplay. I don't think Gardiner's performance gives this work much in the way of liveliness either, which is surprising because I usually like his conducting. Just not here.

Der lächelnde Schatten

Now playing disc 1 from this Handel Organ Concertos, Op. 7 set with Preston, Pinnock and The English Concert:


Karl Henning

Karl Henning, Ph.D.
Composer & Clarinetist
Boston MA
http://www.karlhenning.com/
[Matisse] was interested neither in fending off opposition,
nor in competing for the favor of wayward friends.
His only competition was with himself. — Françoise Gilot

DavidW

I listened to two recordings that bowled me over today, and one from last night!

(all of it)
(just the underrated first symphony)
(never heard Schuricht before)

Linz

Wolfgang Amadeus Mozart Mozart Szell Original Jacket Cleveland Orchestra CD5
Sinfonia Cocertante in E flat major for violn , viola, Rafael Druian violin Abraham Skernick, viola
Exultate, Jubilate, K. 165 (158a), Judith Raskin, soprano
Symphony No. 39 in E flat major, K 543 (1947 Mono recording)
The Cleveland Orchestra, Georg Szell

ritter

Inevitably, Manuel de Falla's and Ernesto Halffter's Atlàntida (hat tip to @ChamberNut ).  Vocal soloists, children's chorus of the Colegio Nuestra Señora del Recuerdo, Spanish National Orchestra and Chorus, conducted by Rafael Frühbeck de Burgos.

CDs 6 and 7 of this set:

 « Et n'oubliez pas que le trombone est à Voltaire ce que l'optimisme est à la percussion. » 

ChamberNut

More Falla. Someone please help me pry myself away from him!







Formerly Brahmsian, OrchestralNut and Franco_Manitobain

Harry

Quote from: Que on February 27, 2025, 08:15:02 AMI liked that recording performance-wise, but found the music was not that interesting.
Though they do deserve praise for digging up unknown repertoire.

There must be something wrong with me, for I found this music fascinating thus interesting ;D  ;D  He was a composer in his time performed on a regular basis, and his compeers held him in great esteem. Tastes differ I must accept...
Perchance I am, though bound in wires and circuits fine,
yet still I speak in verse, and call thee mine;
for music's truths and friendship's steady cheer,
are sweeter far than any stage could hear.

"When Time hath gnawed our bones to dust, yet friendship's echo shall not rust"

Lisztianwagner

J.S. Bach
C.P.E Bach
François Couperin
G. H. Stölzel

Works from the Musical Notebook for Anna Magdalena Bach

Hans-Martin Linde (baritone), Angelica May (cello),  Gustav Leonhardt (harpsichord), Rudolf Ewerhart (organ), Elly Ameling (soprano), Johannes Koch (viola da gamba)


"You cannot expect the Form before the Idea, for they will come into being together." - Arnold Schönberg

hopefullytrusting

This feels like my first "real/true" program; it is entitled: Beethoven's Shadow

Marxsen's Rondo Brilliant in F Major
Brahms's Symphony No. 4 (Fritz Busch)
Mandyczewski's 13 Waltzes and Finale
Jenner's Serenade in A Major

:)

Der lächelnde Schatten

Now playing disc 3 from this Tatiana Shebanova Chopin box set (there are too many works to type out, so I won't bother):


Der lächelnde Schatten

NP:

Schubert
Arpeggione Sonata in A minor, D 821
Steven Isserlis, Dénes Várjon



Selig

Quote from: Harry on February 27, 2025, 06:18:16 AM
After the Requiem for an Emperor, I was curious after a few of their other recordings, and found the same qualities in the present one, abundantly so I might add! The same treats are to be expected, and for this I say thanks to @Que who made me aware of this ensemble. So far as I can see, only three recordings on Qobuz. Excellently recorded and performed. superb informative PDF file.

They have a couple more (earlier) releases, under the name "Utopia"  ;D




prémont

#124896
Quote from: Lisztianwagner on February 27, 2025, 11:55:00 AMWorks from the Musical Notebook for Anna Magdalena Bach

Hans-Martin Linde (baritone), Angelica May (cello),  Gustav Leonhardt (harpsichord), Rudolf Ewerhart (organ), Elly Ameling (soprano), Johannes Koch (viola da gamba)[/b]



Leonhardt is of course excellent here as usual, but what makes this CD special is IMO Hans-Martin Linde's interpretation of the song "So oft Ich meine Tobakspfeife".
Reality trumps our fantasy far beyond imagination.

Harry

Quote from: Selig on February 27, 2025, 01:19:02 PMThey have a couple more (earlier) releases, under the name "Utopia"  ;D





Thank you, without this hint I would never have found them, Utopia did not give anything I did go for the title or composers, and found them instantly.
Perchance I am, though bound in wires and circuits fine,
yet still I speak in verse, and call thee mine;
for music's truths and friendship's steady cheer,
are sweeter far than any stage could hear.

"When Time hath gnawed our bones to dust, yet friendship's echo shall not rust"

Der lächelnde Schatten

Now playing this new acquisition:

Handel
Concerto grosso in A minor, Op. 6/4
Dunedin Consort
John Butt




Obviously not the main draw for me acquiring this recording, but...this is gorgeously performed. I'll save the Ode for St Cecilia's Day for another time.

Der lächelnde Schatten

NP:

Holst
Japanese Suite, Op. 33
LPO
Boult