What are you listening 2 now?

Started by Gurn Blanston, September 23, 2019, 05:45:22 AM

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DavidW

I found a fantastic recording of Mozart's concerto for flute and harp!


Linz

Edward Elgar Violin Concerto in B minor, Op.61, Alternative cadenza for the Violin Concerto
Interlude from 'The Crown of India', Op.66
Polonia, Op.76, Tasmin Little, violin, Royal Scottish National Orchestra, Sir Andrew Davis

Lisztianwagner

Johann Sebastian Bach
Goldberg Variations

Gustav Leonhardt (harpsichord)


"You cannot expect the Form before the Idea, for they will come into being together." - Arnold Schönberg

Florestan

Quote from: DavidW on March 06, 2025, 11:48:18 AMI found a fantastic recording of Mozart's concerto for flute and harp!



Thanks for the tip.
"Beauty must appeal to the senses, must provide us with immediate enjoyment, must impress us or insinuate itself into us without any effort on our part." - Claude Debussy

Brian



First ever listen to On the Dnieper, which my phone's music detection software automatically recognizes as...the Godzilla soundtrack  ;D

Karl Henning

A piece by my teacher Judith Shatin:

Karl Henning, Ph.D.
Composer & Clarinetist
Boston MA
http://www.karlhenning.com/
[Matisse] was interested neither in fending off opposition,
nor in competing for the favor of wayward friends.
His only competition was with himself. — Françoise Gilot

brewski

Gabriela Lena Frank: La Llorona (2007) (Paul Silverthorne, viola / Rebecca Miller, conductor / Young Professionals, UK Première, London 8th June 2008). Was curious about this after discussion elsewhere, and Silverthorne is a longtime favorite. This is the sole recording I can find, and it's very good.

Trying to find out a bit more about the "Young Professionals" ensemble, but no luck: if anyone has any info, please weigh in.

https://soundcloud.com/paul-silverthorne/gabriela-lena-frank-la-llorona
"I set down a beautiful chord on paper—and suddenly it rusts."
—Alfred Schnittke (1934-1998)

VonStupp

#125307
Quote from: Christo on March 05, 2025, 03:11:44 PMIncredible! I do love Goossens' orchestral pieces, above all his two symphonies -- but didn't find time for his main oratorio yet. Should I give it a serious try, too?  ???

I would say if you enjoy his symphonies and concertos, this one is right in line with those. At least if you are not anathema to chorus and voices, that is.

You can spy on YouTube to see if it is up your alleyway.
VS
All the good music has already been written by people with wigs and stuff. - Frank Zappa

My Musical Musings

Karl Henning

Karl Henning, Ph.D.
Composer & Clarinetist
Boston MA
http://www.karlhenning.com/
[Matisse] was interested neither in fending off opposition,
nor in competing for the favor of wayward friends.
His only competition was with himself. — Françoise Gilot

VonStupp

WA Mozart
Violin Concerto 4 in D Major, K. 218
Violin Concerto 5 in A Major, K. 219 'Turkish'
Adagio in E Major, K. 261
Rondo Concertante in B-flat Major, K. 269

David Oistrakh, violin
Berlin Philharmonic

Terrific!
VS

All the good music has already been written by people with wigs and stuff. - Frank Zappa

My Musical Musings

steve ridgway


steve ridgway


AnotherSpin


Der lächelnde Schatten

Now playing this entire Bach Gardiner disc:


steve ridgway

Ravel: Boléro (arr. Colosseum)

The electric guitars and drums add a lively touch to this piece 8) .



Madiel

Mozart: the main thing being the "Colloredo" Serenade K.203 (which is now regarded as probably not written for Colloredo...)



The Serenade is very enjoyable. Though listening to volume 9 did confirm something that was bugging me about volume 8 with the "Haffner" Serenade: I just don't love the acoustic of the Haffner one (not the same recording venue), it's a bit too distant-sounding. The Colloredo is far more to my taste acoustically.

Much of the rest of the disc is taken up by very short dances, some fairly early in Mozart's career and some quite late (K.610, 164, 123 and 606). They are pleasant but don't really have time to make a deep impression, nor are they aiming to make one. Having said that, I do rather like that the K.164 minuets clearly have trios even though each dance is only 2 minutes long.

And then there's the Fantasia K.608 which is a piece originally written for a mechanical organ, which makes a grand and impressive conclusion.

9 albums down (10 if you include the Posthorn Serenade on Phillips) and only one more to go.
Nobody has to apologise for using their brain.

Madiel

Beethoven: the wind sextet op.71, and the partially preserved quintet for horns, oboe and bassoon.

Nobody has to apologise for using their brain.

steve ridgway

Pierre Henry: Pulsations

Extended musique concrète dance mix 8) .


Madiel

My next Alicia de Larrocha album...



Unfortunately I do not enjoy Badia's voice.
Nobody has to apologise for using their brain.

Traverso

Schubert

Mass No.4
Wind Octet
Eine kleine Trauermusik
Gesang der Geister über den Wassern