What are you listening 2 now?

Started by Gurn Blanston, September 23, 2019, 05:45:22 AM

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Der lächelnde Schatten

NP: Thorvaldsdóttir CATAMORPHIS


Der lächelnde Schatten

NP: Beethoven Piano Sonata No. 24 in F-sharp, Op. 78, "A Thérèse"


AnotherSpin



Motetten

Von Heinrich Schütz bis Fritz Werner

Kammerchor der Hochschule für Musik Freiburg

Henk

@Symphonic Addict A delight indeed, vol. 2 follows later


'The 'I' is not prior to the 'we'.' (Jean-Luc Nancy)

Der lächelnde Schatten


SonicMan46

Leclair, Jean-Marie (1697-1764) - Flute Chamber Works - modern vs. period instruments - the link below lists Leclair's violin works (divided by Opus numbers) - I own many of these as seen in the attachment. The 'flute works' are transciptions from the violin compositions (as explained in the AI PDF also attached) - will go on the the Butterfiled violin performances which are excellent.  Dave :)

QuoteJean-Marie Leclair was a French Baroque violinist and composer. He is considered to have founded the French violin school. His brothers were also musicians. In 1758, after the break-up of his second marriage, Leclair purchased a small house in a dangerous Parisian neighbourhood in the northern part of Le Marais near the old Temple, where he was found stabbed to death on 23 October 1764. (Source)

 

Der lächelnde Schatten

NP: Berlioz La Mort de Cléopâtre


Traverso

Konrad Ragossnig  guitar recital 1971




Der lächelnde Schatten

Continuing on with Bernstein's traversal of the Sibelius symphonies --- NP: Symphony No. 2 in D major, Op. 43


Karl Henning

Karl Henning, Ph.D.
Composer & Clarinetist
Boston MA
http://www.karlhenning.com/
[Matisse] was interested neither in fending off opposition,
nor in competing for the favor of wayward friends.
His only competition was with himself. — Françoise Gilot

Karl Henning

Karl Henning, Ph.D.
Composer & Clarinetist
Boston MA
http://www.karlhenning.com/
[Matisse] was interested neither in fending off opposition,
nor in competing for the favor of wayward friends.
His only competition was with himself. — Françoise Gilot

Der lächelnde Schatten

Continuing on with the Penderecki symphonies --- NP: Symphony No. 3


ritter

Schubert / Berio: Rendering, and Berio: Stanze. Christoph Eschenbach conducts the Orchestre de Paris, joined in Stanze by baritone Dietrich Herschel and the French Army Chorus).

 « Et n'oubliez pas que le trombone est à Voltaire ce que l'optimisme est à la percussion. » 

SonicMan46

Leclair, Jean-Marie (1697-1764) - Violin Concertos, Op. 7 & 10 w/ Simon Standage and the Collegium Musica 90 - reviews attached for the interested.  Dave

   

Karl Henning

Jean Sibelius
Symphony № 1 in e minor, Op. 39
NY Phll
Lenny
Karl Henning, Ph.D.
Composer & Clarinetist
Boston MA
http://www.karlhenning.com/
[Matisse] was interested neither in fending off opposition,
nor in competing for the favor of wayward friends.
His only competition was with himself. — Françoise Gilot

Der lächelnde Schatten

NP: Weill String Quartet, Op. 8



Such a fantastic piece. I wish Weill wrote more chamber music.

Lisztianwagner

C.P.E Bach
Four Symphonies Wq. 183

Gustav Leonhardt & Orchestra of the Age of Enlightenment


"You cannot expect the Form before the Idea, for they will come into being together." - Arnold Schönberg

VonStupp

Benjamin Britten
String Quartet 1 in D Major, op. 25
String Quartet 2 in C Major, op. 36
String Quartet 3, op. 94
Takács Quartet

I am not overly familiar with Britten's quartets, but he certainly makes the genre his own.
VS



Red Hot Suffolk Winter by Mita Higton
All the good music has already been written by people with wigs and stuff. - Frank Zappa

My Musical Musings

Mister Sharpe

Looking forward to listening to this because 1.) I really like Szymanowski, and I've yet to hear any of these songs; and 2.) The composer had an interesting take on his ability to grasp the poems he sets, feeling that while he lacked the intellectual ability to fully fathom them, he was able to do so "intuitively," "an attainable shortcut between the innermost experience and the mathematical exact formula of words." I think he rather exaggerated verbal logic (indeed the power of poetry comes as much from its ambiguity as its precision - think of Dickinson's "Tell the truth but tell it slant..." the better to set into bolder relief a world in which he felt more comfortable, of transcendent musical emotivity. Eager to hear the result of his thoughts on the matter. 

"We need great performances of lesser works more than we need lesser performances of great ones." Alex Ross

Linz

Anton Bruckner Symphony No. 5 in B Flat Major, 1878 Version Ed. Leopold Nowak
Bruckner Orchester Linz, Kurt Eichhorn