What are you listening 2 now?

Started by Gurn Blanston, September 23, 2019, 05:45:22 AM

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Linz

George Enescu Symphony No. 2 in A Major, Op. 17
Romanian Rhapsody in A Major, Op. 11 No. 1 and 2
Romanian National Radio Orchestra, Horia Andreescu

Dry Brett Kavanaugh

William Walton guitar concerto (arrangement).




Karl Henning

Jean Sibelius
Symphony № 2 in D, Op. 43
CBSO
Simon Rattle
Karl Henning, Ph.D.
Composer & Clarinetist
Boston MA
http://www.karlhenning.com/
[Matisse] was interested neither in fending off opposition,
nor in competing for the favor of wayward friends.
His only competition was with himself. — Françoise Gilot

Brian

Quote from: Brian on June 26, 2025, 12:02:12 PMOooh, I don't think I have that one, need to find it, thank you!

-

As for my own listening, I am jumping on the Album du Jour:



first-ever listen to these pieces. In the first three minutes, the first track reminds me strongly of Dag Wiren and Kurt Atterberg. Very good things for me.

Loved No. 5 from first note to last, even the fugal finale, which as someone mentioned in the Melartin thread ends somewhat abruptly. I think that a hypothetical conductor's intervention - slowing down the penultimate bars for emphasis - would help solve this. No. 6 is much more dramatic, with genuinely creepy snarly music with grinding basses dominating the first movement. It's alternated with music of wistful tenderness. The second movement is an intermezzish thing with rapidly see-sawing moods, and then the scherzo is a bobbling thing with influences from all over. The first idea is straight out of Janacek, and it also has some doses of Stenhammar, the Americas, and an occasional bitter flavor when some instruments play in minor keys while others don't. Since this symphony is structured like Nielsen's Four Temperaments - it's the Four Elements - the grimy meanness of the first movement never returns, and after the gentle middle movements, the finale is an exuberant romp.

Extremely compelling stuff!!

Linz

Anton Bruckner Symphony No. 6 in A Major, 1881 Version. Ed. Robert Haas
Staatskapelle  Dresden, Bernard Haitink

Karl Henning

Jean Sibelius
Symphony № 3 in C, Op. 52
SFSO
Herbert Blomstedt
Karl Henning, Ph.D.
Composer & Clarinetist
Boston MA
http://www.karlhenning.com/
[Matisse] was interested neither in fending off opposition,
nor in competing for the favor of wayward friends.
His only competition was with himself. — Françoise Gilot

Que



It takes a very special singer to turn simple folksongs into musical gold nuggets... If you don't mind a touch of Schmalz... ;)

Que

Quote from: Linz on June 26, 2025, 02:18:42 PMAnton Bruckner Symphony No. 6 in A Major, 1881 Version. Ed. Robert Haas
Staatskapelle  Dresden, Bernard Haitink

Oh yes!  :)

Linz

Joseph Haydn Symphony No 103 in E flat 'Drum Roll'
Wolfgang Amadeus Mozart Symphony No. 40 in G minor K550
Symphonieorchester des Bayerischen Rundfunks, Eugen Jochum

Symphonic Addict

Clara Schumann and Maria Herz's piano sonatas:

The first time I listen to anything by these composers and I was quite taken by their beauty, above all the Herz. An absolutely exquisite composition with shades of impressionism.

The current annihilation of a people on this planet (you know which one it is) is the most documented and at the same time the most preposterously denied.

Symphonic Addict

Beethoven: Symphonies 5 and 6

The current annihilation of a people on this planet (you know which one it is) is the most documented and at the same time the most preposterously denied.

Symphonic Addict

Hindemith: Das Marienleben, for soprano and orchestra and Hérodiade

Hindemith orchestrated six songs from his song cycle and they're so lovely. The ballet Hérodiade didn't do much for me. The least interesting Hindemith work I've heard thus far, and it was the version without text.

The current annihilation of a people on this planet (you know which one it is) is the most documented and at the same time the most preposterously denied.

Der lächelnde Schatten

Now playing Act I from Weill's Aufstieg Und Fall Der Stadt Mahagonny from this recording:



I bought all of the Weill recordings on Capriccio several years ago and it was a pain in the neck to find them all, but I'm glad I did because there were two box sets released called the Kurt Weill Edition, Vols. 1 & 2 and none of the contained the libretti. I also prefer having the original cover art, too. Anyway, if you're into Weill's music, then the Capriccio recordings are well worth hunting down.

AnotherSpin

#131953
Quote from: prémont on June 26, 2025, 08:14:56 AMYes, but I didn't think of being so philosophical.

Does one really need philosophy to see this clearly and once and for all? :-)

AnotherSpin



A new serene morning

Ensemble Peregrina in glorious sound of Tacet label

Der lächelnde Schatten

Last work for the night --- Reich Pulse



Beautifully hypnotic.

Symphonic Addict

Waited too much to give Aho's string quartets a listen. I have to say that they succeeded my expectations, despite Nos. 2 and 3 being heavily influenced by Shostakovich. The first one, on the other hand, seems inspired by Baroque devices. It was really delightful and it gave me a feeling of non-stopping flow. A great recording.

The current annihilation of a people on this planet (you know which one it is) is the most documented and at the same time the most preposterously denied.

steve ridgway

Ives - Orchestral Set No. 2

I like Ives' layering of different tunes, a busy space with several things going on at once.




steve ridgway

Scriabin - 2 Danses

The irregular rhythms interest me, speeding up and slowing down in a naturalistic way like the flow of a small stream of water.


steve ridgway

Messiaen - Harawi

The soprano is accompanied by piano music quite similar to Scriabin at times.