What are you listening 2 now?

Started by Gurn Blanston, September 23, 2019, 05:45:22 AM

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Linz (+ 2 Hidden) and 7 Guests are viewing this topic.

Iota



Granados: Escenas Románticas
Alicia de Larrocha (piano)


Lovely pieces. Larrocha is like a mermaid swimming in her sea.



Traverso


Der lächelnde Schatten

NP: Debussy Suite bergamasque

From this set -


Mandryka

Quote from: AnotherSpin on June 28, 2025, 05:57:00 AMYour opinion is always interesting, thank you. I liked both. I especially appreciated Marie-Claire Alain's recording because the chants seemed to blend organically with the organ parts.

What I appreciate most about MCA at Poitiers is the sweetness and melodiousness of her vision. I think it was her final recording of anything.
Wovon man nicht sprechen kann, darüber muss man schweigen

AnotherSpin

Quote from: Mandryka on June 28, 2025, 06:36:38 AMWhat I appreciate most about MCA at Poitiers is the sweetness and melodiousness of her vision. I think it was her final recording of anything.

Yes, exactly, thank you. And at some point, it seemed to me that the voices blended with the sound of the organ, or perhaps the other way around: the organ was singing as if with human voices.

Spotted Horses

I'm glad I didn't let my experience with Melartin's 4th discourage me from moving on to the 5th symphony. I think this is my favorite (not having heard the 6th yet). Strife, interesting harmonies and dramatic orchestration have returned. The final is particularly notable, with a texture that is largely fugal, and extremely effective e use of the low brass.


Formerly Scarpia (Scarps), Baron Scarpia, Ghost of Baron Scarpia, Varner, Ratliff, Parsifal, perhaps others.

Mandryka

#132026
Quote from: Spotted Horses on June 28, 2025, 07:34:50 AMI'm glad I didn't let my experience with Melartin's 4th discourage me from moving on to the 5th symphony. I think this is my favorite (not having heard the 6th yet). Strife, interesting harmonies and dramatic orchestration have returned. The final is particularly notable, with a texture that is largely fugal, and extremely effective e use of the low brass.




Have you heard the quartets? The 4th is especially fine, in a Brahmsy, Dvoraky, Ye Olde Fashionedy Czechy way. (I can let you have the Meta4 set if you want.)
Wovon man nicht sprechen kann, darüber muss man schweigen

prémont

Quote from: AnotherSpin on June 28, 2025, 05:57:00 AMYour opinion is always interesting, thank you. I liked both. I especially appreciated Marie-Claire Alain's recording because the chants seemed to blend organically with the organ parts.

Listening to an organ mass at home can never recreate the authentic context. So I seldom listen to Grigny's entire organ messe in one sitting, and also for that reason the chant has less importance for me, and I often skip it.
Reality trumps our fantasy far beyond imagination.

prémont

Quote from: Mandryka on June 28, 2025, 06:36:38 AMWhat I appreciate most about MCA at Poitiers is the sweetness and melodiousness of her vision. I think it was her final recording of anything.

I agree with this which also explains why I prefer Alain's first recording to the one from Poitiers. To me the sweetness feels a bit like a foreign element because the music demands more balls.
Reality trumps our fantasy far beyond imagination.

prémont

Quote from: Mandryka on June 28, 2025, 06:36:38 AMI think it was her final recording of anything.

The messe was recorded in Poitiers 1996 and the Hymns 1998.
Discogs lists some recordings made by her between 2004 and 2008.
Reality trumps our fantasy far beyond imagination.

ritter

Respighi: Antiche danze ed arie per liuto (suites 1, 2 & 3), and Rossiniana. Francesco La Vecchia conducts the Orchestra Sinfonica di Roma.

CD 7 of this set:
 « Et n'oubliez pas que le trombone est à Voltaire ce que l'optimisme est à la percussion. » 

Dry Brett Kavanaugh

Bach: Suite in E minor BWV 996, Suite in C minor BWV 997, et al..




Linz

Carl Nielsen Symphony No. 1, Opus 7a: in G minor
Symphony No. 2 Opus 16b: "The Four Temperaments"
Royal Danish Orcchestra, |Paavo Bergllund

VonStupp

Jean Sibelius
Symphony 5 in E-flat Major, op. 82
Pohjola's Daughter, op. 49
NYPO - Leonard Bernstein

VS



From this set:

All the good music has already been written by people with wigs and stuff. - Frank Zappa

My Musical Musings

Lisztianwagner

Ralph Vaughan Williams
Sinfonia antartica

Margaret Ritchie (soprano)
John Barbirolli & Hallé Orchestra


"You cannot expect the Form before the Idea, for they will come into being together." - Arnold Schönberg

Linz

Hugo Alfven Bergakungen / The Mountain King
Swedish Radio Symphony Orchestra; Yevgeny Svetlanov

Mister Sharpe

Tomasow was a violinist with a smooth-as-silk technique who also enjoyed a conducting career (Asst. Conductor of the Baltimore Symphony, andalso headed-up the National Symphony Orchestra, '46-50).  He was in the Vanguard (for whom he recorded) of the Vivaldi revival with his performance of the Four Seasons in '57.  Died all-too-young at 47. Oddly, he's not accorded an entry in New Grove.

"There are no wrong reasons for liking a work of art, only for disliking one."  E.H. Gombrich

Mandryka

#132037

An Ewald Kooiman recital of French music at Poitiers - the interesting thing for me is a Grigny hymn. Maybe too cautious to be interesting.
Wovon man nicht sprechen kann, darüber muss man schweigen

DavidW

Now listening on the stereo, I love this symphony!


Linz

Anton Bruckner Symphony No. 5 in B Flat Major, 1878 Version Ed. Leopold Nowak
New Philharmonia Orchestra, Otto Klemperer