Most original opening of a piece of music

Started by alkan, March 31, 2009, 01:53:25 AM

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alkan

As a counterbalance to the most intense ending thread, what about the most original, startling or unexpected  START to a musical work ?

I can imagine that at the first performance, Beethoven's 5th must have shocked quite a few in the audience.

Off the top of my head, the following original openings spring to mind

1. The clarinet in Gershwin's Rhapsody in Blue
2. The stuttering opening to Nielsen's 3rd Symphony
3. Haydn's "Drumroll" symphony (no 103)

Over to you ....
The two most common elements in the universe are Hydrogen and stupidity.
Harlan Ellison (1934 - )

sul G

The Rite of Spring would have to be pretty high up the list, I'd say. And I suppose, in the same vein, but less shockingly, that one Eric likes about the Faun.

alkan

"Also spracht Zarathustra" by Richard Strauss.       This Zarathustra person could talk pretty loud ....  :o
The two most common elements in the universe are Hydrogen and stupidity.
Harlan Ellison (1934 - )

alkan

And Shostakovich's 4th symphony gets a special award for the most terrific opening AND ending !!!
The two most common elements in the universe are Hydrogen and stupidity.
Harlan Ellison (1934 - )

Renfield

Quote from: alkan on March 31, 2009, 01:53:25 AM
2. The stuttering opening to Nielsen's 3rd Symphony

This was the first thing that came to mind, as soon as I'd read the thread's title. :D Apart from this, Bruckner's 1st Symphony also comes to mind, for a certainly unexpected opening; compared to most symphonies (not the least the rest of Bruckner's own), it sounds almost pedestrian!

alkan

For sheer originality, not to mention pure insanity, I reckon that the opening of John Cage's "Four minutes thirty three seconds" has never been bettered     ;D
The two most common elements in the universe are Hydrogen and stupidity.
Harlan Ellison (1934 - )

Renfield

Quote from: alkan on March 31, 2009, 03:09:18 AM
For sheer originality, not to mention pure insanity, I reckon that the opening of John Cage's "Four minutes thirty three seconds" has never been bettered     ;D

Nor any other part of it, I'd reckon. :P

Florestan

Not the most original, but certainly original for its time: Mozart's PC 9.  :)
"Beauty must appeal to the senses, must provide us with immediate enjoyment, must impress us or insinuate itself into us without any effort on our part. ." — Claude Debussy

alkan

Quote from: Renfield on March 31, 2009, 03:10:52 AM
Nor any other part of it, I'd reckon. :P
;D    .... although I find the ending very disappointing and not at all worthy of the first two movements    (and it IS actually written in three movements .... no kidding !)
The two most common elements in the universe are Hydrogen and stupidity.
Harlan Ellison (1934 - )

Gabriel

Haydn's first movement (Allegro moderato) for op. 33 n. 1 (B minor) should certainly be in this list.

alkan

Quote from: Gabriel on March 31, 2009, 03:40:47 AM
Haydn's first movement (Allegro moderato) for op. 33 n. 1 (B minor) should certainly be in this list.
Not familiar with this .... could you describe ?
The two most common elements in the universe are Hydrogen and stupidity.
Harlan Ellison (1934 - )

Kullervo

The gorgeous "Palestrina" music at the beginning of Sibelius's 6th. Brings a tear to my eye every time.

Gabriel

Quote from: alkan on March 31, 2009, 03:43:18 AM
Not familiar with this .... could you describe ?

Haydn plays with a tonal ambiguity: we are announced that the string quartet is in B minor, but he starts plainly in D major, its relative major, before taking formally the official tonality. Haydn makes it sound wonderfully natural, and even more effective as the cello takes the initiative in this change.

Quote from: Florestan on March 31, 2009, 03:12:13 AM
Not the most original, but certainly original for its time: Mozart's PC 9.  :)

I agree that it was a very original opening. This makes me think about the concerto for piano 4-hands in D major of Ludwig Abeille (1761-1838) and the piano concerto in B flat major of Joseph Anton Steffan (1726-1797): both use a slow introduction before the opening allegro, something that was quite unusual for orchestral music of their time, as it was used mainly for symphonies and not for concertos. (If somebody knows more examples, I'd be really grateful).

Iago

Dvoraks "Carnival Overture".

HOT, very HOT.


Especially as played by Fritz Reiner and the Chicago Symphony.

And it ends in an even bigger blaze of glory than it starts with.
"Good", is NOT good enough, when "better" is expected

karlhenning

Quote from: alkan on March 31, 2009, 03:09:18 AM
For sheer originality, not to mention pure insanity, I reckon that the opening of John Cage's "Four minutes thirty three seconds" has never been bettered

I find that insanity mixed, actually . . . .

8)

alkan

The two most common elements in the universe are Hydrogen and stupidity.
Harlan Ellison (1934 - )

karlhenning


ChamberNut


Bogey

I always thought the first few seconds to LvB's 9th fit this description.

Copland's Symphony No. 2....not your average beginning to a symphony IMO.
There will never be another era like the Golden Age of Hollywood.  We didn't know how to blow up buildings then so we had no choice but to tell great stories with great characters.-Ben Mankiewicz

pjme

Just for fun :

Ravel's Concerto en sol : the whip, l'Heure Espagnole: the clocks
Hindemith : Mathis der Maler : heaven's door!
Mahler 8 : the organ!
Honegger 5 : the orchestra as an organ
Panufnik: Symphonia sacra: the trumpets
van Beethoven : pianoconcerto nr 4( and 5...)
Haydn : Die Schöpfung
Stockhausen : Klavierstück 9