What were you listening to? (CLOSED)

Started by Maciek, April 06, 2007, 02:22:49 AM

Previous topic - Next topic

0 Members and 32 Guests are viewing this topic.

bhodges

Quote from: MrOsa on April 12, 2007, 12:12:21 PM
Witold Szalonek 1+1+1+1 (the Silesian Quartet)

Sure dig that title!

--Bruce

pjme

Albert Roussel

Pianoconcerto ( 1928)
Three movements:
Allegro molto
Adagio
Allegro con spirito

An unusual work, I would say. A short ,rythmical, quite dark, first movement, a long ( ca 9 minutes) very haunting slow movement - the music almost "stands still" and an almost lighthearted finale - that does NOT sound out of place.

On a very cheap POINT classics CD - Sylvia Capova and the Slovak SO / Bysztryk Resucha. Acceptable sound - great performance.

Maciek

Quote from: bhodges on April 12, 2007, 12:18:23 PM
Sure dig that title!

--Bruce

;D Some composers seem to just like numbers. And complicated mathematics... ;)

Actually, it's because it can be perfomed by anything from 1 to 4 players (and I think the instruments aren't specified either).

Maciek

Marco Stroppa Ossia, seven strophes for Literary Drone (Klangforum Wien)

not edward

Nielsen: Clarinet Concerto (Cahuzac/Copenhagen Opera Orch./Frandsen)
The first recording of the piece. Cahuzac emphasises its lyrical qualities, and the whole performance comes out well despite occasional dodgy playing and 1940s sound.
"I don't at all mind actively disliking a piece of contemporary music, but in order to feel happy about it I must consciously understand why I dislike it. Otherwise it remains in my mind as unfinished business."
-- Aaron Copland, The Pleasures of Music

quintett op.57

Quote from: karlhenning on April 12, 2007, 03:56:33 AM
Is that the recording with Nobuko Imai soloist?

It is a great piece!
It is

Sergeant Rock

HIP Schubert, Symphonies 1 & 2:




The Nimbus recording is not as reverberant or murky as I recall; orchestral detail is cutting through. I'm enjoying Goodman's swift, virile readings; powerful and dramatic.

Sarge


the phone rings and somebody says,
"hey, they made a movie about
Mahler, you ought to go see it.
he was as f*cked-up as you are."
                               --Charles Bukowski, "Mahler"

Maciek

Juliane Klein weit – weiter for 11 instruments (Klangforum Wien/Emilio Pomarico)

not edward

Nielsen: Wind Quintet (Royal Chapel Wind Quintet).
Played by the musicians it was written for. 1930s sound doesn't prevent the music coming through as freshly as I've heard it.
"I don't at all mind actively disliking a piece of contemporary music, but in order to feel happy about it I must consciously understand why I dislike it. Otherwise it remains in my mind as unfinished business."
-- Aaron Copland, The Pleasures of Music

Bunny

Musica Antiqua Köln/Reinhard Goebel: Sonaten aus Dresden


Don

Asger Hamerik's Sym. 7 and Requiem on Dacapo.  Quite good for a man from Baltimore. ;)

Maciek

Juliane Klein ...und folge mir nach (Freiburger Barockorchester/Gottfried von der Goltz)

Solitary Wanderer

'I lingered round them, under that benign sky: watched the moths fluttering among the heath and harebells, listened to the soft wind breathing through the grass, and wondered how any one could ever imagine unquiet slumbers for the sleepers in that quiet earth.' ~ Emily Bronte

Don

I'll be continuing with Hamerik tonight:

Syms. 1/2/3/4 from Dacapo
Sym. 6 and two Novellettes from CPO

Given that Hamerik's from Baltimore, I should eat some clams for dinner.

Maciek

Krzysztof Meyer Sonata for flute solo (Elżbieta Gajewska)

Maciek

#535
Ryszard Bukowski Piano Sonata No. 2 (Tomasz Lupa)

Never heard anything by or of this composer before...




Joanna Bruzdowicz Ette for clarinet solo (Mirosław Pokrzywiński)

Jan Astriab Chamber Symphony (Amadeus Chamber Orchestra/Agnieszka Duczmal)

Grażyna Bacewicz Polish Capriccio for violin solo (K.A. Kulka). I don't generally like Kulka but as a pure virtuoso he is simply amazing!

Jakub Sarwas Coup d'archet (Amadeus Chamber Orchestra/Agnieszka Duczmal)

not edward

Ancerl conducting Le Sacre and Petrushka.

I don't think I know a single Ancerl/Stravinsky recording that is anything other than outstanding.
"I don't at all mind actively disliking a piece of contemporary music, but in order to feel happy about it I must consciously understand why I dislike it. Otherwise it remains in my mind as unfinished business."
-- Aaron Copland, The Pleasures of Music

Lilas Pastia

The third part of the Clavierübung (J.S. Bach), about 1/3 od the way through (it's 90 minutes long). Olivier Vernet, organ. I  really like this young organist's fresh approach. His way with the plenum is outstanding: big, bold, yet clear, without an ounce of fat.

Some more listening to the Clementi sonatas and CPE Bach double harpsichord concerto. Sublime music!

Robert

Quote from: edward on April 12, 2007, 05:48:45 PM
Ancerl conducting Le Sacre and Petrushka.

I don't think I know a single Ancerl/Stravinsky recording that is anything other than outstanding.

I can say that alot about Ancerl...

Harry

Alexander Grechaninov.

String Quartets, Volume II.

Opus 75. (1915)
Opus 124. (1929)

Utrecht SQ.


They are such wonderful pieces of music, and so involve you into their charm, that it is hard to let go, after hearing them. Not a single movement will disappoint you, nor a note irritate you, it is all perfect harmony. The Utrecht SQ make a statement of excellence with this recording. Its the finest SQ emerging from Holland. And the recording from MDG is so natural, that it almost makes you forget the cd. Recommended with all force.