Karajan vs Bernstein - Poll

Started by Lisztianwagner, February 02, 2012, 01:32:21 PM

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Who do you prefer?

Karajan
21 (48.8%)
Bernstein
18 (41.9%)
Banana
4 (9.3%)

Total Members Voted: 42

Voting closed: February 09, 2012, 01:32:21 PM

Lisztianwagner

It seems that there has been a great explosion of polls about composers during these hours, and it would be quite interesting to have one about conductors as well. :)

Two of the greatest conductors of 20th century: Herbert von Karajan and Leonard Bernstein.

I voted for Karajan.
"You cannot expect the Form before the Idea, for they will come into being together." - Arnold Schönberg

Mirror Image

I chose Bernstein for his versatility and just the raw power he brings to the orchestra.

DavidW

Quote from: Mirror Image on February 02, 2012, 01:35:43 PM
I chose Bernstein for his versatility and just the raw power he brings to the orchestra.

Yup! :) 

eyeresist

Easily Karajan, because he shows respect for the music. Bernstein OTOH was the Argerich of the orchestra! :P

trung224

#4
   Karajan, he is more consistent and have the wide-range repertoire than Bernstein. In opera and choral music, Karajan easily surpasses Bernstein, except West Side Story ;D.
    In ochestral work, Karajan is better in Beethoven, Brahms, Bruckner, Richard Strauss, Mendelssohn, Debussy, Ravel, Vienna 2nd and  :P Johann Strauss.  Bernstein is better in Mahler, Berlioz, Haydn,Stravinsky, Nielsen. Both excel in Sibelius, Schumann,Schubert, Shostakovich.
 


Marc

I voted for Bernstein, he's a better communicator.
Which means that, even if I don't even prefer or like his interpretation, he's still able to convince me.

Above that: Karajan's digital period, with a growing interest in 'Wohlklang and nothing but Wohlklang' leaves me cold. In the same period, Bernstein released many interesting live or semi-live recordings.


marvinbrown


  Easy choice for me, I voted for Karajan all the way.  Let's see: the Beethoven Symphony Cycle with the BPO 1963, Richard Strauss' Der Rosenkavalier, Richard Wagner's Die Meistersingers, Puiccini's Tosca, Richard Wagner's Parsifal, Verdi's Il Trovatore and the list goes on and on and on....

  I have only one Bernstein recording in my collection, Mozart's "big bone" late symphonies with the VPO!

  marvin

Sergeant Rock

Once again, the Chiquita option for me. I will not choose between two of my favorite conductors.

Sarge
the phone rings and somebody says,
"hey, they made a movie about
Mahler, you ought to go see it.
he was as f*cked-up as you are."
                               --Charles Bukowski, "Mahler"

Beetzart

How dreadful knowledge of truth can be when there is no  help in truth.

Bogey

Quote from: Sergeant Rock on February 03, 2012, 05:41:46 AM
Once again, the Chiquita option for me. I will not choose between two of my favorite conductors.

Sarge

Luckily, they did not throw Szell at you, Sarge....then things could have gotten real ugly. :D
There will never be another era like the Golden Age of Hollywood.  We didn't know how to blow up buildings then so we had no choice but to tell great stories with great characters.-Ben Mankiewicz

ibanezmonster

Karajan, though not an easy choice.

Sergeant Rock

Quote from: Bogey on February 03, 2012, 06:20:33 AM
Luckily, they did not throw Szell at you, Sarge....then things could have gotten real ugly. :D

There is a current Szell/Ormandy poll. An easy choice for me  8)

Sarge
the phone rings and somebody says,
"hey, they made a movie about
Mahler, you ought to go see it.
he was as f*cked-up as you are."
                               --Charles Bukowski, "Mahler"

Bogey

There will never be another era like the Golden Age of Hollywood.  We didn't know how to blow up buildings then so we had no choice but to tell great stories with great characters.-Ben Mankiewicz

Karl Henning

Lenny. And not only because he's the local boy. . . .
Karl Henning, Ph.D.
Composer & Clarinetist
Boston MA
http://www.karlhenning.com/
[Matisse] was interested neither in fending off opposition,
nor in competing for the favor of wayward friends.
His only competition was with himself. — Françoise Gilot

springrite

Lenny, not because he is one of my favorite, which he isn't, but because other than some early LIVE recordings, I can't stand Karajan, and we are not even getting into the other non-musical stuff.
Do what I must do, and let what must happen happen.

madaboutmahler

"Music is ... A higher revelation than all Wisdom & Philosophy"
— Ludwig van Beethoven

starrynight

Quote from: springrite on February 03, 2012, 07:40:05 AM
Lenny, not because he is one of my favorite, which he isn't, but because other than some early LIVE recordings, I can't stand Karajan, and we are not even getting into the other non-musical stuff.

And not getting into non-musical stuff with Bernstein either then?

Lisztianwagner

"You cannot expect the Form before the Idea, for they will come into being together." - Arnold Schönberg

madaboutmahler

Quote from: Lisztianwagner on February 03, 2012, 01:58:58 PM
Hope you will change idea after listening to Wagner's Ring Cycle ;)

Perhaps... but, it's going to be hard to beat Lenny's Mahler! :D
"Music is ... A higher revelation than all Wisdom & Philosophy"
— Ludwig van Beethoven

jwinter

Quote from: karl bohm on February 03, 2012, 06:01:27 AM
Karl Bohm  :D

Quoted for truth!

While I've probably got more Karajan on my shelves, my vote goes for Lenny.  Particularly his late recordings for DG -- while they're seldom what you'd want for a reference version, he always has something interesting to say, and in more than a few cases (his late Sibelius or Brahms 3, say), his deeply romantic approach has led me to look at a work in a totally different way, and given insight that pays dividends even when listening to other interpretations.  His earlier 60s NYPO recordings are a mixed bag IMO -- at times excellent, particularly for American composers or Mahler, but nothing special in Beethoven, Schubert, etc...
The man that hath no music in himself,
Nor is not moved with concord of sweet sounds,
Is fit for treasons, stratagems, and spoils.
The motions of his spirit are dull as night,
And his affections dark as Erebus.
Let no such man be trusted.

-- William Shakespeare, The Merchant of Venice