What are you listening to now?

Started by Dungeon Master, February 15, 2013, 09:13:11 PM

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Rinaldo

Quote from: Scots John on October 01, 2013, 04:20:19 PM
In what way do you musically listen to such things, because there's surely a way of listening to stuff like that which is not at all similar to standard methods of listening to 'classical music.'

I don't think there's a particular 'way'. You hear what you hear. Patterns, rhythms, textures that provoke a reaction. After all, whether you listen to Mozart or Xenaxis, it's all waves hitting you eardrum.

That said, having a broad taste in music usually helps. And taste can be cultivated.
"The truly novel things will be invented by the young ones, not by me. But this doesn't worry me at all."
~ Grażyna Bacewicz

mc ukrneal

Quote from: sanantonio on October 02, 2013, 02:34:19 AM
More Feldman

https://www.youtube.com/v/DDuGj80TrVE

:)
May I ask what it is you like about this piece (assuming you do)?  What should we be listening for in this music?
Be kind to your fellow posters!!

mc ukrneal

Quote from: sanantonio on October 02, 2013, 02:49:03 AM
I like the way it sounds; and the mood it evokes, the texture and combinations of sounds.   
Listening to the piece, this makes total sense. Thanks.
Be kind to your fellow posters!!

Sergeant Rock

Quote from: TheGSMoeller on October 01, 2013, 03:59:17 PM
http://www.youtube.com/v/Fh1rIBOGSPA

Quote from: Rinaldo on October 02, 2013, 02:28:01 AMYou hear what you hear. Patterns, rhythms, textures that provoke a reaction.

Two hours ago it provoked nausea. But it might have been the time of day. I don't like Bach before 1300 either (1 P.M. for you civilians).

Sarge
the phone rings and somebody says,
"hey, they made a movie about
Mahler, you ought to go see it.
he was as f*cked-up as you are."
                               --Charles Bukowski, "Mahler"

North Star

"Everything has beauty, but not everyone sees it." - Confucius

My photographs on Flickr

Sergeant Rock

Quote from: sanantonio on October 02, 2013, 02:34:19 AM
https://www.youtube.com/v/DDuGj80TrVE

I like Feldman. And this is going down smoothly. No signs of nausea  8)  A belated thank you to our dear Sara, whose Feldman posts, once upon a time, convinced me to give the composer a try.

Sarge
the phone rings and somebody says,
"hey, they made a movie about
Mahler, you ought to go see it.
he was as f*cked-up as you are."
                               --Charles Bukowski, "Mahler"

Sergeant Rock

David Diamond Rounds for String Orchestra, Gerard Schwarz conducting the LA Chamber Orchestra






Sarge
the phone rings and somebody says,
"hey, they made a movie about
Mahler, you ought to go see it.
he was as f*cked-up as you are."
                               --Charles Bukowski, "Mahler"

Karl Henning

Quote from: Scots John on October 01, 2013, 04:31:04 PM
Wow, whats the matter with me, I really like this!  How very strange for me to like something which is so strange.

Doesn't surprise me, at all, at all.

Paul Lansky came to UVa to give a lecture/demo of his work; my teacher Judith Shatin is (IIRC) an erstwhile student of his.
Karl Henning, Ph.D.
Composer & Clarinetist
Boston MA
http://www.karlhenning.com/
[Matisse] was interested neither in fending off opposition,
nor in competing for the favor of wayward friends.
His only competition was with himself. — Françoise Gilot

Karl Henning

Quote from: ChamberNut on October 01, 2013, 04:33:02 PM
John!  :D  Check the Scelsi thread.  I liked the piece that you and Kyle abhor.   ;D

Go, Ray! Good to see you, mon ami!
Karl Henning, Ph.D.
Composer & Clarinetist
Boston MA
http://www.karlhenning.com/
[Matisse] was interested neither in fending off opposition,
nor in competing for the favor of wayward friends.
His only competition was with himself. — Françoise Gilot

Karl Henning

Quote from: amw on October 02, 2013, 02:19:00 AM
[asin]B001NRP7Z2[/asin]

Not sure it's my favourite Feldman, but it's a Feldman I haven't heard and aeon rarely disappoints. (The sound and playing, as far as I can tell, are near-perfect) May have a more favourable report once it's over, I find the "structure" of a Feldman piece is often determined much more by the various emotional states (disquiet, rapture, boredom, etc) you go through listening to it than the actual musical events themselves.

Mmm, this looks interesting . . . .
Karl Henning, Ph.D.
Composer & Clarinetist
Boston MA
http://www.karlhenning.com/
[Matisse] was interested neither in fending off opposition,
nor in competing for the favor of wayward friends.
His only competition was with himself. — Françoise Gilot

mahler10th



One of my home bands under Jarvi's direction in the 80's.
Khatchaturian...his music is so bloody relentless.

Karl Henning

Thread Duty . . . Memory Lane:

Paul Lansky
Idle Chatter


First heard this in Old Cabell Hall down in Charlottesville, with the composer plying the dial.
Karl Henning, Ph.D.
Composer & Clarinetist
Boston MA
http://www.karlhenning.com/
[Matisse] was interested neither in fending off opposition,
nor in competing for the favor of wayward friends.
His only competition was with himself. — Françoise Gilot

Sergeant Rock

Irving Fine Serious Song: A Lament for String Orchestra, Gerard Schwarz conducting the LA Chamber Orchestra




Sarge
the phone rings and somebody says,
"hey, they made a movie about
Mahler, you ought to go see it.
he was as f*cked-up as you are."
                               --Charles Bukowski, "Mahler"

Karl Henning

Quote from: karlhenning on October 02, 2013, 04:08:48 AM
Thread Duty . . . Memory Lane:

Paul Lansky
Idle Chatter


First heard this in Old Cabell Hall down in Charlottesville, with the composer plying the dial.

I thought it a way-cool piece then, and I think it a way-cool piece now.
Karl Henning, Ph.D.
Composer & Clarinetist
Boston MA
http://www.karlhenning.com/
[Matisse] was interested neither in fending off opposition,
nor in competing for the favor of wayward friends.
His only competition was with himself. — Françoise Gilot

Karl Henning

Venetian Wednesday

"Il prete rosso"
In furore iustissimae irae, RV 626
La Nuova Musica


[asin]B00A6CX4OG[/asin]
Karl Henning, Ph.D.
Composer & Clarinetist
Boston MA
http://www.karlhenning.com/
[Matisse] was interested neither in fending off opposition,
nor in competing for the favor of wayward friends.
His only competition was with himself. — Françoise Gilot

DavidW

I'd been listening to alot of Haydn symphonies of late.

But I thought I would mention my maiden listen Monday, which was a violin sonata written by Vaughan Williams.  I know him for his orchestral music, but it turns out that his chamber music is dynamite, and takes less effort to get due to being more transparent, not having that mystical quality that so much of British neoromantic orchestral has including RVW's own symphonies.  I look forward to listening to the Phantasy quintet this evening.

Karl Henning

Good on ya, Davey! That sonata is marvelous . . . I have it on a sort-of-historical CD with Yehudi Menuhin, a disc I actually picked up for the Elgar Sonata, though both the RVW and Walton sonatas are very nearly as worthwhile.
Karl Henning, Ph.D.
Composer & Clarinetist
Boston MA
http://www.karlhenning.com/
[Matisse] was interested neither in fending off opposition,
nor in competing for the favor of wayward friends.
His only competition was with himself. — Françoise Gilot

AnthonyAthletic

Quote from: DavidW on October 02, 2013, 04:30:52 AM
I'd been listening to alot of Haydn symphonies of late.

But I thought I would mention my maiden listen Monday, which was a violin sonata written by Vaughan Williams.  I know him for his orchestral music, but it turns out that his chamber music is dynamite, and takes less effort to get due to being more transparent, not having that mystical quality that so much of British neoromantic orchestral has including RVW's own symphonies.  I look forward to listening to the Phantasy quintet this evening.

Is it this one by any chance David?

[asin]B00005AQNF[/asin]
One of my fave cds  :)

"Two possibilities exist: Either we are alone in the Universe or we are not. Both are equally terrifying"      (Arthur C. Clarke)

TheGSMoeller

Good morning, all!  8)

+1 for RVW sonatas and Phantasy Quintet.

My new standard for Dvorak 8 has been set, thanks in part to Szell/Cleveland, mainly in the fourth movement, I need to hear those horns when the minor themes arrive. If you have the recording go to 3:35 to hear what I mean.

[asin]B000007QCH[/asin]

DavidW

Cool Karl!

Tony I listened to the cd from the big emi box:

[asin]B00156ZWV0[/asin]