What are you listening to now?

Started by Dungeon Master, February 15, 2013, 09:13:11 PM

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Karl Henning

Babbit
All Set
BMOP


[asin]B00HF95P4U[/asin]
Karl Henning, Ph.D.
Composer & Clarinetist
Boston MA
http://www.karlhenning.com/
[Matisse] was interested neither in fending off opposition,
nor in competing for the favor of wayward friends.
His only competition was with himself. — Françoise Gilot

ZauberdrachenNr.7

Quote from: karlhenning on May 20, 2014, 06:11:40 AM
I've never properly applied myself to procrastination . . . .

You funny!   :) ;D 8) :laugh:

springrite

Quote from: karlhenning on May 20, 2014, 06:11:40 AM
I've never properly applied myself to procrastination . . . .

You are simply procrastinating about applying yourself to procrastination, which is the procrastination of the worst kind!
Do what I must do, and let what must happen happen.

Karl Henning

8)

Thread Duty:

Hanson
Concerto for Organ, Harp & Strings, Op.22 № 3
Joe Jackson, org
Phila. Virtuosi Chamber Orchestra
Daniel Spalding


[asin]B000FVQUVM[/asin]
Karl Henning, Ph.D.
Composer & Clarinetist
Boston MA
http://www.karlhenning.com/
[Matisse] was interested neither in fending off opposition,
nor in competing for the favor of wayward friends.
His only competition was with himself. — Françoise Gilot

Karl Henning

Quote from: karlhenning on May 20, 2014, 06:51:08 AM
8)

Thread Duty:

Hanson
Concerto for Organ, Harp & Strings, Op.22 № 3
Joe Jackson, org
Phila. Virtuosi Chamber Orchestra
Daniel Spalding


[asin]B000FVQUVM[/asin]

It is perhaps ironic to reflect, first of all, that more striking use of the organ is made by both Holst (in The Planets) and Vaughan Williams (in the Sinfonia antartica) . . . so, even though this work is dubbed a Concerto, overall, it strikes me as a bit grey/monochrome in tone.  But it is nevertheless beautifully written, and "easy on the ear" in the best sense.
Karl Henning, Ph.D.
Composer & Clarinetist
Boston MA
http://www.karlhenning.com/
[Matisse] was interested neither in fending off opposition,
nor in competing for the favor of wayward friends.
His only competition was with himself. — Françoise Gilot

North Star

G'day, Karl!


Thread duty

Tchaikovsky
Ouverture solennelle 1812, Op. 49
Pletnev & RNO


Earlier today:

Bach
various organ works
Foccroulle


Mozart
Requiem
Andres Mustonen, Inessa Galante, Antra Bigaca, Viestur Jansons, Egils Silins

"Everything has beauty, but not everyone sees it." - Confucius

My photographs on Flickr

Ken B

Quote from: Florestan on May 20, 2014, 06:10:56 AM
Too bad I'm not a composer. I would have written a Requiem for Che Guevara's Victims;D
Nate wouldn't have liked it. Far, far, far too long.

EigenUser

Quote from: karlhenning on May 20, 2014, 06:39:35 AM
Babbit
All Set
BMOP


[asin]B00HF95P4U[/asin]
If "Tierkreis" is the one Stockhausen piece I really liked (though "Mantra" is pretty cool at times), then "All Set" is the one Babbitt piece I really like.
Beethoven's Op. 133 -- A fugue so bad that even Beethoven himself called it "Grosse".

Karl Henning

Quote from: EigenUser on May 20, 2014, 08:20:19 AM
. . . "All Set" is the one Babbitt piece I really like.

The Composition for Twelve Instruments is excellent, too, IMO.

(I should revisit Mantra, which likewise, may be the only Stockhausen I need . . . .)
Karl Henning, Ph.D.
Composer & Clarinetist
Boston MA
http://www.karlhenning.com/
[Matisse] was interested neither in fending off opposition,
nor in competing for the favor of wayward friends.
His only competition was with himself. — Françoise Gilot

Ken B

First Listen Tuesday. John Adams, Dr Atomic Symphony.
First thought part way through: cheesey.

EigenUser

Quote from: karlhenning on May 20, 2014, 08:22:48 AM
The Composition for Twelve Instruments is excellent, too, IMO.

(I should revisit Mantra, which likewise, may be the only Stockhausen I need . . . .)
If "Verklarte Nacht" reminded a critic of Schoenberg taking score of Wagner's "Tristan and Isolde" and smearing it while the ink was still wet (not a bad thing for me, I love VN), "Mantra" reminds me of Stockhausen taking a score of Bartok's "Sonata for Two Pianos and Percussion", smearing it while the ink was still wet, and adding a few ring modulators (which I could do without, by the way).
Beethoven's Op. 133 -- A fugue so bad that even Beethoven himself called it "Grosse".

EigenUser

Janacek's "The Cunning Little Vixen - Suite"
https://www.youtube.com/watch?v=a79nSbmy69U

This is the best Janacek I've heard so far.
Beethoven's Op. 133 -- A fugue so bad that even Beethoven himself called it "Grosse".

listener

Modem quit, so this is from yesterday
Now ready for the afternoon
SIBELIUS: Symphony no. 4     Tapiola
Vienna Philharmonic Orch.,  Lorin Maazel, cond.
This is good, Tapiola is excellent,
SHOSTAKOVICH: Song of the Forests, op.81
Vladimir Ivanovski, tenor    Ivan Petrov, bass
Moscow Philharmonic Orch.   with chorus       Rozhdestvensky cond.
No text or translation with this edition,
PROKOFIEV: Alexander Nevsky
Vera Soukupova, sop., Czech Singers Choir, Czech Philhamonic Orch.,  Ancerl cond.
I might pull a batch of Everest discs out for that thread.
"Keep your hand on the throttle and your eye on the rail as you walk through life's pathway."

Ken B

John Adams, City Noir
Continuing my disenchantment with most of Adams's more recent stuff.

Cato

In recent days: 2 excerpts from the 11-year old Mozart's Apollo et Hyacinthus

[asin]B000004117[/asin]

and

[asin]B00000E3R1[/asin]

The CD has the early Overture in G minor which is also a fine work!
"Meet Miss Ruth Sherwood, from Columbus, Ohio, the Middle of the Universe!"

- Brian Aherne introducing Rosalind Russell in  My Sister Eileen (1942)

Mandryka



The Schoenberg Quartet play Webern's op 28 quartet.

The music sounds emotionally rich, expressive, especially in the first movement. I don't know how authentic it is to play it like this, but I find it really very attractive. I don't know what Webern thought music was for.

I've come across similar issues with baroque fugues.
Wovon man nicht sprechen kann, darüber muss man schweigen

Karl Henning

Quote from: Ken B on May 20, 2014, 09:14:33 AM
John Adams, City Noir
Continuing my disenchantment with most of Adams's more recent stuff.

Thanks for taking one for the team!
Karl Henning, Ph.D.
Composer & Clarinetist
Boston MA
http://www.karlhenning.com/
[Matisse] was interested neither in fending off opposition,
nor in competing for the favor of wayward friends.
His only competition was with himself. — Françoise Gilot

SonicMan46

Boccherini, Luigi - String Quintets w/ Ensemble Concertant Frankfurt.

Graupner, Christoph - Orchestral Suites w/ the Finnish Baroque Orchestra - a new arrival - Dave :)

 

Todd





Some items from this set, starting with Papillons and the Novelleten.
The universe is change; life is opinion. - Marcus Aurelius, Meditations

People would rather believe than know - E.O. Wilson

Propaganda death ensemble - Tom Araya

Sergeant Rock

Prokofiev Symphony No.5 B flat op.100, Szell, Cleveland




Sarge
the phone rings and somebody says,
"hey, they made a movie about
Mahler, you ought to go see it.
he was as f*cked-up as you are."
                               --Charles Bukowski, "Mahler"