What are you listening to now?

Started by Dungeon Master, February 15, 2013, 09:13:11 PM

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Mirror Image

Now:



Just finishing up Chamber Concerto. A work I don't love, but I enjoyed it a lot more this time around. Next up is Three Pieces for Orchestra.

springrite

Quote from: Mirror Image on September 22, 2014, 12:46:59 PM
Now:



Just finishing up Chamber Concerto. A work I don't love, but I enjoyed it a lot more this time around. Next up is Three Pieces for Orchestra.
The chamber concerto is my favourite Berg work! With time, I think you will love it. It is as twisted as you are (or as I am)!
Do what I must do, and let what must happen happen.

Mirror Image

Quote from: springrite on September 22, 2014, 12:50:48 PM
The chamber concerto is my favourite Berg work! With time, I think you will love it. It is as twisted as you are (or as I am)!

You never know, Paul. I definitely need to listen to it more often so I can at least get a better grasp of it. It's certainly twisted. :)

EigenUser

Quote from: Mirror Image on September 22, 2014, 12:46:59 PM
Now:



Just finishing up Chamber Concerto. A work I don't love, but I enjoyed it a lot more this time around. Next up is Three Pieces for Orchestra.
I will try this soon.

Currently, starting this, but I doubt I'll finish today.
[asin]B0000AKO6Q[/asin]
Beethoven's Op. 133 -- A fugue so bad that even Beethoven himself called it "Grosse".

North Star

Berg
Chamber Concerto
Barenboim, Zukerman
Ensemble Intercontemporain
Boulez
"Everything has beauty, but not everyone sees it." - Confucius

My photographs on Flickr

ZauberdrachenNr.7

Philip Kennicott's article from New Republic "Rediscovering Bartok's Anxious, Hypnotic, Intellectually Exhausting Quartets" might interest Sarge and Brian.  I think he has their measure. 

http://www.newrepublic.com/article/116358/bartok-reviewed-should-folk-music-be-kept-out-classical-music-hall

A snippet therefrom:

There are occasional moments in Bartók's String Quartet No. 1 when the gloom lifts, when the densely woven musical lines pause momentarily for a spot of pure, consonant sunniness. In the string quartets of Beethoven or Brahms, these rare and radiant episodes would have a temporal and harmonic meaning, they would bring the argument to a conclusion, or summation, before moving on with a new idea. But in Bartók's musical language, the effect is almost visual. They don't suggest closure, or rest. Rather, it seems as if the music has been pierced, like sun through a canopy of trees, or the enlightenment of a restless mind finding something definite and tangible in its search for certitude. In a small, intimate way, they remind the listener of one of the most thrilling moments in all of twentieth-century music, the "fifth" door of "Bluebeard's Castle," Bartók's sole opera. When opened by Bluebeard's relentlessly inquisitive new wife, the tyrant's majestic realms are represented in a gigantic, brilliant blast of orchestral sound, with the stage direction: "in a gleaming torrent, the light streams in."

amw

#30546
Quote from: Brian on September 22, 2014, 09:37:32 AM
What is the "easiest," most approachable, charismatic Bartok SQ set? I was sent a Bartok SQ set to review, against my will, and am worried because I really don't understand them at all.
Either of the Takacs sets, the Tatrai, the Mikrokosmos, or some other Hungarian group generally. The Ebène's ongoing cycle is also shaping up to be rather accessible.

(My favourite, Juilliard '63, is a rather aggressive take, as are most of the "modern"/good sound recordings—Arcanto, Belcea, Hagen.)

It may help to listen to them in order, and to think of them as Beethoven with slightly different notes and rhythms (the first quartet starts with an overt homage to Op. 131).

ZauberdrachenNr.7


EigenUser

Quote from: Mirror Image on September 22, 2014, 12:46:59 PM
Now:



Just finishing up Chamber Concerto. A work I don't love, but I enjoyed it a lot more this time around. Next up is Three Pieces for Orchestra.
Currently, this.

I don't get it? What's so twisted about it? I like it so far more than any other Berg I've heard, except maybe the piano sonata.
Beethoven's Op. 133 -- A fugue so bad that even Beethoven himself called it "Grosse".

Mirror Image

Quote from: EigenUser on September 22, 2014, 01:33:06 PM
Currently, this.

I don't get it? What's so twisted about it? I like it so far more than any other Berg I've heard, except maybe the piano sonata.

Twisted as in completely insane. I assume this is what Paul meant with this description. Glad you enjoyed it. It's definitely better than anything Stockhausen composed, but Berg was a master anyway.

EigenUser

Quote from: Mirror Image on September 22, 2014, 01:35:34 PM
Twisted as in completely insane. I assume this is what Paul meant with this description. Glad you enjoyed it. It's definitely better than anything Stockhausen composed, but Berg was a master anyway.
Well, I certainly don't think I'm capable of making such judgements, but perhaps you are...

Now that you mention Stockhausen, the Berg does remind me of Tierkreis a little bit.
Beethoven's Op. 133 -- A fugue so bad that even Beethoven himself called it "Grosse".

Ken B

Quote from: ZauberdrachenNr.7 on September 22, 2014, 10:43:58 AM
That set looks like an appealing anthology - I really liked Brilliant.  Karl Haas made something of a Hummel fan of me.
I am listening to disc 4 right now. I like this set.

Moonfish

Richard Strauss

5 Klavierstucke Op 3
Stimmungsbilder Op 9
Piano Sonata in B minor Op 5

Gitti Pirner/Piano

New pieces for me and they are deligthful! R. Strauss keeps surprising me with his early compositions.

from
[asin] B006546EPA[/asin]
"Every time you spend money you are casting a vote for the kind of world you want...."
Anna Lappé

PaulR

Some Prokofiev never hurts:

[asin]B000007OTR[/asin]

Mirror Image

Quote from: EigenUser on September 22, 2014, 01:38:07 PM
Well, I certainly don't think I'm capable of making such judgements, but perhaps you are...

Not really, I just like poking fun at Stockhausen whenever I get the chance. ;)

EigenUser

Quote from: Mirror Image on September 22, 2014, 02:08:20 PM
Not really, I just like poking fun at Stockhausen whenever I get the chance. ;)
Absolved! 8)

I still don't get how this is more twisted than usual for the 2ndVS... And while I do like it, now I'm starting to have trouble enjoying it because I'm trying to focus on the twisted-ness that I can't seem to find. :-\
Beethoven's Op. 133 -- A fugue so bad that even Beethoven himself called it "Grosse".

Mirror Image

Quote from: EigenUser on September 22, 2014, 02:11:58 PM
Absolved! 8)

I still don't get how this is more twisted than usual for the 2ndVS... And while I do like it, now I'm starting to have trouble enjoying it because I'm trying to focus on the twisted-ness that I can't seem to find. :-\

Well we all hear things differently, Nate. Paul said that the Chamber Concerto was twisted and perhaps he meant in a psychotic kind of way? Maybe he meant actually musically jumbled? I don't know. Let him elaborate on that. I'll be waiting around the corner.

Thread duty -



Listening to Der Schwanendreher. A fine work and performance.

Moonfish

Chopin: Etudes Op 10 & 25     Ashkenazy

[asin] B001CJJWJS[/asin]
"Every time you spend money you are casting a vote for the kind of world you want...."
Anna Lappé

EigenUser

Quote from: Mirror Image on September 22, 2014, 02:18:23 PM
Well we all hear things differently, Nate. Paul said that the Chamber Concerto was twisted and perhaps he meant in a psychotic kind of way? Maybe he meant actually musically jumbled? I don't know. Let him elaborate on that. I'll be waiting around the corner.
I know, but I've seen similar comments elsewhere. The ending is puzzling, though.
Beethoven's Op. 133 -- A fugue so bad that even Beethoven himself called it "Grosse".

Rinaldo

Hm. I had this disc

[asin]B008FR3MSM[/asin]
for quite some time but never cared much for it. And now it's playing out of sheer what-should-I-listen-to-oh-let's-give-this-a-spin and I'm enjoying it immensely. If there's a Suk fan club, count me in.
"The truly novel things will be invented by the young ones, not by me. But this doesn't worry me at all."
~ Grażyna Bacewicz