Most bombastic composers of the 20th/21st century?

Started by EigenUser, April 21, 2015, 01:51:41 AM

Previous topic - Next topic

0 Members and 1 Guest are viewing this topic.

Mirror Image

Quote from: mszczuj on April 28, 2015, 09:11:06 PM
You can't be quite sure, may be some day you start to listen to the 8th about 10 or 20 times in the row and discover how magnificent and deep masterpiece it is and that it could be compared only with the 6th, the 7th, the 9th and Das Lied von der Erde?

I certainly don't want to close that door. If someday it does click with me, then I'll freely admit I was wrong in my judgement (as I have done many times before) and gladly except the raking over I'll probably receive from the Mahlerians here, but, until then, I just can't get onboard with the 8th.

jochanaan

Again, De gustibus non disputandum est.  Mahler 8 seems to be one of those works that people either love instantly or, well, not.  I loved it from the very first--instantly and completely--and in fact it was my first exposure to Mahler (at age 18!).  Yet obviously, many others here have not had that experience.  And that's okay.  If we all felt the same way about all music, I would soon be bored with this board. ;)
Imagination + discipline = creativity

Karl Henning

Quote from: jochanaan on April 30, 2015, 10:33:05 AM
Again, De gustibus non disputandum est.  Mahler 8 seems to be one of those works that people either love instantly or, well, not.  I loved it from the very first--instantly and completely--and in fact it was my first exposure to Mahler (at age 18!).  Yet obviously, many others here have not had that experience.  And that's okay.  If we all felt the same way about all music, I would soon be bored with this board. ;)

:)
Karl Henning, Ph.D.
Composer & Clarinetist
Boston MA
http://www.karlhenning.com/
[Matisse] was interested neither in fending off opposition,
nor in competing for the favor of wayward friends.
His only competition was with himself. — Françoise Gilot

Ken B

Quote from: jochanaan on April 30, 2015, 10:33:05 AM
Again, De gustibus non disputandum est.  Mahler 8 seems to be one of those works that people either love instantly or, well, not.  I loved it from the very first--instantly and completely--and in fact it was my first exposure to Mahler (at age 18!).  Yet obviously, many others here have not had that experience.  And that's okay.  If we all felt the same way about all music, I would soon be bored with this board. ;)

Well said!

Not that it will stop me from telling my friends about the guy who likes M8, and sharing in their mocking and pitying laughter.  :laugh:

johnshade


The darling of our euphuistic music-lovers, Shostakovich.
The sun's a thief, and with her great attraction robs the vast sea, the moon's an arrant thief, and her pale fire she snatches from the sun  (Shakespeare)

Karl Henning

Quote from: johnshade on May 06, 2015, 12:42:01 PM
The darling of our euphuistic music-lovers, Shostakovich.

http://www.youtube.com/v/5ENcQqhHCr0

. . . just the first example which sprang to mind.
Karl Henning, Ph.D.
Composer & Clarinetist
Boston MA
http://www.karlhenning.com/
[Matisse] was interested neither in fending off opposition,
nor in competing for the favor of wayward friends.
His only competition was with himself. — Françoise Gilot

Karl Henning

Karl Henning, Ph.D.
Composer & Clarinetist
Boston MA
http://www.karlhenning.com/
[Matisse] was interested neither in fending off opposition,
nor in competing for the favor of wayward friends.
His only competition was with himself. — Françoise Gilot

Karl Henning

Karl Henning, Ph.D.
Composer & Clarinetist
Boston MA
http://www.karlhenning.com/
[Matisse] was interested neither in fending off opposition,
nor in competing for the favor of wayward friends.
His only competition was with himself. — Françoise Gilot

Karl Henning

Karl Henning, Ph.D.
Composer & Clarinetist
Boston MA
http://www.karlhenning.com/
[Matisse] was interested neither in fending off opposition,
nor in competing for the favor of wayward friends.
His only competition was with himself. — Françoise Gilot

Karl Henning

Karl Henning, Ph.D.
Composer & Clarinetist
Boston MA
http://www.karlhenning.com/
[Matisse] was interested neither in fending off opposition,
nor in competing for the favor of wayward friends.
His only competition was with himself. — Françoise Gilot

Karl Henning

Karl Henning, Ph.D.
Composer & Clarinetist
Boston MA
http://www.karlhenning.com/
[Matisse] was interested neither in fending off opposition,
nor in competing for the favor of wayward friends.
His only competition was with himself. — Françoise Gilot

Karl Henning

Karl Henning, Ph.D.
Composer & Clarinetist
Boston MA
http://www.karlhenning.com/
[Matisse] was interested neither in fending off opposition,
nor in competing for the favor of wayward friends.
His only competition was with himself. — Françoise Gilot

Karl Henning

Karl Henning, Ph.D.
Composer & Clarinetist
Boston MA
http://www.karlhenning.com/
[Matisse] was interested neither in fending off opposition,
nor in competing for the favor of wayward friends.
His only competition was with himself. — Françoise Gilot

Karl Henning

Karl Henning, Ph.D.
Composer & Clarinetist
Boston MA
http://www.karlhenning.com/
[Matisse] was interested neither in fending off opposition,
nor in competing for the favor of wayward friends.
His only competition was with himself. — Françoise Gilot

Karl Henning

Karl Henning, Ph.D.
Composer & Clarinetist
Boston MA
http://www.karlhenning.com/
[Matisse] was interested neither in fending off opposition,
nor in competing for the favor of wayward friends.
His only competition was with himself. — Françoise Gilot

Karl Henning

Yup; pretty much uninterrupted bombast in the work of Дмитрий Дмитриевич.  I can see that  8)
Karl Henning, Ph.D.
Composer & Clarinetist
Boston MA
http://www.karlhenning.com/
[Matisse] was interested neither in fending off opposition,
nor in competing for the favor of wayward friends.
His only competition was with himself. — Françoise Gilot

Todd

The universe is change; life is opinion. - Marcus Aurelius, Meditations

People would rather believe than know - E.O. Wilson

Propaganda death ensemble - Tom Araya

johnshade

Quote from: karlhenning on May 06, 2015, 04:43:36 PM
Yup; pretty much uninterrupted bombast in the work of Дмитрий Дмитриевич.  I can see that  8)
The exceptions make the rule. The rules are the symphonies I have heard in concert.

The sun's a thief, and with her great attraction robs the vast sea, the moon's an arrant thief, and her pale fire she snatches from the sun  (Shakespeare)

Karl Henning

Quote from: johnshade on May 07, 2015, 04:47:17 AM
The exceptions make the rule. The rules are the symphonies I have heard in concert.

That was the point of my bringing forward 11 examples.  These are too numerous to be "exceptions."  Your narrow sampling doesn't make for "the rule."  You even narrow it (sensibly) to those you "heard in concert";  sensibly, because even better than half of the music in the symphonies does not qualify as "bombast."

So you're only partially paying attention, and for your own reasons are mysteriously paying attention only when things are noisy.  Niffs of user error to me  8)
Karl Henning, Ph.D.
Composer & Clarinetist
Boston MA
http://www.karlhenning.com/
[Matisse] was interested neither in fending off opposition,
nor in competing for the favor of wayward friends.
His only competition was with himself. — Françoise Gilot

North Star

"Everything has beauty, but not everyone sees it." - Confucius

My photographs on Flickr