What are you listening to now?

Started by Dungeon Master, February 15, 2013, 09:13:11 PM

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listener

Sunday listening
Motets by Peter PHILIPS and Richard DERING
Choir of King's College, Cambridge     Stephen Cleobury, cond.
BORTNIANSKY: 8 Choral Concertos, Cherubic Hymn no.7, Koi slaven
Ensemble Cherubim,  Marika Kuzma, cond.
Cyrillic Russian texts and English translations add to the value of this recording.
"Keep your hand on the throttle and your eye on the rail as you walk through life's pathway."

Wanderer

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Quote from: karlhenning on June 12, 2015, 03:24:42 AM
How do you like this, Tasos?

Exquisite and enthralling. Especially La mer, among my top favourite renditions.

Mandryka

#47122


Tallis Scholars do some Gombert magnificats, first listen to new music. This is where the whole vortex of dense keyboard contrapuntal polyphony began I'm told, after the Council of Trent church voice music ceased to be contrapuntal because the words wouldn't be clear enough and the discoveries which Gombert made were continued by Hyeronymus Praetorius, Jehan Titelouze, Antonio Cabézon in their magnificats  etc.
Wovon man nicht sprechen kann, darüber muss man schweigen

Karl Henning

Quote from: Moonfish on June 14, 2015, 07:05:51 PM
March 3, 1976   ::)

Thanks!  That makes me hopeful about the sound.
Karl Henning, Ph.D.
Composer & Clarinetist
Boston MA
http://www.karlhenning.com/
[Matisse] was interested neither in fending off opposition,
nor in competing for the favor of wayward friends.
His only competition was with himself. — Françoise Gilot

Madiel

Chopin, opp.29 to 32

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So many superb melodies. Hats off, gentlemen, a genius.
Nobody has to apologise for using their brain.

Karl Henning

Quote from: orfeo on June 15, 2015, 02:47:20 AM
Chopin, opp.29 to 32

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So many superb melodies. Hats off, gentlemen, a genius.

Sweet!
Karl Henning, Ph.D.
Composer & Clarinetist
Boston MA
http://www.karlhenning.com/
[Matisse] was interested neither in fending off opposition,
nor in competing for the favor of wayward friends.
His only competition was with himself. — Françoise Gilot

Florestan

"Beauty must appeal to the senses, must provide us with immediate enjoyment, must impress us or insinuate itself into us without any effort on our part." - Claude Debussy

San Antone


Karl Henning

Again:

Liszt
Sonata in b minor, S.178 (1852-53)
Hamelin


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Karl Henning, Ph.D.
Composer & Clarinetist
Boston MA
http://www.karlhenning.com/
[Matisse] was interested neither in fending off opposition,
nor in competing for the favor of wayward friends.
His only competition was with himself. — Françoise Gilot

San Antone

Quote from: karlhenning on June 15, 2015, 05:47:01 AM
Again:

Liszt
Sonata in b minor, S.178 (1852-53)
Hamelin


[asin]B004NWHVD0[/asin]

I think his performance is stunning; I would like to find a video of it live.

Karl Henning

Quote from: sanantonio on June 15, 2015, 05:58:31 AM
I think his performance is stunning; I would like to find a video of it live.

Masterly;  I've listened to it three times in two days, now.
Karl Henning, Ph.D.
Composer & Clarinetist
Boston MA
http://www.karlhenning.com/
[Matisse] was interested neither in fending off opposition,
nor in competing for the favor of wayward friends.
His only competition was with himself. — Françoise Gilot

Karl Henning

Maiden-Listen Mondays!

Debussy
La Boite à joujoux (ballet pour enfants)
Bavouzet


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Does the man have only two hands?
Karl Henning, Ph.D.
Composer & Clarinetist
Boston MA
http://www.karlhenning.com/
[Matisse] was interested neither in fending off opposition,
nor in competing for the favor of wayward friends.
His only competition was with himself. — Françoise Gilot

Karl Henning

Quote from: karlhenning on June 15, 2015, 06:25:50 AM
Does the man have only two hands?

I understand that the question applies more to the two other works on the disc  0:)
Karl Henning, Ph.D.
Composer & Clarinetist
Boston MA
http://www.karlhenning.com/
[Matisse] was interested neither in fending off opposition,
nor in competing for the favor of wayward friends.
His only competition was with himself. — Françoise Gilot

Mirror Image

Now:



Listening to Symphony No. 5 in E flat major, Op. 82. Scintillating performance.


Christo

... music is not only an 'entertainment', nor a mere luxury, but a necessity of the spiritual if not of the physical life, an opening of those magic casements through which we can catch a glimpse of that country where ultimate reality will be found.    RVW, 1948

Mirror Image

Now:



Listening to Symphony No. 2 in G minor, Op. 34. Upon comparing the Westerberg performance to Jarvi's, I realized what I missed from Westerberg: a bit of a swifter approach. Westerberg has a much more expansive view of the symphony as a whole and digs a bit deeper, but Jarvi gives this symphony some fire. He doesn't let things overstay their welcome. There's no question that Westerberg is fine in this symphony, but I wouldn't want to be without Jarvi. The surges of energy in this performance are enough to power New York City during a blackout. ;D

North Star

Quote from: karlhenning on June 15, 2015, 06:09:04 AM
Masterly;  I've listened to it three times in two days, now.
Told you so!  8)
"Everything has beauty, but not everyone sees it." - Confucius

My photographs on Flickr

Karl Henning

Why, so you did, dear fellow, so you did  0:)

Does make me want to revisit Argerich, which I remember liking, but to which I do not remember attending quite so closely (not her fault).
Karl Henning, Ph.D.
Composer & Clarinetist
Boston MA
http://www.karlhenning.com/
[Matisse] was interested neither in fending off opposition,
nor in competing for the favor of wayward friends.
His only competition was with himself. — Françoise Gilot

Wanderer