Recordings That You Are Considering

Started by George, April 06, 2007, 05:54:08 AM

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prémont

Quote from: Mandryka on May 06, 2016, 12:56:13 PM


Sophie Yates' playing is nice and immaculate, and she would clearly pass an harpsichord examination with distinction playing in that way, but I miss some imagination, some tension, some passion. It is Italian music after all. Only in the last very chromatic part of Rossi's Toccata VII one feels, that she is touched by the music. The short Seconde Stravaganze by de Macque and the Canzon by Gesualdo  f.i. are played too cool IMO. And Frescobaldi's Cento Partite feels endless long (it last ca.10 minutes). The harpsichord sounds dry but is tuned in meantone temperature. I cannot recommend this recording without reservation.
Reality trumps our fantasy far beyond imagination.

Mandryka

Quote from: (: premont :) on May 07, 2016, 01:29:00 PM
Sophie Yates' playing is nice and immaculate, and she would clearly pass an harpsichord examination with distinction playing in that way, but I miss some imagination, some tension, some passion. It is Italian music after all. Only in the last very chromatic part of Rossi's Toccata VII one feels, that she is touched by the music. The short Seconde Stravaganze by de Macque and the Canzon by Gesualdo  f.i. are played too cool IMO. And Frescobaldi's Cento Partite feels endless long (it last ca.10 minutes). The harpsichord sounds dry but is tuned in meantone temperature. I cannot recommend this recording without reservation.

Thanks. I saw a good review and so was curious. In fact there are a handful of Sophie Yates CDs on spotify which I sampled and they didn't seem at all interesting. So I'm not surprised by your comments at all.
Wovon man nicht sprechen kann, darüber muss man schweigen

GioCar

Thanks guys for your feedbacks regarding the Molardi and the Tasini set (Merulo's works for organ)  :)

I'll get the Molardi to start, being more complete and better recorded from what I understand.

Que

Quote from: GioCar on May 07, 2016, 10:48:39 PM
Thanks guys for your feedbacks regarding the Molardi and the Tasini set (Merulo's works for organ)  :)

I'll get the Molardi to start, being more complete and better recorded from what I understand.

The recording quality is top shelve, excellence in organ recordings is a hall mark of DIVOX.  :)
And I found interpretations by Molardi absolutely brilliant.

Q

Mandryka

Wovon man nicht sprechen kann, darüber muss man schweigen

jlaurson

Quote from: Mandryka on May 13, 2016, 11:27:29 AM


Have it, haven't heard it yet, though. The studio can do magic... but whether they can fix the primarius of this quartet, by now the glaringly obvious weak spot, I don't know.

Mandryka

Quote from: jlaurson on May 14, 2016, 12:43:33 AM
Have it, haven't heard it yet, though. The studio can do magic... but whether they can fix the primarius of this quartet, by now the glaringly obvious weak spot, I don't know.

I've been really enjoying their Beethoven op 18s and op 135 CD on Myrios. I'm quite tempted by the one with the Webern too, even though I' m not much interested in the Razumowski quartets.
Wovon man nicht sprechen kann, darüber muss man schweigen

aligreto

Three different versions of Tchaikovsky's Manfred Symphony....









Que

Quote from: aligreto on May 17, 2016, 01:10:17 PM
Three different versions of Tchaikovsky's Manfred Symphony....




You wouldn't expect it (from the RCO, yes, but perhaps not so much from Chailly) but that is an awesome recording.

I also like Markevitch:

[asin]B00005V33M[/asin]
Q

aligreto

Quote from: Que on May 17, 2016, 09:29:33 PM



You wouldn't expect it (from the RCO, yes, but perhaps not so much from Chailly) but that is an awesome recording.

I also like Markevitch:

[asin]B00005V33M[/asin]
Q

Thank you Que. Strong recommendation on the Chailly there and the Markevitch was also mentioned in the Manfred thread so I think that I will also try to track that one down.

ritter

#13370
This pioneering recording of Haydn's last opera intrigues me (I don't know the piece at all).

[asin]B004RPQSG4[/asin]
It was made in 1950, a year before the (very) posthumous first staging (in Florence, with Maria Callas under the baton of Erich Kleiber).

Has anyone heard it? I'm sure our expert Haydnians have something to say  ;)

Thanks and regards,

Archaic Torso of Apollo

Rouse: Symphonies 3 & 4, plus a couple of other works (NYPO/Gilbert)



I'm probably gonna go ahead and buy this without waiting for reviews. Why? Because this is exactly the sort of thing the major American orchestras should be releasing, instead of the zillionth Beethoven or Mahler recording, and I want to support that. (Plus, I heard the 3rd Symphony on the radio and rather liked it.)
formerly VELIMIR (before that, Spitvalve)

"Who knows not strict counterpoint, lives and dies an ignoramus" - CPE Bach

Brian

Quote from: Archaic Torso of Apollo on May 18, 2016, 09:44:04 AM
Rouse: Symphonies 3 & 4, plus a couple of other works (NYPO/Gilbert)



I'm probably gonna go ahead and buy this without waiting for reviews. Why? Because this is exactly the sort of thing the major American orchestras should be releasing, instead of the zillionth Beethoven or Mahler recording, and I want to support that. (Plus, I heard the 3rd Symphony on the radio and rather liked it.)
I think I'll stream that right now! Booklet note is 36 pages with notes by the composer on each work - Dacapo really knows how to support new music.

Archaic Torso of Apollo

Quote from: Brian on May 18, 2016, 09:59:11 AM
Booklet note is 36 pages with notes by the composer on each work - Dacapo really knows how to support new music.

That's the other thing. I want to support labels that not only record new music, but give it the in-depth treatment it deserves.
formerly VELIMIR (before that, Spitvalve)

"Who knows not strict counterpoint, lives and dies an ignoramus" - CPE Bach

Mirror Image

Quote from: Archaic Torso of Apollo on May 18, 2016, 10:11:15 AM
That's the other thing. I want to support labels that not only record new music, but give it the in-depth treatment it deserves.

+ 1

marvinbrown



  Dear all,

  I need help.  I can't tell which of the following is a better deal.

  This claims to be "complete" and  with more probably better sound (that's important to me) than the Sony below:

[asin]B013FFSG7U[/asin]

  Or this:

  [asin]B00TH53056[/asin]

  Yes granted its more expensive but I don't mind.  I'm just worried about the sound quality.  On the other hand it has Stravinsky himself conducting and hence my interest, I can not tell if it is complete or not but it has more CDs (multiple recordings of the same work??)  so I am guessing it is. anyone familiar with either. Which way should I lean?

  any advice would be appreciated.  I have very little Stravinsky in my collection (no more than 3 cds) so there will hardly be any overlap/duplication.

  marvin

jlaurson

Quote from: marvinbrown on May 24, 2016, 05:41:01 AM

  Dear all,

  I need help.  I can't tell which of the following is a better deal.

  This claims to be "complete" and  with more probably better sound (that's important to me) than the Sony below:

  Or this:


  Yes granted its more expensive but I don't mind.  I'm just worried about the sound quality.  On the other hand it has Stravinsky himself conducting and hence my interest, I can not tell if it is complete or not but it has more CDs (multiple recordings of the same work??)  so I am guessing it is. anyone familiar with either. Which way should I lean?

  any advice would be appreciated.  I have very little Stravinsky in my collection (no more than 3 cds) so there will hardly be any overlap/duplication.

  marvin

I'll do a review of the former (Stravinsky-himself) set, before long. But ultimately there's a fundamental question for you to answer here: Do you want all of the music of Stravinsky or do you want all the music that Stravinsky performed of his own works (and a few others).

All the major works of Stravinsky's - certainly all the orchestral works - are part of the Stravinsky-himself set. It's also done with luxurious perfectionism... probably the favorite set I have just to behold. And it includes the early recordings (most of them sounding surprisingly to very good!) which I often (not always) prefer over the stereo re-makes.

I don't, alas, have the DG box... so I can't really compare as such.

marvinbrown

#13377
Quote from: jlaurson on May 24, 2016, 06:16:46 AM
I'll do a review of the former (Stravinsky-himself) set, before long. But ultimately there's a fundamental question for you to answer here: Do you want all of the music of Stravinsky or do you want all the music that Stravinsky performed of his own works (and a few others).

All the major works of Stravinsky's - certainly all the orchestral works - are part of the Stravinsky-himself set. It's also done with luxurious perfectionism... probably the favorite set I have just to behold. And it includes the early recordings (most of them sounding surprisingly to very good!) which I often (not always) prefer over the stereo re-makes.

I don't, alas, have the DG box... so I can't really compare as such.

  I would have liked to have ALL the music that Stravinsky composed.  I just assumed (incorrectly) that the Sony box had that covered given all the praise heaped on it. Would you be able to tell me how much of Stravinsky's musical compositions are missing from the Sony set? or perhaps are any major non orchestral works missing?


  I appreciate your help  :)
  marvin

Mirror Image

Personally, Marvin, I'd go with the DG box of Stravinsky for the simple fact that it covers all the bases: symphonic works, ballets, concertante works, chamber music, operas, etc. A reviewer pointed out on Amazon that this DG set is not actually 'complete' but what's missing is relatively minor (mostly arrangements of other composer's music). For a starter set, I can think of no better way to get acquainted with Stravinsky's music.

Ken B

Quote from: Mirror Image on May 24, 2016, 07:24:42 AM
Personally, Marvin, I'd go with the DG box of Stravinsky for the simple fact that it covers all the bases: symphonic works, ballets, concertante works, chamber music, operas, etc. A reviewer pointed out on Amazon that this DG set is not actually 'complete' but what's missing is relatively minor (mostly arrangements of other composer's music). For a starter set, I can think of no better way to get acquainted with Stravinsky's music.
Plus 1.
I'd go for the DG box if the price is comparable. I have the other, and most of the DG contents.