What are you listening to now?

Started by Dungeon Master, February 15, 2013, 09:13:11 PM

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Karl Henning

RVW
In the Fen Country (1904, rev. 1905 and 1907)
London Phil
Haitink




This may well be my first listen to this piece.  Wikipedia says this is Vaughan Williams' earliest composition not to be withdrawn.
Karl Henning, Ph.D.
Composer & Clarinetist
Boston MA
http://www.karlhenning.com/
[Matisse] was interested neither in fending off opposition,
nor in competing for the favor of wayward friends.
His only competition was with himself. — Françoise Gilot

SonicMan46

Boccherini, Luigi (1743-1805) - as promised, some Luigi this weekend - for Saturday morning:

Flute Divertimenti, Op. 16 w/ Piccolo Concerto Wien; Marcello Gatti on a copy of a transverse flute by Carl Grenser, ca. 1770.

Flute Quintets, Op. 19 w/ Auser Musici; Carlo Ipata on a flute copy after Grenser - Dave :)

   

AnthonyAthletic

.
[asin]B000HRMEM8[/asin]
Quite a recording from Eschenbach.  Powerful first two movements, followed by a lush andante.  Hugh punch in the finale, all in terrific sound.  Not a first choice by any means but worthy of consideration for its demonstration sound.  And a 'filler' of the Piano Quartet movement in A (something everyone should hear)  :'(

"Two possibilities exist: Either we are alone in the Universe or we are not. Both are equally terrifying"      (Arthur C. Clarke)

TheGSMoeller

Listening to a few selections from this Francaix album with Martin Jones on piano..

[asin]B007PDD17E[/asin]

DavidW

Haydn Symphonies 38-38, A-B from the Fischer set.  #39 is awesome!

Ken B

Quote from: DavidW on May 10, 2014, 07:31:29 AM
Haydn Symphonies 38-38, A-B from the Fischer set.  #39 is awesome!
Ain't it though.
It's a measure of the strength of his output that you and I both can find at least a dozen we like more than the Londons. Not so very long ago the early ones were rarely heard even by serious collectors. Prior to Dorati there were almost nothing.

Karl Henning

RVW
On Wenlock Edge (1909; version for tenor & orchestra, 1918-1924)
Ian Bostridge, tenor
London Phil
Haitink




There is no good reason why I've not listened to this before;  and it was brought home to me that I did not know the piece (yet had it right here) as I have been reading The Cambridge Companion to Vaughan Williams.  This is exquisite.
Karl Henning, Ph.D.
Composer & Clarinetist
Boston MA
http://www.karlhenning.com/
[Matisse] was interested neither in fending off opposition,
nor in competing for the favor of wayward friends.
His only competition was with himself. — Françoise Gilot

Karl Henning

Going to listen through to these three again, right away:

RVW
Fantasia on a Theme by Thomas Tallis (1910, rev. 1913 and 1919)
In the Fen Country (1904, rev. 1905 and 1907)
On Wenlock Edge (1909; version for tenor & orchestra, 1918-1924)

Ian Bostridge, tenor
London Phil
Haitink
Karl Henning, Ph.D.
Composer & Clarinetist
Boston MA
http://www.karlhenning.com/
[Matisse] was interested neither in fending off opposition,
nor in competing for the favor of wayward friends.
His only competition was with himself. — Françoise Gilot

Todd

Quote from: AnthonyAthletic on May 10, 2014, 07:25:40 AM
.
[asin]B000HRMEM8[/asin]
Quite a recording from Eschenbach.  Powerful first two movements, followed by a lush andante.  Hugh punch in the finale, all in terrific sound.  Not a first choice by any means but worthy of consideration for its demonstration sound.  And a 'filler' of the Piano Quartet movement in A (something everyone should hear)


A superb recording in every way.
The universe is change; life is opinion. - Marcus Aurelius, Meditations

People would rather believe than know - E.O. Wilson

Propaganda death ensemble - Tom Araya

Lisztianwagner

Pyotr Il'ych Tchaikovsky
Sleeping Beauty


[asin]B002Q85A1S[/asin]
Disc 1
"You cannot expect the Form before the Idea, for they will come into being together." - Arnold Schönberg

Ken B

Quote from: karlhenning on May 10, 2014, 08:20:25 AM
Going to listen through to these three again, right away:

RVW
Fantasia on a Theme by Thomas Tallis (1910, rev. 1913 and 1919)
In the Fen Country (1904, rev. 1905 and 1907)
On Wenlock Edge (1909; version for tenor & orchestra, 1918-1924)

Ian Bostridge, tenor
London Phil
Haitink

Great music. Bostridge is such an excellent singer. DFD with a better voice.

Que

Quote from: SonicMan46 on May 10, 2014, 07:13:32 AM
Boccherini, Luigi (1743-1805) - as promised, some Luigi this weekend - for Saturday morning:

Flute Divertimenti, Op. 16 w/ Piccolo Concerto Wien; Marcello Gatti on a copy of a transverse flute by Carl Grenser, ca. 1770.



I have that one as well, Dave. :) Very cute disc! :) I have grown to love all kinds of flutes, provided they are made of wood.... ::)


I have been playing some Dvorak lately, it seems to catch on.... A Golden Oldie:

[asin]B0002ABTE4[/asin]

I never heard this pieces as idiomatic as here. And frankly I do not feel the need to look for another, this is one of those recordings that will last a lifetime.  :)

Q

Karl Henning

RVW
Mass in g minor (1922)
King's College Choir


[asin]B004MSRDLU[/asin]
Karl Henning, Ph.D.
Composer & Clarinetist
Boston MA
http://www.karlhenning.com/
[Matisse] was interested neither in fending off opposition,
nor in competing for the favor of wayward friends.
His only competition was with himself. — Françoise Gilot

Karl Henning

Quote from: Ken B on May 10, 2014, 08:35:49 AM
Great music. Bostridge is such an excellent singer. DFD with a better voice.

Truly wonderful.
Karl Henning, Ph.D.
Composer & Clarinetist
Boston MA
http://www.karlhenning.com/
[Matisse] was interested neither in fending off opposition,
nor in competing for the favor of wayward friends.
His only competition was with himself. — Françoise Gilot

Wakefield

Quote from: Gordo on May 09, 2014, 04:06:57 PM
Hey, Que, look at this!  ;D



Quote from: Que on May 09, 2014, 10:51:54 PM
I am looking...and it makes me terribly jealous >:D  :D

Quote from: (: premont :) on May 10, 2014, 05:11:13 AM
Yes, when listening to this for the first time two days ago, I also thought of Que.

The playing is state of the art, and the newly built organ seems to have taken its model - as to sound - from the Scherer organ in Tangermünde. And what a beautiful neo-North German prospect.

Yes, repertoire, playing, instrument and sound quality are just superb.

It's also included a very informative booklet, both on the composers of "The Northern School" and the construction (finished in 1984, so now celebrating its 30th Anniversary) of the Organ at Temple Saint Jean (Saint John's Church) in Belfort. This last part is written by the builder Marc Garnier. who, heard this disk, no doubt did a fantastic job. 

:)
"Isn't it funny? The truth just sounds different."
- Almost Famous (2000)

EigenUser

Listening to PLA play Ravel's "Miroirs".
[asin]B003JA5MME[/asin]
Beethoven's Op. 133 -- A fugue so bad that even Beethoven himself called it "Grosse".

Sergeant Rock

Bruckner Symphony D minor "Die Nullte" Maazel conducting the SOBR




Sarge
the phone rings and somebody says,
"hey, they made a movie about
Mahler, you ought to go see it.
he was as f*cked-up as you are."
                               --Charles Bukowski, "Mahler"

Ken B

Part of the flood of recent orders

[asin]B00B8L4F60[/asin]

String quartet stuff right now.

Ken B

Quote from: EigenUser on May 10, 2014, 11:43:41 AM
Listening to PLA play Ravel's "Miroirs".
[asin]B003JA5MME[/asin]
WAKE UP NATE!

  >:D ;) >:D

SonicMan46

Quote from: Que on May 10, 2014, 08:49:22 AM
I have that one as well, Dave. :) Very cute disc! :) I have grown to love all kinds of flutes, provided they are made of wood.... ::)

Hi Que - well you know me - wooden instruments are always of interest!  :)

This afternoon, some Wolfie String Quintets - the two sets that I own below - like both - Dave