What are you listening to now?

Started by Dungeon Master, February 15, 2013, 09:13:11 PM

Previous topic - Next topic

0 Members and 20 Guests are viewing this topic.

Ken B

Quote from: EigenUser on May 09, 2014, 02:57:04 PM
What are the eigenvalues?
Um, 93, 94, 100

Quote from: Ken B on May 09, 2014, 02:43:41 PM
EigenHaydn
93, 94, 100


Too much Ravel Nate, too much Ravel.

>:D :laugh: :laugh: >:D

Wakefield

"Isn't it funny? The truth just sounds different."
- Almost Famous (2000)

mn dave

Good evening.
[asin]B00HS95HPO[/asin]

EigenUser

Quote from: Ken B on May 09, 2014, 03:18:30 PM
Um, 93, 94, 100

Too much Ravel Nate, too much Ravel.

>:D :laugh: :laugh: >:D
While we're on the topic of vector spaces, you should open up a thread in the composing/performing section called "Ken's Kernel" and post nothing.  :laugh: :laugh: :laugh:
Beethoven's Op. 133 -- A fugue so bad that even Beethoven himself called it "Grosse".

mn dave


Ken B

Quote from: EigenUser on May 09, 2014, 05:00:18 PM
While we're on the topic of vector spaces, you should open up a thread in the composing/performing section called "Ken's Kernel" and post nothing.  :laugh: :laugh: :laugh:
Well, it depends.
;)

Todd

The universe is change; life is opinion. - Marcus Aurelius, Meditations

People would rather believe than know - E.O. Wilson

Propaganda death ensemble - Tom Araya

Panem et Artificialis Intelligentia

kishnevi

Quote from: Mn Dave on May 09, 2014, 04:29:17 PM
Good evening.
[asin]B00HS95HPO[/asin]

worth getting?

thread duty;  Ashkenazy playing Chopin's Etudes.

EigenUser

Mauricio Kagel's 3rd SQ. The first two are horrible (sorry, this is really what I think), but I'm listening to the 3rd now and it actually has some beautiful melodies in it. I hope that he doesn't have the players pull out the rubber bands (I read somewhere that they somehow use rubber bands in the first one).
http://www.youtube.com/watch?v=N-DIal25XpM

I'm sure I'll catch hell from hardcore pro-modernists and Kagel fans for this, but I'll say it anyways: See what happens when you actually sit down and try and write decent music as opposed to just trying to be different? "Pan" for SQ and piccolo was also quite nice.
Beethoven's Op. 133 -- A fugue so bad that even Beethoven himself called it "Grosse".

Ken B

Quote from: EigenUser on May 09, 2014, 05:55:40 PM

I'm sure I'll catch hell from hardcore pro-modernists ... for this, but I'll say it anyways: See what happens when you actually sit down and try and write decent music as opposed to just trying to be different?

+1



not edward

It's a Scelsi evening here, with the Ardittis playing the quartets, plus string trio and Khoom. Weird and wonderful in roughly equal proportions.

[asin]B00DCGYFFA[/asin]

I have an older issue, but I'm glad to see Stradivarius bringing this much-travelled set back into print (this is I think the third label it's been on now).
"I don't at all mind actively disliking a piece of contemporary music, but in order to feel happy about it I must consciously understand why I dislike it. Otherwise it remains in my mind as unfinished business."
-- Aaron Copland, The Pleasures of Music

Mirror Image

Quote from: karlhenning on May 09, 2014, 10:32:57 AM
RVW
Symphony № 9 in e minor (1956–57)
LSO
Thomson


[asin]B000000AQ2[/asin]

This whole set is marvelously good.

Certain is, Karl. My favorite RVW symphony set.

Ken B

Shosty's best piece, the Cello Concerto 2

[asin]B0000013YS[/asin]

I adore this.

springrite

Quote from: Jeffrey Smith on May 09, 2014, 05:45:35 PM
worth getting?

My general feeling about his playing is a beautiful tone but no depth and, when he attempts to show depth, is very pretentious sounding. Anyway, I also happen to know how shallow he is, fast fingers but little IQ and even less EQ. After two CDs I gave up on him completely. Lang Lang, if you go past his antics, is much better (although by no means great).
Do what I must do, and let what must happen happen.

kishnevi

#23794
Martin Matalon Le Scorpion (2002)
Written as a soundtrack for this

And the major part of CD 13 of the Percussions de Strasbourg set.

ETA: Amazon imagery not cooperating.  The film is Bunuel's L'Age d'Or.

kishnevi

Quote from: springrite on May 09, 2014, 07:42:49 PM
My general feeling about his playing is a beautiful tone but no depth and, when he attempts to show depth, is very pretentious sounding. Anyway, I also happen to know how shallow he is, fast fingers but little IQ and even less EQ. After two CDs I gave up on him completely. Lang Lang, if you go past his antics, is much better (although by no means great).
And I have a hard time with Lang Lang's antics.

Ken B

#23796
We live in the golden age of the accordion. Nyman, Silence http://m.youtube.com/results?q=motion%20trio&sm=3

A bootleg, so the sound ain't great but still ... http://m.youtube.com/watch?v=A25PCwPkZac
.. To the edge of chaos but always retaining perfect Mozartian grace, and it rushes forward. With accordions!
(Music starts at 90 second mark)

listener

Scandinavian wind quintets: FERNSTROM op. 59, KVANDAL op. 34 NIELSEN op. 43
KVANDAL again Three Hymn-Tunes op. 23b
Oslo Wind Ensemble
"Keep your hand on the throttle and your eye on the rail as you walk through life's pathway."

Que

Quote from: Gordo on May 09, 2014, 04:06:57 PM
Hey, Que, look at this!  ;D



I am looking...and it makes me terribly jealous >:D  :D


Coincidentally,  or maybe not  ;D, listening this morning to some organ music myself.

Just in, another volume from one of my favourite series by Andrea Marcon:

[asin]B00012D8BK[/asin]


Mookalafalas

From the Staier DHM box.  Did Ken B. recommend that first?  Anyway, as good as I had hoped it would be--no, much better. How could I have imagined how good all this is?

[asin]B000001TYR[/asin] 

  An Amazon reviewer rips this disc, saying Staier misunderstands Dussek's notation and pounds too much on the keys. He's probably right, but it's still wonderful.
It's all good...