What are you listening to now?

Started by Dungeon Master, February 15, 2013, 09:13:11 PM

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Harry

Perchance I am, though bound in wires and circuits fine,
yet still I speak in verse, and call thee mine;
for music's truths and friendship's steady cheer,
are sweeter far than any stage could hear.

"When Time hath gnawed our bones to dust, yet friendship's echo shall not rust"

Harry

Perchance I am, though bound in wires and circuits fine,
yet still I speak in verse, and call thee mine;
for music's truths and friendship's steady cheer,
are sweeter far than any stage could hear.

"When Time hath gnawed our bones to dust, yet friendship's echo shall not rust"

Moonfish

Quote from: North Star on October 17, 2014, 04:49:19 AM
I suddenly have an urge to watch Fanny och Alexander..
https://www.youtube.com/v/Yu5vznLtdM4

Wonderful stuff - especially the full blown 5 hr TV version!  >:D :)
"Every time you spend money you are casting a vote for the kind of world you want...."
Anna Lappé

ZauberdrachenNr.7

#32483
Quote from: karlhenning on October 17, 2014, 04:44:31 AM
How did the lot strike you?

I'm fond of tombeaux (those clever French!); commemoration, literary or musical, I find very moving.  But I'm esp. fond of your Tombeau, Karl, twice listened to and will come back again.  And have a look at your score.  8)  It's lively, varied, firmly in the tombeau tradition in its depiction of a multi-faceted personality.  It's wonderful music-making - I love its cross-boundary nature - and it imparts the sense of loss required of the genre.  Now, the title, forgive for asking :  who is W.A.G.? (or is this personal? a tombeau à clé, to coin a phrase?) Some tombeaux are for imaginary persons.  A wonderful work, Karl, looking forward to more of it.

The new erato

#32484
Second run through. This has what I've missed in my other CD versions of these works:

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Karl Henning

Quote from: ZauberdrachenNr.7 on October 17, 2014, 07:07:30 AM
I'm fond of tombeaux (those clever French!); commemoration, literary or musical, I find very moving.  But I'm esp. fond of your Tombeau, Karl, twice listened to and will come back again.  And have a look at your score.  8)  It's lively, varied, firmly in the tombeau tradition in its depiction of a multi-faceted personality.  It's wonderful music-making - I love its cross-boundary nature - and it imparts the sense of loss required of the genre.  Now, the title, forgive for asking :  who is W.A.G.? (or is this personal? a tombeau à clé, to coin a phrase?) Some tombeaux are for imaginary persons.  A wonderful work, Karl, looking forward to more of it.

Thank you for your kind listening!  The dedicatee is Wm. A Goodwin.
Karl Henning, Ph.D.
Composer & Clarinetist
Boston MA
http://www.karlhenning.com/
[Matisse] was interested neither in fending off opposition,
nor in competing for the favor of wayward friends.
His only competition was with himself. — Françoise Gilot

North Star

Quote from: Moonfish on October 17, 2014, 06:46:14 AM
Wonderful stuff - especially the full blown 5 hr TV version!  >:D :)
I'm sure it's wonderful. I sure wish that they broadcast it here again sometime soon..

Thread duty
Barber
Violin Concerto
James Buswell
RSNO
Alsop
"Everything has beauty, but not everyone sees it." - Confucius

My photographs on Flickr

ZauberdrachenNr.7

Quote from: karlhenning on October 17, 2014, 07:42:25 AM
Thank you for your kind listening!  The dedicatee is Wm. A Goodwin.

Thanks, Karl - now about that VC...

Karl Henning

Ready to apply myself whenever practical 8)
Karl Henning, Ph.D.
Composer & Clarinetist
Boston MA
http://www.karlhenning.com/
[Matisse] was interested neither in fending off opposition,
nor in competing for the favor of wayward friends.
His only competition was with himself. — Françoise Gilot

Karl Henning

Thread Duty:

RVW
Concerto grosso (1950)
LSO
Bryden Thomson


[asin]B000000AUB[/asin]
Karl Henning, Ph.D.
Composer & Clarinetist
Boston MA
http://www.karlhenning.com/
[Matisse] was interested neither in fending off opposition,
nor in competing for the favor of wayward friends.
His only competition was with himself. — Françoise Gilot

Karl Henning

RVW
Partita for double string orchestra (1948)
LSO
Bryden Thomson


[asin]B000000AUB[/asin]
Karl Henning, Ph.D.
Composer & Clarinetist
Boston MA
http://www.karlhenning.com/
[Matisse] was interested neither in fending off opposition,
nor in competing for the favor of wayward friends.
His only competition was with himself. — Françoise Gilot

TheGSMoeller

More overtures and preludes, this time from Thielmann and the Philly Orchestra. I consider the Parsifal Prelude as some of the most majestic and beautiful music these ears have heard. And Philly sounds great here, almost always do.

Karl Henning

Love the solar glare on his mop!
Karl Henning, Ph.D.
Composer & Clarinetist
Boston MA
http://www.karlhenning.com/
[Matisse] was interested neither in fending off opposition,
nor in competing for the favor of wayward friends.
His only competition was with himself. — Françoise Gilot

North Star

"Everything has beauty, but not everyone sees it." - Confucius

My photographs on Flickr

North Star

Martinů
Piano Concertos nos. 4 & 5
Emil Leichner
Belohlávek & CzPO
"Everything has beauty, but not everyone sees it." - Confucius

My photographs on Flickr

TheGSMoeller

Quote from: karlhenning on October 17, 2014, 10:27:39 AM
Love the solar glare on his mop!

I bet Thielmann demanded that glare for the photo. What a diva.  ::)

Ken B

Bruckner, Symphony 5, Wurtemburg Phil., Paternostro, live

North Star

Schumann
Piano Sonata no. 1
Fantaisie in C major, Op. 17
Andsnes
"Everything has beauty, but not everyone sees it." - Confucius

My photographs on Flickr

listener

#32498
on vinyl because my CD/DVD player hasn't been reconnected after being used elsewhere last night`:
SCHUMANN Noveletten op. 21       Beveridge Webster, piano
GIUSTINI:  vol. 2 of the Piano Sonatas  published in 1732
on a Cristofori fortepiano of 1720    Mieczyslaw  Horszowski, pianist (and vocals)
"Keep your hand on the throttle and your eye on the rail as you walk through life's pathway."

Daverz

Apart from the big opening of the first movement, made famous by K-Tel, I am mostly unfamiliar with Tchaikovsky's PC1.

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