What are you listening 2 now?

Started by Gurn Blanston, September 23, 2019, 05:45:22 AM

Previous topic - Next topic

PaulR, Linz, Mookalafalas and 31 Guests are viewing this topic.

Symphonic Addict



Petite symphonie concertante for harp, piano, harpsichord and string orchestra

What an astounding work this is!!! Masterly from start to finish. Martín is featured by writing serious music. Well, we have that here but mixed with piquancy a la Martinu. And this rendition is simply exemplary. Very recommended.
The current annihilation of a people on this planet (you know which one it is) is the most documented and at the same time the most preposterously denied. The terror IS REAL!

vandermolen

Hendrik Andriessen: Symphony No.3 (1946)
I like all the Andriessen symphonies but this is my favourite. It has something of the spirit of Vaughan Williams's contemporaneous 6th Symphony with its powerful and sombre urgency.
Thanks to Johan/Christo for this fine discovery:

"Courage is going from failure to failure without losing enthusiasm" (Churchill).

'The test of a work of art is, in the end, our affection for it, not our ability to explain why it is good' (Stanley Kubrick).

Irons

Quote from: vandermolen on March 23, 2020, 07:41:44 AM
I remember great things being said about his recording of Elgar's Second Symphony.

The best Holst "The Planets" I have heard and yet sunk without trace.
You must have a very good opinion of yourself to write a symphony - John Ireland.

I opened the door people rushed through and I was left holding the knob - Bo Diddley.

Spineur

Quote from: André on March 23, 2020, 06:06:39 PM


This takes some getting used to. Over an hour of slow-moving, sparsely accompanied monodic chanting. Once the musical idiom is absorbed, listening is pleasant, but the sameness brings a detachment from the literary/dramatic argument. IOW one stops paying attention to what's sung. Not a significant musical or spiritual experience, then. And yet, there are 3 recordings of it...
I agree.  This is hard-core Pärt.  The last minute, when one moves from the minor to the major key is nice.  One minute out of an hour.

Roasted Swan

Quote from: Irons on March 24, 2020, 12:19:13 AM
The best Holst "The Planets" I have heard and yet sunk without trace.

I had a friend who was a conducting student of George Hurst.  By all accounts a very fine musician/conductor but an extremely difficult person to work with.  I suspect that since much of conducting - certainly with professional orchestras - is down to respect and collaboration, players simply would not tolerate his approach and temperament.  I must admit I don't find his Planets to be that remarkable (it used to be available on Amazon as a download I think) and the Naxos/Elgar discs (there's an Enigma as well) are good without being for me the best.

Spineur

Federico Moreno-Torroba https://en.wikipedia.org/wiki/Federico_Moreno_Torroba was a 20th century composer and impressario.  His composition range from the lyric (Zarzuelas and operas), the symphonic, the chamber music and the instrumental.  He was a very good friend of Andres Segovia and composed many guitar pieces for him.  This integral box is quite nice.


Tsaraslondon



Wonderful Mozart and Bach from Schwarzkopf, recorded when her voice was at its absolute peak.
\"A beautiful voice is not enough.\" Maria Callas

Que

#13147
Quote from: André on March 23, 2020, 05:59:04 PM


The set is completed by 20 minutes from an unfinished oratorio, Christus. Mendelssohn died before he could get more work done. Despite their fragmentary nature, the extracts are major Mendelssohn, truly gorgeous music.

Paulus is a powerful work, one I enjoy somewhat more than Elias. Unfortunately the first disc had a defect that really marred listening. Otherwise, the performance is splendid.

I had a glitch in a Carus disk once, turned out to be in every copy and at Carus they were not very helpful.
Do you have the three-in-one set?

[asin]B00BFZ6H4W[/asin]
Q

Florestan

"Beauty must appeal to the senses, must provide us with immediate enjoyment, must impress us or insinuate itself into us without any effort on our part." - Claude Debussy

Spineur

In the past year, I spent a small fortune with Marston records remastering of historical vocal recording.  Today I am listening to Maurice Renaud http://cantabile-subito.de/Baritones/Renaud__Maurice/renaud__maurice.html recitals recorded between 1901 an 1908.  Yes, very old indeed, but with the remastering, they constitute a very valuable testimony of the art of singing 120 years ago.  Renaud has an absolutely constant tone over his whole vocal range and an amazing legato.  My impression is also that he used somewhat slower tempo compare to most of my other recodings.  This double CD is OOP.  This is the cas of half of Marston remastered CD's.

Tsaraslondon



The LSO certainly justify their reputation of one of the great orchestras of the world in this set. The playing is just magnificent and Gergiev, who presumably had the work in his blood, the perfect interpreter.
\"A beautiful voice is not enough.\" Maria Callas

Marc

Schumann, Kreisleriana, op. 16.

Vladimir Horowitz, recorded 1985, issued 1986 by DG.

Music that I rarely listen to, but now I'm taking the opportunity, staying & working at home due to the corona thing.
I'm enjoying it. Recording sounds very good, too.

Christo

Quote from: vandermolen on March 23, 2020, 11:53:35 PM
Hendrik Andriessen: Symphony No.3 (1946)
I like all the Andriessen symphonies but this is my favourite. It has something of the spirit of Vaughan Williams's contemporaneous 6th Symphony with its powerful and sombre urgency.
Thanks to Johan/Christo for this fine discovery:


Great to learn, last week I listened to some Frank Martin and suddenly I realized their similarities, in worldview but also their musical world, though Andriessen the greater communicator. Perhaps you can understand why the 'Fifth' on this same disc, the 1962 Symphonie concertante, means even more for me? It is the most 'Dutch' per content (full of references to the Dutch Renaissance, Valerius' battle songs a.s.o.) and per musical tradition both, I mean?  0:)
... music is not only an 'entertainment', nor a mere luxury, but a necessity of the spiritual if not of the physical life, an opening of those magic casements through which we can catch a glimpse of that country where ultimate reality will be found.    RVW, 1948

Harry

Not much time to listen these days. My time is occupied with the Coronavirus, which means I am out of the house more as 12 hours a day.
Having some spare time I play the Cello sonatas by Bach, 4-6, performed by Anner Bijlsma, that will sooth my mind.
Keep healthy and above all safe.
Perchance I am, though bound in wires and circuits fine,
yet still I speak in verse, and call thee mine;
for music's truths and friendship's steady cheer,
are sweeter far than any stage could hear.

"When Time hath gnawed our bones to dust, yet friendship's echo shall not rust"

Traverso


Mahlerian

Bruckner: String Quintet in F
Fine Arts Quartet (+1)
"l do not consider my music as atonal, but rather as non-tonal. I feel the unity of all keys. Atonal music by modern composers admits of no key at all, no feeling of any definite center." - Arnold Schoenberg

Biffo

Brahms: Sonata in F minor for Piano & Viola, Op 120 No 1 - Elisabeth Westenholz piano and Nils-Erik Sparf viola - today's daily bargain from eclassical

Que

Quote from: "Harry" on March 24, 2020, 03:59:27 AM
Not much time to listen these days. My time is occupied with the Coronavirus, which means I am out of the house more as 12 hours a day.

Are you doing volunteer work, Harry?

QuoteKeep healthy and above all safe.

Same you, take care!  :)

Q

Maestro267

Prokofiev: Symphonies Nos. 3, 4 & 5
London SO or PO/Weller

Que

After this:

[asin]B07F4DFHSM[/asin]
Nice, but I wondering if Pérès' "Byzantine" approach is the perfect fit for this music...

Spotify suggested this:

[asin]B000005IXQ[/asin]
Which is an utterly charming recording, that I didn't know existed..  :)

Q