What are you listening 2 now?

Started by Gurn Blanston, September 23, 2019, 05:45:22 AM

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Que, Irons, ritter and 15 Guests are viewing this topic.

Karl Henning

Karl Henning, Ph.D.
Composer & Clarinetist
Boston MA
http://www.karlhenning.com/
[Matisse] was interested neither in fending off opposition,
nor in competing for the favor of wayward friends.
His only competition was with himself. — Françoise Gilot

Symphonic Addict

#63161
Krenek: String Quartet No. 5

It sounds more amiable than the previous ones. I like the way its musical architecture unfolds.

The current annihilation of a people on this planet (you know which one it is) is the most documented and at the same time the most preposterously denied. The terror IS REAL!

JBS


CD 1 Printemps

Ibert:  Three Short Pieces for wind quintet (1930)
Tomasi:  Printemps for wind quintet and saxophone (1963)*
Milhaud:  La Cheminee du Roi Rene for wind quintet (1939)
Koechlin: Septet for wind instruments (1937)* **
Francaix: Quintet no 1 (1948)
Bozza: Scherzo for wind quintet (1944)

* Manfred Pries alto saxophone
**Gerhard Stempnik Cor Anglais

Recorded January 1991

Members of the BPWQ during this set of recordings
Michael Hasel flute
Andreas Wittmann oboe
Walter Seyfarth clarinet
Fergus McWilliam horn
Henning Trog bassoon

Hollywood Beach Broadwalk

Symphonic Addict

Quote from: JBS on February 27, 2022, 06:23:32 PM

CD 1 Printemps

Ibert:  Three Short Pieces for wind quintet (1930)
Tomasi:  Printemps for wind quintet and saxophone (1963)*
Milhaud:  La Cheminee du Roi Rene for wind quintet (1939)
Koechlin: Septet for wind instruments (1937)* **
Francaix: Quintet no 1 (1948)
Bozza: Scherzo for wind quintet (1944)

* Manfred Pries alto saxophone
**Gerhard Stempnik Cor Anglais

Recorded January 1991

Members of the BPWQ during this set of recordings
Michael Hasel flute
Andreas Wittmann oboe
Walter Seyfarth clarinet
Fergus McWilliam horn
Henning Trog bassoon

Clever and abundant program.
The current annihilation of a people on this planet (you know which one it is) is the most documented and at the same time the most preposterously denied. The terror IS REAL!

Symphonic Addict

Graener: Turmwächterlied

Late-Romantic, fabulous and noble stuff. This is one of the finest recordings devoted to him, even including the somewhat softened and light Flute Concerto.

The current annihilation of a people on this planet (you know which one it is) is the most documented and at the same time the most preposterously denied. The terror IS REAL!

JBS

Reverting to the 18th century
CD 1


Partitas I, III, and V can't be recorded because they are either completely lost or sitting unrecognized in some library/archive.

Hollywood Beach Broadwalk

Symphonic Addict

#63166
Roussel: Symphony No. 2

An expansive, detailed, loose performance with incredible sonics. This work haunts me because of that dark and menacing atmosphere it conveys. A perfect instance of a transitional piece.




Respighi: Quartetto Dorico

An underrated work IMO.

The current annihilation of a people on this planet (you know which one it is) is the most documented and at the same time the most preposterously denied. The terror IS REAL!

Mirror Image

Quote from: Symphonic Addict on February 27, 2022, 07:31:19 PM
Roussel: Symphony No. 2

An expansive, detailed, loose performance with incredible sonics. This work haunts me because of that dark and menacing atmosphere it conveys. A perfect instance of a transitional piece.



Respighi: Quartetto Dorico

An underrated work IMO.



Pounds the table for both works! I agree with everything you write here, Cesar. The Respighi is seldom heard and, for the life of me, I can't figure out why this is the case. But you know what? I think I'll join you!

NP:

Respighi
Quartetto dorico, P. 144
New Hellenic Quartet



kyjo

Quote from: Symphonic Addict on February 27, 2022, 07:31:19 PM
Roussel: Symphony No. 2

An expansive, detailed, loose performance with incredible sonics. This work haunts me because of that dark and menacing atmosphere it conveys. A perfect instance of a transitional piece.




Respighi: Quartetto Dorico

An underrated work IMO.



I'd really like to hear those Eschenbach recordings of the Roussel symphonies, but they're not to be found on Spotify or YT, unfortunately. And yeah, I wish more of Respighi's vast output outside of the famous Roman Trilogy were performed with much greater frequency. There are so many gems that deserve exposure!
"Music is enough for a lifetime, but a lifetime is not enough for music" - Sergei Rachmaninoff

Mirror Image

Quote from: kyjo on February 27, 2022, 07:51:42 PM
I'd really like to hear those Eschenbach recordings of the Roussel symphonies, but they're not to be found on Spotify or YT, unfortunately. And yeah, I wish more of Respighi's vast output outside of the famous Roman Trilogy were performed with much greater frequency. There are so many gems that deserve exposure!

I bought the Roussel Eschenbach recordings years ago and enjoy them immensely. Much, much better than Denève who I find an absolute bore. And Eshenbach also edges out Janowski (who has a fine cycle on RCA). Dutoit's cycle is pretty good, but I find him best in the 1st and 2nd, but when it comes to the 3rd and 4th, Cluytens, for me, is the conductor to beat. FWIW, I also think Bernstein's 3rd on Columbia is one of the best on record.

Mirror Image

Quote from: Symphonic Addict on February 27, 2022, 04:31:58 PMDebussy: Children's Corner (orch. by Caplet)

A very nice recording, though it's not Debussy's at his most inspired IMO. For me, the best movement is the last one Golliwog's Cake-Walk. I feel the others less characteristic.



I'll happily disagree with you here. I think Children's Corner is an amazing piece, but the solo piano version, though. I like the Caplet orchestration well enough, but I imagine Debussy's own orchestration would've been quite different.

kyjo

#63171
Britten: String Quartet no. 1 and Alla marcia



Sheer inventiveness and wit aplenty, with a deeply-felt slow movement. The brief Alla marcia is so catchy!


Mozart: String Quartets nos. 21 and 22



No. 21 is a sheerly lovely and joyous work, with a great tune in the finale which is expertly developed. Its successor is slightly less engaging, but still quite fine.


Corigliano: The Red Violin Concerto



An exciting and hyper-virtuosic work. Corigliano occasionally succumbs to what I call "Contemporary American Composer Syndrome", which I define as overuse of the percussion section. ;D


Diamond: String Quartet no. 1



Oh, how I love this kind of music! Vigorous, vital, life-affirming, rigorous but not "academic", and expertly written for the quartet. It receives an excellent performance here too.


Bax: In the Faery Hills



My first listen to this work, methinks. Utterly gorgeous, colorful, glittering stuff!
"Music is enough for a lifetime, but a lifetime is not enough for music" - Sergei Rachmaninoff

kyjo

Quote from: Mirror Image on February 27, 2022, 08:04:29 PM
I bought the Roussel Eschenbach recordings years ago and enjoy them immensely. Much, much better than Denève who I find an absolute bore. And Eshenbach also edges out Janowski (who has a fine cycle on RCA). Dutoit's cycle is pretty good, but I find him best in the 1st and 2nd, but when it comes to the 3rd and 4th, Cluytens, for me, is the conductor to beat. FWIW, I also think Bernstein's 3rd on Columbia is one of the best on record.

Good to know, John. I must listen to Cluytens' Roussel!
"Music is enough for a lifetime, but a lifetime is not enough for music" - Sergei Rachmaninoff

kyjo

Quote from: Symphonic Addict on February 26, 2022, 07:42:25 PM
Speaking of Respighi:

Poema autunnale

A heartfelt, warm interpretation of this beauty.



Pounds the table!
"Music is enough for a lifetime, but a lifetime is not enough for music" - Sergei Rachmaninoff

kyjo

Quote from: Mirror Image on February 27, 2022, 06:28:51 AM
Also, remember folks, by me listening to a Russian composer doesn't mean I support Putin's cause. ::) ;)

+1 :D
"Music is enough for a lifetime, but a lifetime is not enough for music" - Sergei Rachmaninoff

kyjo

Quote from: vandermolen on February 27, 2022, 09:13:07 AM
So glad that I bought this CD (version for piano duet of the 1920 edition):


Seems that you like that piano duet arrangement of RVW 2 even more than the original, Jeffrey! ;)
"Music is enough for a lifetime, but a lifetime is not enough for music" - Sergei Rachmaninoff


Holden

Dvorak 9/Smetana Ma Vlast/ Fricsay/BPO. I didn't really click with the "New World" until I heard this performance.
Cheers

Holden

Que


vandermolen

Quote from: kyjo on February 27, 2022, 08:32:42 PM
Seems that you like that piano duet arrangement of RVW 2 even more than the original, Jeffrey! ;)
I wouldn't go that far Kyle but it's been really interesting to hear it performed in this way.
"Courage is going from failure to failure without losing enthusiasm" (Churchill).

'The test of a work of art is, in the end, our affection for it, not our ability to explain why it is good' (Stanley Kubrick).