What are you listening 2 now?

Started by Gurn Blanston, September 23, 2019, 05:45:22 AM

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Symphonic Addict

Verdi: I Vespri Siciliani (acts I-III)

It sounds quite effervescent!

The current annihilation of a people on this planet (you know which one it is) is the most documented and at the same time the most preposterously denied. The terror IS REAL!

Lisztianwagner

Quote from: ritter on September 23, 2022, 11:47:56 AM
E che me pensi, cara Ilaria?

Good evening to you!

Good evening to you too, Rafael!

I absolutely appreciated it, it's a beautiful composition, very thrilling and colourful; like other Walton's works, it shows great expressiveness and intense harmonies, as well as dense, refined textures in the development of the themes and frequent changes in rhythms and dynamics (especially in the first and third movements, while the second makes a fine contrast with an insisting, lively pace overall, apart from the quiet, contemplative ending) which create a varied, capturing atmosphere, but with a melancholic shade on the background that can always be perceived. Terribly good anyway, no doubt.

Now:
William Walton
Cello Concerto




Robert Cohen (cello)
Andrew Litton & Bournemouth Symphony Orchestra
"You cannot expect the Form before the Idea, for they will come into being together." - Arnold Schönberg

vers la flamme



Gustav Holst: The Planets, op.32. William Steinberg, Boston Symphony Orchestra

Wow, lightning fast Planets. Absolutely amazing brass and percussion playing. I just got this but I can see it becoming a favorite.

vandermolen

Walton: Spitfire Prelude and Fugue (from the BBC Music Magazine CD above). This is the best recorded version I have heard of this stirring work (BBC National Orchestra of Wales/Tadaaki Otaka)
"Courage is going from failure to failure without losing enthusiasm" (Churchill).

'The test of a work of art is, in the end, our affection for it, not our ability to explain why it is good' (Stanley Kubrick).

vandermolen

Quote from: vers la flamme on September 23, 2022, 02:18:10 PM


Gustav Holst: The Planets, op.32. William Steinberg, Boston Symphony Orchestra

Wow, lightning fast Planets. Absolutely amazing brass and percussion playing. I just got this but I can see it becoming a favorite.
That's my favourite recording of the Planets - an absolute classic.
"Courage is going from failure to failure without losing enthusiasm" (Churchill).

'The test of a work of art is, in the end, our affection for it, not our ability to explain why it is good' (Stanley Kubrick).

vers la flamme

Quote from: vandermolen on September 23, 2022, 02:21:39 PM
That's my favourite recording of the Planets - an absolute classic.

I can see why. It certainly contains some of the very best orchestral playing I've ever heard, bar none. I'm not sure whether I prefer it to the Boult/LPO or Ormandy/Philadelphia (being the two other recordings I have) but it is certainly unique, and quite a bit more detailed than either.

Mapman

Rachmaninoff: The Rock
Andrew Davis: Royal Stockholm Philharmonic

I can hear influence from Tchaikovsky in this early work. It's a nice piece.


Todd

The universe is change; life is opinion. - Marcus Aurelius, Meditations

People would rather believe than know - E.O. Wilson

Propaganda death ensemble - Tom Araya

Symphonic Addict

Mignone: Maracatu de Chico Rei

Music to lift the spirits, it's so infectious in places.

The current annihilation of a people on this planet (you know which one it is) is the most documented and at the same time the most preposterously denied. The terror IS REAL!

Karl Henning

Quote from: Mapman on September 23, 2022, 03:02:39 PM
Rachmaninoff: The Rock
Andrew Davis: Royal Stockholm Philharmonic

I can hear influence from Tchaikovsky in this early work. It's a nice piece.



It's a beauty!
Karl Henning, Ph.D.
Composer & Clarinetist
Boston MA
http://www.karlhenning.com/
[Matisse] was interested neither in fending off opposition,
nor in competing for the favor of wayward friends.
His only competition was with himself. — Françoise Gilot

vers la flamme



Edward Elgar: Introduction & Allegro for Strings, op.47. John Barbirolli, Sinfonia of London, Allegri Quartet

I can't stop listening to Elgar lately. My admiration for him only grows with each listen. I don't think I was ever fully convinced before, but he was certainly one of the greatest English composers.

Peter Power Pop

Quote from: vers la flamme on September 23, 2022, 03:47:03 PM


Edward Elgar: Introduction & Allegro for Strings, op.47. John Barbirolli, Sinfonia of London, Allegri Quartet

I can't stop listening to Elgar lately. My admiration for him only grows with each listen. I don't think I was ever fully convinced before, but he was certainly one of the greatest English composers.

I have the 2010 release of that album. Great playing, great sound. Great!


aligreto

Dvorak: The Water Goblin [Mackerras]





This is an atmospheric and powerful presentation of this work. However, one should not be surprised as Mackerras is consistently good in Dvorak's music, I find. It is also performed by the Czech PO who have the likes of this music in their blood. I enjoy both the enchanting and dramatic elements of this music. There is great tension created by those shimmering strings along with the brass.

aligreto

Quote from: vers la flamme on September 23, 2022, 02:18:10 PM


Gustav Holst: The Planets, op.32. William Steinberg, Boston Symphony Orchestra

Wow, lightning fast Planets. Absolutely amazing brass and percussion playing. I just got this but I can see it becoming a favorite.

A very special recording and interpretation indeed!

Mapman

Tchaikovsky: Romeo and Juliet
Ormandy: Philadelphia

An exciting performance. I felt like the English horn solo got a little lost.


JBS

Tonight's main event is Bartok's Mikrokosmos


Hollywood Beach Broadwalk

Linz

#78476
Walton Symphonies 1 and 2 with Siesta Charles Mackerras and the London Philharmonic and the London Symphony Orchestra

Karl Henning

Quote from: vers la flamme on September 23, 2022, 03:47:03 PM


Edward Elgar: Introduction & Allegro for Strings, op.47. John Barbirolli, Sinfonia of London, Allegri Quartet

I can't stop listening to Elgar lately. My admiration for him only grows with each listen. I don't think I was ever fully convinced before, but he was certainly one of the greatest English composers.

Nice!
Karl Henning, Ph.D.
Composer & Clarinetist
Boston MA
http://www.karlhenning.com/
[Matisse] was interested neither in fending off opposition,
nor in competing for the favor of wayward friends.
His only competition was with himself. — Françoise Gilot

Karl Henning

Karl Henning, Ph.D.
Composer & Clarinetist
Boston MA
http://www.karlhenning.com/
[Matisse] was interested neither in fending off opposition,
nor in competing for the favor of wayward friends.
His only competition was with himself. — Françoise Gilot

Symphonic Addict

The current annihilation of a people on this planet (you know which one it is) is the most documented and at the same time the most preposterously denied. The terror IS REAL!