What are you listening 2 now?

Started by Gurn Blanston, September 23, 2019, 05:45:22 AM

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foxandpeng

Philip Glass
Complete String Quartets, Volume 2
String Quartets 5 - 7
Quatuor Molinari
ATMA Classique


Continuing to enjoy these.
"A quiet secluded life in the country, with the possibility of being useful to people ... then work which one hopes may be of some use; then rest, nature, books, music, love for one's neighbour — such is my idea of happiness"

Tolstoy

Harry

Mily Alexeyevich Balakirev.
Symphony No.2 in D minor.
Piano Concerto, No.1, in F sharp minor.
Tamara.
BBC Philharmonic Orchestra, Vassily Sinaisky.
Howard Shelley, Piano.
Recorded, in 1998.


Superb, a good recording too.
Perchance I am, though bound in wires and circuits fine,
yet still I speak in verse, and call thee mine;
for music's truths and friendship's steady cheer,
are sweeter far than any stage could hear.

"When Time hath gnawed our bones to dust, yet friendship's echo shall not rust"

AnotherSpin

Symphony for Cello and Orchestra


Todd

The universe is change; life is opinion. - Marcus Aurelius, Meditations

People would rather believe than know - E.O. Wilson

Propaganda death ensemble - Tom Araya

Panem et Artificialis Intelligentia

Harry

Rodion Shchedrin (b. 1932).

Old Russian Circus Music, (Concerto for Orchestra No.3).
Symphony No.2 (Twenty-five Preludes for Orchestra).

BBC Philharmonic, Vassily Sinaisky.
Recording venue New Broadcasting House, Manchester, 1996.


Another favourite in my book., Again a very good performance and SOTA sound.
Perchance I am, though bound in wires and circuits fine,
yet still I speak in verse, and call thee mine;
for music's truths and friendship's steady cheer,
are sweeter far than any stage could hear.

"When Time hath gnawed our bones to dust, yet friendship's echo shall not rust"

Harry

Quote from: AnotherSpin on March 07, 2024, 03:49:45 AMSymphony for Cello and Orchestra



I like this recording quite a bit.
Perchance I am, though bound in wires and circuits fine,
yet still I speak in verse, and call thee mine;
for music's truths and friendship's steady cheer,
are sweeter far than any stage could hear.

"When Time hath gnawed our bones to dust, yet friendship's echo shall not rust"

Traverso

CD 1

Musyck boexken boek 3, "Alderhande danserye", 1551 ; Mohrentanz
Musyck boexken boek 3, "Alderhande danserye", 1551 ; Sel. Pass et medio & Nachtanz Der Stoß
Musyck boexken boek 3, "Alderhande danserye", 1551 ; Sel. Allemande & Nachtanz
Tylman Susato, Jacques van Oortmerssen


Toccata voor toetsinstrument SwWV.283, S.31, "Toccata C2"
Jan Pieterszoon Sweelinck, Jacques van Oortmerssen


Susanne van Soldt manuscript ; Den 36 sallem Des boosdoenders wille seer quaet
Susanne van Soldt manuscript ; Den 16 sallem Bewaert mij Heer weest doch myn toeverlaet
Anoniem, Okke Dijkhuizen

Psalm 5
Anoniem, Okke Dijkhuizen
Psalmvariaties Lynar B7 ; Psalm 100 deel I
Psalmvariaties Lynar B7 ; Psalm 100 deel II
Anoniem, Okke Dijkhuizen

Toy made at Poole Court
Thomas Tomkins, Margreet Prinsen

In nomine nr.12, K.31, FVB.37
John Bull, Margreet Prinsen

Susanne van Soldt manuscript ; Almande brun smeedelyn
Anoniem, Margreet Prinsen

Sarabande voor toetsinstrument, "Serband"
Gisbert Steenwick, Margreet Prinsen

Fantasie voor toetsinstrument MB.10
Orlando Gibbons, Margreet Prinsen

Tiento lleno 3o tono
Anoniem, Jan Jongepier

Balletto a 4
Johann Staden, Jan Jongepier

Courante
Johann Staden, Jan Jongepier

Canzona voor toetsinstrument nr.1 in d kl.t.
Johann Kaspar Kerll, Jan Jongepier

Koraalbewerking voor orgel P.13, "Allein zu dir, Herr Jesu Christ"
Johann Pachelbel, Jan Jongepier

Variaties voor orgel nr.1-7, "Vater unser im Himmelreich" ; Sel. versus 1
Variaties voor orgel nr.1-7, "Vater unser im Himmelreich" ; Sel. versus 2
Variaties voor orgel nr.1-7, "Vater unser im Himmelreich" ; Sel. versus 3
Variaties voor orgel nr.1-7, "Vater unser im Himmelreich" ; Sel. versus 5
Variaties voor orgel nr.1-7, "Vater unser im Himmelreich" ; Sel. versus 6
Variaties voor orgel nr.1-7, "Vater unser im Himmelreich" ; Sel. versus 7
Jacob Praetorius, Bert Matter


Karl Henning

Karl Henning, Ph.D.
Composer & Clarinetist
Boston MA
http://www.karlhenning.com/
[Matisse] was interested neither in fending off opposition,
nor in competing for the favor of wayward friends.
His only competition was with himself. — Françoise Gilot

aukhawk

#107268
Messiaen: Éclairs sur l'au-delà - Rattle, BPO

This is OK, but it doesn't displace either of the other two recordings that I know.  Maybe this music isn't really playing to the strengths of the Berliners.


Messiaen: Éclairs sur l'au-delà - Rattle, BPO

My preference lies with Myung-Whun Chung from 1994 - crikey, that's 30 years ago! - his Orchestre de l'Opéra Bastille is spotlit with the saturation turned up to the max (a DG '4D' production, love it or loathe it) and that seems to suit this densely-textured music much better.  It is simply, a 'brilliant' recording. 
In the other recording I know, Sylvian Cambreling - also well-recorded - takes things much, much slower than either Rattle or Chung and sometimes this pays dividends, but sometimes not.
 


Quote from: Mandryka on February 18, 2024, 06:54:57 AM... this book is  worth the investment I think.
https://www.amazon.co.uk/gp/product/1009247670/ref=ppx_yo_dt_b_search_asin_image?ie=UTF8&psc=1

I've just completed my first traversal of this book: Olivier Messiaen's Catalogue d'oiseaux by Roderick Chadwick and Peter Hill.  Thanks for mentioning it, Mandryka !!
Taking it slowly and listening to some of the music as I go.  The musical examples in the text are indeed a bit indigestible for me (I can read a line, eg as a choral singer, and I can 'follow' a full score while listening to music - but reading a two-handed piano score especially by such as O.M. is a bit beyond me) but that is a minor issue - the book as a whole is a beautiful production and certainly offers great insight into Messiaen's life and thinking around the time that he became 'possessed' by birdsong and the need to set it down as music.  I'm certainly enjoying and understanding Messiaen's Oiseaux - especially the ones I have found 'difficult' - all the more even after the first read through.

One rather strange effect, after 3 weeks or so of deep-diving into Messiaen's music, is that all my other favourite music now feels a little lack-lustre.  Favourite piano composers like Debussy or Prokofiev, favourite orchestral composers like Stravinsky or Sibelius - all sounding a bit flat at the moment!

DavidW


foxandpeng

#107270
Philip Glass
Symphony 1 'Low'
Dennis Russell Davies
Sinfonieorchester Basel


I know nothing of David Bowie's 'Low' album, but I like this a lot. Glass describes the final outcome as a collaboration between the music of Bowie/Eno and his own. Whatever the low brow (no pun intended) - high brow features of this, it is 46 minutes well spent.

I feel a run at Glass coming on...
"A quiet secluded life in the country, with the possibility of being useful to people ... then work which one hopes may be of some use; then rest, nature, books, music, love for one's neighbour — such is my idea of happiness"

Tolstoy

Karl Henning

Karl Henning, Ph.D.
Composer & Clarinetist
Boston MA
http://www.karlhenning.com/
[Matisse] was interested neither in fending off opposition,
nor in competing for the favor of wayward friends.
His only competition was with himself. — Françoise Gilot

Harry

Percy Grainger.
Piano Works.
See back cover for details.
Marc-Andre Hamelin, Piano.
Recorded in St George's, Brandon Hill, Bristol, 1996.


Wonderful! Well played and recorded. Grainger at his best. Cheers one up, when feeling depressed for the lack of SUN.....................

Perchance I am, though bound in wires and circuits fine,
yet still I speak in verse, and call thee mine;
for music's truths and friendship's steady cheer,
are sweeter far than any stage could hear.

"When Time hath gnawed our bones to dust, yet friendship's echo shall not rust"


vandermolen

Quote from: Harry on March 07, 2024, 05:02:08 AMRodion Shchedrin (b. 1932).

Old Russian Circus Music, (Concerto for Orchestra No.3).
Symphony No.2 (Twenty-five Preludes for Orchestra).

BBC Philharmonic, Vassily Sinaisky.
Recording venue New Broadcasting House, Manchester, 1996.


Another favourite in my book., Again a very good performance and SOTA sound.
Yes, but I wish that Chandos would record the far better (IMO) First Symphony.
"Courage is going from failure to failure without losing enthusiasm" (Churchill).

'The test of a work of art is, in the end, our affection for it, not our ability to explain why it is good' (Stanley Kubrick).

vandermolen

M. Weinberg
Cello Concerto
Best performance and recording of this soulful and approachable work:
"Courage is going from failure to failure without losing enthusiasm" (Churchill).

'The test of a work of art is, in the end, our affection for it, not our ability to explain why it is good' (Stanley Kubrick).

Harry

Quote from: vandermolen on March 07, 2024, 08:07:45 AMYes, but I wish that Chandos would record the far better (IMO) First Symphony.

Agreed Jeffrey, but alas....
Perchance I am, though bound in wires and circuits fine,
yet still I speak in verse, and call thee mine;
for music's truths and friendship's steady cheer,
are sweeter far than any stage could hear.

"When Time hath gnawed our bones to dust, yet friendship's echo shall not rust"

Mandryka

#107277
Quote from: aukhawk on March 07, 2024, 06:05:30 AMMessiaen: Éclairs sur l'au-delà - Rattle, BPO

This is OK, but it doesn't displace either of the other two recordings that I know.  Maybe this music isn't really playing to the strengths of the Berliners.


Messiaen: Éclairs sur l'au-delà - Rattle, BPO

My preference lies with Myung-Whun Chung from 1994 - crikey, that's 30 years ago! - his Orchestre de l'Opéra Bastille is spotlit with the saturation turned up to the max (a DG '4D' production, love it or loathe it) and that seems to suit this densely-textured music much better.  It is simply, a 'brilliant' recording. 
In the other recording I know, Sylvian Cambreling - also well-recorded - takes things much, much slower than either Rattle or Chung and sometimes this pays dividends, but sometimes not.
 


I've just completed my first traversal of this book: Olivier Messiaen's Catalogue d'oiseaux by Roderick Chadwick and Peter Hill.  Thanks for mentioning it, Mandryka !!
Taking it slowly and listening to some of the music as I go.  The musical examples in the text are indeed a bit indigestible for me (I can read a line, eg as a choral singer, and I can 'follow' a full score while listening to music - but reading a two-handed piano score especially by such as O.M. is a bit beyond me) but that is a minor issue - the book as a whole is a beautiful production and certainly offers great insight into Messiaen's life and thinking around the time that he became 'possessed' by birdsong and the need to set it down as music.  I'm certainly enjoying and understanding Messiaen's Oiseaux - especially the ones I have found 'difficult' - all the more even after the first read through.

One rather strange effect, after 3 weeks or so of deep-diving into Messiaen's music, is that all my other favourite music now feels a little lack-lustre.  Favourite piano composers like Debussy or Prokofiev, favourite orchestral composers like Stravinsky or Sibelius - all sounding a bit flat at the moment!


I'm very keen to see it performed, the whole thing. I doubt it's going to happen in the UK any time soon, and it's very rare in Europe too. I missed this unfortunately

https://www.cafeoto.co.uk/events/kerry-yong-performs-messiaen/


Wovon man nicht sprechen kann, darüber muss man schweigen

Todd

The universe is change; life is opinion. - Marcus Aurelius, Meditations

People would rather believe than know - E.O. Wilson

Propaganda death ensemble - Tom Araya

Panem et Artificialis Intelligentia

ritter

First listen to these absolutely non-HIP recordings of Vivaldi's Magnificat and Gloria, conducted by Riccardo Muti.



Not my usual repertoire, even if it's somewhat coherent with my recent listening, as both works are presented in the editions of G. F. Malipiero (original music by whom —as well as  a performing edition of Monteverdi's L'Orfeo— I was listening to this week). Also, as a teenager, I was in the choir in a performance of the Gloria.

But what really led me to get this CD was having two of my favourite mezzosopranos (well, two of my favourite singers ever), Teresa Berganza and Lucia Valentini-Terrani together in the same programme.


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