Author Topic: Olivier Messiaen (1908-1992)  (Read 99785 times)

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Offline vers la flamme

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Re: Olivier Messiaen (1908-1992)
« Reply #520 on: October 15, 2020, 02:25:18 AM »


I hope you watched that 'Noel' video in reply #507 a few posts above on this page - that is one of the Vingt (No.13) played for the composer by his wife - as such it's very moving.

You're right—amazing. Thanks.

Offline aukhawk

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Re: Olivier Messiaen (1908-1992)
« Reply #521 on: October 15, 2020, 08:12:11 AM »
Batagov is highly unusual, actually, if you'll forgive me, with an almost Rachmaninov-like heavy, both emotional and spiritual approach, and getting and hearing that recording completely changed the work's appeal for me. I also have or have had Beroff, Hill (now culled), the early Loriod (which I also liked somewhat), and the old Oliveira on Vox, whose recording I don't remember anything about, but whose 'Catalogue ...' I like.

Oooh I didn't know about Batagov.  Such a natural fit for this music.  Looks like one of his earliest recordings (1989) but still, characteristically slow - even more so than Osborne (and by quite a margin sometimes).  Thanks for mentioning him, I shall look forward to this!
At the opposite end of the spectrum would be Momo Kodama, who is a specialist in the French piano repertoire with a crystalline technique.  Loriod is always good I think (I like her Oiseaux, more lyrical than most) but the sound is a bit dated in such a contested field.