What are you listening 2 now?

Started by Gurn Blanston, September 23, 2019, 05:45:22 AM

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Symphonic Addict

Quote from: Mirror Image on August 24, 2021, 08:23:52 PM
I had some Birtwistle, but I gifted to a friend here. I haven't listened to any of Birtwistle's music in ages, so I might have to revisit something of his at some juncture. I believe the member Steve Ridgway is quite the fan of this composer.

The music is certainly avant-garde, maybe, but it's not impenetrable. I guess my ears are not used to this music, so my reaction may not be that accurate.

Yes, he's a champion of that composer as far as I've seen many of his posts.
The current annihilation of a people on this planet (you know which one it is) is the most documented and at the same time the most preposterously denied.

Madiel

Every single post on the forum is unnecessary. Including the ones that are interesting or useful.

Mirror Image

Quote from: Symphonic Addict on August 24, 2021, 08:34:40 PM
The music is certainly avant-garde, maybe, but it's not impenetrable. I guess my ears are not used to this music, so my reaction may not be that accurate.

Yes, he's a champion of that composer as far as I've seen many of his posts.

I think my own problem was I had a difficult time finding something to latch onto, which is probably why I gifted those few recordings of his I had owned. Some avant-garde music comes easy to me while others I don't think I could ever penetrate (i. e. Finnissy, Ferneyhough, Stockhausen...just to name a few).

Mirror Image

Last work for the night:

Berio
Six Encores
Andrea Lucchesini, piano



Que

Quote from: SonicMan46 on August 24, 2021, 01:44:28 PM
Sweelinck, JP decisions today!

Second, now listening to my vocal JPS (bottom row) - total of 5 discs of sacred and secular works - wife use to sing some of this stuff in college.  Finally, thanks to all who contributed to recommendations - also, setup up a 5 hr Spotify playlist which includes 2 of the recordings recommended by Mandryka, so another listening project!  Did not think that Sweelinck would occupy this much of my time - the guy is at the transition of the Renaissance-Baroque periods, but that's what GMG is about, yes?   :laugh:  Dave

 

Those sets are wonderful, Dave:)

Que

#47985
Morning listening  (Jacobus Handl-Gallus)

   


https://open.spotify.com/album/6xd0PqzhhRYGLx65xJsvas

vandermolen

#47986
Walton: Symphony No.2 (LSO/Previn)
Overshadowed by the 1st Symphony it, nevertheless, is a fine, atmospheric work:
"Courage is going from failure to failure without losing enthusiasm" (Churchill).

'The test of a work of art is, in the end, our affection for it, not our ability to explain why it is good' (Stanley Kubrick).

Que


Mandryka

#47988


I wonder who Gavin Black is, and why we don't hear more from him. He's got his hands on an impressive and authentic instrument here. He doesn't hold back from exploring its potential, which means wonderful timbres, especially from the lute stop, all very far from the Ruckers sound we're all used to.  He plays modestly and seriously, he plays warmly and poetically. He has chosen a fine and rare selection of pieces, not just Sweelinck lollipops. This is one of the more interesting harpsichord recordings there is: a real special meeting of composer, instrument and musician.

Oh - well recorded to boot.
Wovon man nicht sprechen kann, darüber muss man schweigen

Irons

Quote from: Biffo on August 22, 2021, 03:46:03 AM
Christopher Wilson: Suite for String Orchestra - Südwestdeutsches Kammerorchester Pforzheim conducted by Douglas Bostock - a pleasant piece dating from 1901 by a composer I haven't previously heard of. From the CPO album of English String Music featured above.

Thanks! I was wondering about the coupling when reading SA interesting comments of the Bantock work.
You must have a very good opinion of yourself to write a symphony - John Ireland.

I opened the door people rushed through and I was left holding the knob - Bo Diddley.

Irons

Quote from: vandermolen on August 24, 2021, 11:26:09 PM
Walton: Symphony No.2 (LSO/Previn)
Overshadowed by the 1st Symphony it, nevertheless, is a fine, atmospheric work:


I like the 2nd Jeffrey and listen as often as the 1st Symphony. My preference is for the Szell recording.
You must have a very good opinion of yourself to write a symphony - John Ireland.

I opened the door people rushed through and I was left holding the knob - Bo Diddley.

Papy Oli

Good morning all,

JS Bach - Selections of Canons (Musica Antiqua Köln) ) BWV 1072-1078, 1086-1087

Olivier

vandermolen

Quote from: Irons on August 25, 2021, 12:57:48 AM
I like the 2nd Jeffrey and listen as often as the 1st Symphony. My preference is for the Szell recording.
Mine too Lol - with the Hindemith Variations.
"Courage is going from failure to failure without losing enthusiasm" (Churchill).

'The test of a work of art is, in the end, our affection for it, not our ability to explain why it is good' (Stanley Kubrick).

vers la flamme

Just finished Harnoncourt's Vivaldi L'estate; more successful than La primavera, I think. Such an intensely dramatic reading. Still think there is something off about the sound on this Teldec recording. Now:



Johannes Brahms: Symphony No.2 in D major, op.73. Georg Solti, Chicago Symphony Orchestra

I can never decide whether the 1st or 2nd is my favorite Brahms symphony—I think it's the 1st, but this is never far behind. An amazing work. I really, really enjoy Solti's Brahms cycle, and I'm not even that big a fan of his conducting generally speaking.

Papy Oli

Bach - Complete Motets (Herreweghe).

Just glorious.

Olivier

foxandpeng

Quote from: DavidW on August 24, 2021, 02:23:08 PM
The second symphony is underrated.  It is a very good work that is under-performed and under-recorded.

Couldn't agree more. He had me as soon as those opening bars from Prokofiev #3 made an appearance. Making that ominous attack repeat so powerfully throughout the first movement is just excellent. I'd love to hear it in the flesh.

"A quiet secluded life in the country, with the possibility of being useful to people ... then work which one hopes may be of some use; then rest, nature, books, music, love for one's neighbour — such is my idea of happiness"

Tolstoy

ritter

Quote from: Papy Oli on August 25, 2021, 02:40:22 AM
Bach - Complete Motets (Herreweghe).

Just glorious.

I don't know that specific recording, Olivier, but the motets are glorious indeed. "Singet dem Herrn ein neues Lied" Just wonderful... :)

Good day to you!

foxandpeng

#47997
Kronos Quartet 25 Years
Peter Sculthorpe SQs 11 'Jabiru Dreaming', 8, 12 'From Ubirr'
Kronos Quartet


Wow. These Peter Sculthorpe SQs sound great here. Grabbed me straight from the gate. What powerful works! Particularly 11 and 12. The addition of the dijeridoo is superb, in my opinion. I really need to explore his SQs in more detail. Honestly that good, IMO.

My only criticism is their inability to spell Sculthorpe's surname correctly, and the lack of metadata on Spotify. There are recordings here of Gubaidulina and Glass that I would have missed through lax tagging.
"A quiet secluded life in the country, with the possibility of being useful to people ... then work which one hopes may be of some use; then rest, nature, books, music, love for one's neighbour — such is my idea of happiness"

Tolstoy

Traverso

Quote from: vers la flamme on August 25, 2021, 02:18:17 AM
Just finished Harnoncourt's Vivaldi L'estate; more successful than La primavera, I think. Such an intensely dramatic reading. Still think there is something off about the sound on this Teldec recording. Now:



Johannes Brahms: Symphony No.2 in D major, op.73. Georg Solti, Chicago Symphony Orchestra

I can never decide whether the 1st or 2nd is my favorite Brahms symphony—I think it's the 1st, but this is never far behind. An amazing work. I really, really enjoy Solti's Brahms cycle, and I'm not even that big a fan of his conducting generally speaking.

I feel the same but his Brahms is very good.I have a preference for the second symphony,the last bars are always thrilling to hear.

vandermolen

Rubbra: Symphony No.3
"Courage is going from failure to failure without losing enthusiasm" (Churchill).

'The test of a work of art is, in the end, our affection for it, not our ability to explain why it is good' (Stanley Kubrick).