What are you listening 2 now?

Started by Gurn Blanston, September 23, 2019, 05:45:22 AM

Previous topic - Next topic

0 Members and 36 Guests are viewing this topic.

prémont

Quote from: SurprisedByBeauty on September 30, 2023, 04:29:08 AMWhy thanks, yes, occasionally I *am* still alive! :-) I thought I'd say "Hi", since I was in the neighborhood.

Hi! Nice to see you.

What's the neigbourhood of GMG?
Reality trumps our fantasy far beyond imagination.

Lisztianwagner

Gustav Mahler
Das Klagende Lied

Susan Dunn, Brigitte Fassbaender, Markus Baur, Werner Hollweg, Andreas Schmidt
Riccardo Chailly & RSO Berlin


"You cannot expect the Form before the Idea, for they will come into being together." - Arnold Schönberg

Todd

The universe is change; life is opinion. - Marcus Aurelius, Meditations

People would rather believe than know - E.O. Wilson

Propaganda death ensemble - Tom Araya

Spotted Horses

Reger, String Quartet Op 109, Clarinet Quintet. Drolc Quartet, Karl Leister.



I found these works easy to respect, hard to love, when I listened years ago. The Quartet Op 109 is working better for me, the Clarinet Quintet less so. I think I just don't like Karl Leister's way of playing, too smooth.

I was particularly attracted to the fugal finale of the Quartet. I remember when I listened to the Drolc set long ago I thought the sound was a bit strident, but it is going better this time, perhaps thanks for the AirPods Max, which have a velvety smooth sound.

SurprisedByBeauty

Quote from: premont on September 30, 2023, 05:51:43 AMHi! Nice to see you.

What's the neigbourhood of GMG?

Ha! Well, it was actually a neighborhood within GMG. I had discographical questions for Todd, who helped me out once again.

TD: The final Trio of Rosenkavalier just came on. Always gorgeous. I either have to cry to it, or whistle along. (Though not the two at the same time... which I put down to my whistling somewhat diminishing the glorious effect.)

Iota



Prokofiev: Visions Fugitives

I love the Visions Fugitives unequivocally (though maybe amongst a rather small number in doing so), and Angelich's is another hypnotic and wonder-inducing addition to the collection.

Wanderer


Spotted Horses

Reger, String Sextet Op 118, Wiener Streicheltet



An attractive work that doesn't seem to be well represented in recordings. Generally similar in style to the Quartet Op 109, to my ears.

SonicMan46

#99068
Continuing with my CPE Bach collection and onto:

Piano Trios w/ the Linos Piano Trio on modern instruments; CPE composed 13 of these works (Source), and all are included on this 2-disc set.

Trio Sonatas w/ Ludger Remy & Les Amis de Philippe; another 2-disc set containing 8 works - now, CPE wrote over 30 in this genre (same Source above) but 3 are lost - I enjoy these works and just ordered a single 'used' CD (last row below) on the Amazon MP for nine bucks - will bring me up to having nearly half of these pieces.  Dave :)

P.S. In 1994, Ludger Rémy founded the orchestra Les Amis de Philippe, named after Carl Philipp Emanuel Bach (Source); of course CPE acquired Phillipp from his godfather, Georg Philipp Telemann.

 

 

 

Karl Henning

Quote from: Karl Henning on September 27, 2023, 12:59:41 PMI am a big fan of the Artyomov Concert of the 13 (1967) and the Silvestrov Postludium (1985) I was a little slow to get to the BaleyViolin Concerto № 1 (Quasi una fantasia) (1987 ... I'm just realizing that this is the newest music on the disc.) As I read the liner notes: The première of American composer Virko Baley's Concerto ... opened the Las Vegas Symphony Orchestra's six-concert subscription series last November (i.e. Nov. 1987) ... written for Boston-based Yuri Mazurkevich, also Ukrainian by birth. Well, the Baley Concerto is both the latest composition in the program, and yet the one which relies most on plugging into the 19th century. That would likely have matched well with the Las Vegas band/audience. It's not a bad piece. In ways, I guess it lives into a little too much dependency on Shostakovich as a model. The cavils notwithstanding, it's well written and a reasonably good piece. I guess I'm trying to check myself from knocking the piece for not being something else, and I'll come back to it.
I revisited the entire disc today. The Baley Concerto is really an interesting piece, and a good deal better than I had given it credit for. I listened with insufficient sympathy the first time. (It happens.) Thumbs up for the entire program.
Karl Henning, Ph.D.
Composer & Clarinetist
Boston MA
http://www.karlhenning.com/
[Matisse] was interested neither in fending off opposition,
nor in competing for the favor of wayward friends.
His only competition was with himself. — Françoise Gilot

Dry Brett Kavanaugh

Scriabin: Symphony No. 2. Konstantin Ivanov & Moscow Philharmonic Orchestra.




Todd



More marvelous Ms Melikyan.  This mixed-rep disc of actual or near core rep lives up to expectations.  The big, beefy Severac opener at least matches the style and quality of playing of Attenelle (though he recorded different works) and satisfies from the lower registers up.  The Vines, which I believe is a first time listen, sounds quite lovely if less elevated.  The Ravel and Faure selections really irritate just a bit, because they make the listener want to hear more from the pianist.  The Satie - the Descriptions automatiques rather than the more predicable Gymnopedies - sound acceptable, while the closing Mompou Scenes d'enfants most definitely indicates Melikyan should go full Pla on Mompou.  The only real negative is the too compressed, too high-level recorded sound, but that's nitpicking.  Melikyan is four for four.  (I have not yet listened to her duo recording.)
The universe is change; life is opinion. - Marcus Aurelius, Meditations

People would rather believe than know - E.O. Wilson

Propaganda death ensemble - Tom Araya

VonStupp

Ralph Vaughan Williams
Phantasy Quintet
String Quartet 1
String Quartet 2

Simon Rowland-Jones, viola
Medici Quartet

I like that the Medici apply sinew to VW, particularly in No. 2.
VS


On the way to church, the South Downs, Robert Gallon
All the good music has already been written by people with wigs and stuff. - Frank Zappa

My Musical Musings

ritter

#99073
Quote from: Todd on September 30, 2023, 09:36:48 AM

More marvelous Ms Melikyan.  This mixed-rep disc of actual or near core rep lives up to expectations.  The big, beefy Severac opener at least matches the style and quality of playing of Attenelle (though he recorded different works) and satisfies from the lower registers up.  The Vines, which I believe is a first time listen, sounds quite lovely if less elevated.  The Ravel and Faure selections really irritate just a bit, because they make the listener want to hear more from the pianist.  The Satie - the Descriptions automatiques rather than the more predicable Gymnopedies - sound acceptable, while the closing Mompou Scenes d'enfants most definitely indicates Melikyan should go full Pla on Mompou.  The only real negative is the too compressed, too high-level recorded sound, but that's nitpicking.  Melikyan is four for four.  (I have not yet listened to her duo recording.)
Interesting, Todd. Thanks!

That disc caught my attention when you posted it in the New Releases thread, particularly for the Viñes (I've never heard any music composed by this legendary pianist).

Florestan

Quote from: ritter on September 30, 2023, 09:57:15 AMThat disc caught my attention when you poosted it in the New Releases thread, particularly for the Viñes (I've never any music composed by this legendary pianist).

I had exactly the same reaction.
"Ja, sehr komisch, hahaha,
ist die Sache, hahaha,
drum verzeihn Sie, hahaha,
wenn ich lache, hahaha! "

Linz

Michael Tippett Symphony No. 1 and Concerto for Piano and Orchestra, Bournemouth Symphony Orchestra, Howard Shelley piano, Richard Hickox

Karl Henning

Quote from: Linz on September 30, 2023, 10:41:46 AMMichael Tippett Symphony No. 1 and Concerto for Piano and Orchestra, Bournemouth Symphony Orchestra, Howard Shelley piano, Richard Hickox
Time I revisited the Concerto.
Karl Henning, Ph.D.
Composer & Clarinetist
Boston MA
http://www.karlhenning.com/
[Matisse] was interested neither in fending off opposition,
nor in competing for the favor of wayward friends.
His only competition was with himself. — Françoise Gilot

ritter

#99077
Dipping my toes in this recently purchased set of Hans Rosbaud conducting French Music.



Disc 2: Ravel's Alborada del gracioso and Ma Mère l'oye (suite), and Albert Roussel's Concert pour petit orchestre, Suite en Fa, and Symphonie No. 3.


Symphonic Addict

Gibbs: Symphony No. 2 'Odysseus'

Too much English-sounding to depict something related to Greek mythology. The composer's style sounds like Vaughan Williams but without the inspiration.

The current annihilation of a people on this planet (you know which one it is) is the most documented and at the same time the most preposterously denied.

Lisztianwagner

Speaking of Odysseus:

Luigi Dallapiccola
Ulisse

Lorin Maazel & Orchester der Deutschen Oper Berlin


"You cannot expect the Form before the Idea, for they will come into being together." - Arnold Schönberg