What are you listening 2 now?

Started by Gurn Blanston, September 23, 2019, 05:45:22 AM

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NumberSix


Hilary Hahn: Brahms Concerto


Todd



Stickin' with the Koosh for a bit longer.
The universe is change; life is opinion. - Marcus Aurelius, Meditations

People would rather believe than know - E.O. Wilson

Propaganda death ensemble - Tom Araya

NumberSix

Following that wonderful Hilly Hahn Brahms performance, YouTube gave me Old Man Lenny doing Mozart No. 25 with Vienna.

Every time I hear that symphony, I want to run and put on AMADEUS.  ;D

Linz

Bruckner Symphony No. 5 in B Flat Major, 1878 Version Ed. Leopold Nowak, Bayerisches Staatsorchester. Wolfgang Sawallisch

Symphonic Addict

Quote from: Karl Henning on August 09, 2024, 09:08:08 AMI especially love Héroïde funèbre!

Me too! And that rendition is the broadest one on record AFAIK, yet it doesn't feel too long.
The current annihilation of a people on this planet (you know which one it is) is the most documented and at the same time the most preposterously denied.

SonicMan46

Krommer, Franz - Flute & Oboe for the afternoon on the recordings below - believe all wind performers on modern instruments - Dave :)




Linz

Giovanni Battista Pergolesi La Serva Padrona, Collegium, Serpina: Maddalena Bonifaccio, soprano, Uberto: Siegmund Nimsgern, bass 

ritter

Music by Karl-Birger Blomdahl, from this multi-conductor anthology with the Stockholm Philharmonic Orchestra.

 « Et n'oubliez pas que le trombone est à Voltaire ce que l'optimisme est à la percussion. » 

Bachtoven

Excellent playing and superb sound on this SACD.

Linz

Bruckner Symphony No. 3 in D Minor, 1889 Version (aka 1888/89) Ed. Leopold Nowak,  Bruckner Orchester Linz, Dennis Russell Davies

Todd



More good stuff from good time Rudy.
The universe is change; life is opinion. - Marcus Aurelius, Meditations

People would rather believe than know - E.O. Wilson

Propaganda death ensemble - Tom Araya

VonStupp

Luigi Cherubini
Chant sur la Mort de Haydn

Dominique LaBelle, soprano
Thomas Cooley & Colin Ainsworth, tenors

NDR Chorus
Göttingen FO - Nicholas McGegan

I forgot about Cherubini's premature musical Haydn memorial behind Mendelssohn's edition of Handel's Dettinger Te Deum.
VS

All the good music has already been written by people with wigs and stuff. - Frank Zappa

My Musical Musings

Symphonic Addict

Atterberg: Symphonies 6 and 7

The sixth is top-tier Atterberg, and that slow movement... those were undoubtedly his better specialty, gorgeousness galore. The seventh has its merits with the 1st movement containing the most remarkable music (pretty knightly in spirit), but the next two feel less inspired in my view.

The current annihilation of a people on this planet (you know which one it is) is the most documented and at the same time the most preposterously denied.

Bachtoven

Wonderful playing and sound. It's fun to hear the student with his former teacher! Trifonov's Bosendorfer has a more bell-like quality and richer bass than Babayan's Steinway.

Symphonic Addict

Glazunov: String Quartets 5 and 6

Harmonically speaking, the sixth steps forward. A most interesting quartet.

The current annihilation of a people on this planet (you know which one it is) is the most documented and at the same time the most preposterously denied.

steve ridgway

Ligeti: Double Concerto


steve ridgway


steve ridgway

#114637
Messiaen: Chants De Terre Et De Ciel


Madiel

Poulenc

Five Impromptus for piano
Quatre poèmes de Max Jacob, with flute, oboe, bassoon, trumpet and violin as the accompaniment



Both works seem to me rather more dissonant than earlier compositions... and less graceful than later ones that I recall. I thought with the Impromptus the dissonance might be because they were revised later, but then I had the same sense with the vocal work. Neither are likely to be personal favourites.
Nobody has to apologise for using their brain.

Madiel

Auric/Milhaud/Poulenc/Tailleferre/Honegger: Les mariés de la tour Eiffel



Wikipedia tells me it was supposed to be composed by Auric and he asked the rest of Les Six to help because he was short on time. It also tells me that Poulenc described the result as shit except for Auric's overture  ;D  It's perhaps worth noting that Poulenc later destroyed quite a bit of his work from this period.

As performed here it's rather boisterous (including Poulenc's own contribution). Personally, I think Tailleferre's numbers come off best.
Nobody has to apologise for using their brain.