New Releases

[Mandryka]

Nice instruments -- a harpsichord (I think, it is most unusual!)  and a clavichord -- sweet and lyrical playing. This on the basis of a couple of sneaky peaks on Spotify.

[prémont]

I fear this may be just instrumental music.

Probably not, because they feature a soprano and a tenor.

https://www.prestomusic.com/classical/products/9756758--faenza-an-imaginary-codex

[prémont]

Nice instruments -- a harpsichord (I think, it is most unusual!)  and a clavichord -- sweet and lyrical playing. This on the basis of a couple of sneaky peaks on Spotify.

Which label. Any link to the recording?

[Mandryka]

Which label. Any link to the recording?

Which label. Any link to the recording?

https://vincentbernhardt.org/en/discography/

https://www.prestomusic.com/classical/products/9761688--das-wohltemperierte-clavier-teil-2

The label is called Indesens. His website doesn't list the WTC2 yet. The recording is on presto.

Actually I just found WTC1 samples on his website and I think he's using the same German harpsichord for WTC2

[prémont]

https://vincentbernhardt.org/en/discography/

https://www.prestomusic.com/classical/products/9761688--das-wohltemperierte-clavier-teil-2

Thanks. Soon available for download (March 7.) With your recommendation I think I shall purchase it.

I own Vincent Bernhardt's set of Brandenburg Concertos with The Klaipėda Chamber Orchestra (Lithuania). A nice but not ground-breaking set.

[vandermolen]

Google says he was born one year before me, so by definition he's still young.

(He's 67, born in 1958.)

Still in the first flush of youth 

[Que]

Probably not, because they feature a soprano and a tenor.

https://www.prestomusic.com/classical/products/9756758--faenza-an-imaginary-codex

Does it seem to say they reworked the instrumental arrangements in the Codex Faenza back to versions with voices?
Hence the title "An Imaginary Codex"?

The Codex Faenza is one of the most significant Ars Nova manuscripts, captivating musicians and musicologists alike. The remarkable collection features instrumental arrangements on Italian and French vocal works by renowned 14th-century composers like Francesco Landini, Guillaume de Machaut, Jacopo da Bologna, and Bartolino da Padova. Through a unique fusion of original vocal models, the version arranged from the codex and newly composed diminutions by the performer, L'Amorosa Caccia creates an immersive auditory journey, inviting listeners into a world where composition and reinterpretation unfold in a truly three-dimensional listening experience. L'Amorosa Caccia performs on copies of medieval instruments and on the organ of the Basilique de Valère (1435), the oldest playable organ still extant.

[prémont]

Does it seem to say they reworked the instrumental arrangements in the Codex Faenza back to versions with voices?
Hence the title "An Imaginary Codex"?

The Codex Faenza is one of the most significant Ars Nova manuscripts, captivating musicians and musicologists alike. The remarkable collection features instrumental arrangements on Italian and French vocal works by renowned 14th-century composers like Francesco Landini, Guillaume de Machaut, Jacopo da Bologna, and Bartolino da Padova. Through a unique fusion of original vocal models, the version arranged from the codex and newly composed diminutions by the performer, L'Amorosa Caccia creates an immersive auditory journey, inviting listeners into a world where composition and reinterpretation unfold in a truly three-dimensional listening experience. L'Amorosa Caccia performs on copies of medieval instruments and on the organ of the Basilique de Valère (1435), the oldest playable organ still extant.

I don't know because I haven't heard the release. And when I get it Presto unfortunately doesn't provide the booklet.

I initially thought that the recording included some vocal works from other sources, but as you say the title "imaginary Codex Faenza" seems to indicate another approach.

Maybe the booklet will be made available from a streaming service.

[Brian]

This just showed up on Qobuz; I hadn't seen it anywhere as a preorder. Todd has a little treat for when he comes back.

[pjme]

From PRESTO:
This is a rediscovery of forgotten scores as the piano sonatas of Joseph Ryelandt haven't been recorded before.

Fittingly performed by Jozef De Beenhouwer who has dedicated hilmself to Flemish music for which he received theLifetime Achievement Award of Klara in 2010. This is the first album of the new Antarctica series "Flemish Music Heritage" as well as the first volume out of 3 albums dedicated to Ryelandt's piano music.

The Flemish Music Heritage series is a journey of discovery, reviving remarkable pieces of musical heritage. Forgotten scores are brought to light, and familiar compositions are given a fresh perspective. In close collaboration with the Study Centre for Flemish Music, the recordings are founded on intensive research in libraries and archives and meticulously prepared score editions. The works, expertly selected by connoisseurs, are performed by valued musicians and ensembles who passionately restore neglected and forgotten composers to the recognition they deserve. With these vibrant composer monographs, Antarctica Records aims to broaden horizons and enrich the repertoire with rediscovered treasures from the past. World Premiere Recordings

See also: https://www.svm.be/

I got the following info on this series:

We are particularly proud to present a new CD series with Flemish Music Heritage, a voyage of discovery that brings fascinating musical heritage back to life. Unknown scores are dusted off, well-known compositions are revalued. At the initiative of the Study Centre for Flemish Music, the recordings are based on intensive research in libraries and archives and on carefully edited score editions. The works selected by connoisseurs are performed by excellent musicians and ensembles who dedicate themselves to giving neglected and forgotten composers the place in the sun they deserve. In most cases, these are 'première recordings'. With these resounding composer monographs, the SVM, in collaboration with Antartica Records, wants to broaden the horizon and add new music from the past to the repertoire. The first CD of the series has just been released and immediately sets the tone: Jozef De Beenhouwer, for many years an eminent performer and researcher of Flemish musical heritage, brings a first selection from the magnificent piano oeuvre of Joseph Ryelandt. Most of the recorded works have never been recorded on CD before. To be continued!

[pjme]

and a little teaser

[Brian]

MAY



Yes, this is BIS' second German Requiem of 2025! (The first was as performed at the premiere, with interludes of Brahms' choosing written by other composers.)



"Electric Fields' offers modern arrangements of centuries-old vocal music, as well as new compositions, all involving soprano, pianos, and live electronics. The meditative compositions of medieval polymath Hildegard von Bingen are the point of departure for this album. Hildegard's texts soar to the spiritual realm both in Latin and in her invented lingua ignota. Additionally, the vernacular love songs of two composers from the Italian Baroque, Barbara Strozzi and Francesca Caccini, inspired this album. Several works from American composer Bryce Dessner complete the eclectic programme. Soprano Barbara Hannigan and pianists Katia and Marielle Labèque are joined by composer/performer David Chalmin in this captivating journey through meditative and ambient musical atmospheres. Together, they create an intense and unique cosmos of sound."



Swan of Tuonela arranged for French horn...hmmmmmm



"Nineteen years after his first recital devoted to the music of Alexander Scriabin [BIS-1568], Yevgeny Sudbin returns to the works of this eccentric Russian composer with a new recital that brings together pieces composed at various points in his career. Of his special relationship with this composer, Sudbin writes: "I simply cannot think of any other composer who consistently brings out such a primordially raw and physical reaction in me and, with time, his grip has only intensified on me." "

[Brian]

MAY, MORE







"Taken from a rapturously received and critically acclaimed performance at The Bridgewater Hall (with The Times' 5* review describing a 'splendid night' and hailing the magnificent sound of the 'blazing Hallé'), this recording will prove essential for those wishing to hear the work in the intended four-movement form. The recording is accompanied by a booklet containing a personal introduction from Kahchun Wong and a note from Dr. John A. Phillips, surveying the material Bruckner left for the Finale and detailing the work done on reconstructing it for performance."

[ChamberNut]

That is nice shiny object. The Paisiello piece is a marvelous one!

[JBS]

I don't remember this being posted. Presto gives 28 March as the release date.

[JBS]

About Felix Klieser, via Wikipedia

Felix Klieser (born 3 January 1991) is a German professional player of the French horn.[1] He was born without arms. He plays the horn by using the toes of his left foot to operate the valves. The horn is held on a tripod. He does not place a limb inside the bell of the horn, in contrast to the way the instrument is traditionally played, using the left hand to operate the valves and placing the right hand inside the bell.

[JBS]

That is nice shiny object. The Paisiello piece is a marvelous one!

His Plucked Bach CD is good. I see he did a Plucked Bach II released last year, so it's now on my wishlist even if it's only 47 minutes long.

[San Antone]

MAY

I will forget about these long before they are available.

[Roy Bland]

Guerra Peixe good novelty!

[Mandryka]

http://www.anothertimbre.com/gombert.html