What are you listening 2 now?

Started by Gurn Blanston, September 23, 2019, 05:45:22 AM

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Der lächelnde Schatten

Welcome back, @Symphonic Addict! Great to see you! 8)

Der lächelnde Schatten

Closing out the night with this disc:


foxandpeng

Quote from: Symphonic Addict on March 25, 2025, 07:26:55 PMIt must be good! Another recording of one of my favorite Langgaard symphonies is very welcome.

It is a welcome release. I've only listened to #4 so far, but as you say, great to have another cycle.

It is lovely to see you!
"A quiet secluded life in the country, with the possibility of being useful to people ... then work which one hopes may be of some use; then rest, nature, books, music, love for one's neighbour — such is my idea of happiness"

Tolstoy

steve ridgway

Varèse - Un Grand Sommeil Noir

The first piece that made me realise soprano and piano could be enjoyable  ;D .


Florestan

Quote from: Karl Henning on March 25, 2025, 03:59:33 PMThat looks like a Dream Box for you!

It is, indeed. At 20 discs, much less daunting than the Hyperion series, which I also have but never tackled in a systematic manner. 

Quote from: Karl Henning on March 25, 2025, 04:01:36 PMMend well and quickly, mon cher!

Thank you, Karl. I hope you're fine too and progressing with your own mending.
"Ja, sehr komisch, hahaha,
ist die Sache, hahaha,
drum verzeihn Sie, hahaha,
wenn ich lache, hahaha! "

Florestan

Quote from: André on March 25, 2025, 02:50:20 PMThe flute concerto is melodious and frothy.

And to think that it was written in 1945 Berlin, amidst bombardments and destruction. The last movement it's even based on a folk tune named Freut euch des Lebens, that is Enjoy your life. Gloom-and-Doom defied and conquered by la joie de vivre --- love it, one of my favorite flute concertos. An unsung testimony to the indomitable power of the individual sanity against collective madness.
"Ja, sehr komisch, hahaha,
ist die Sache, hahaha,
drum verzeihn Sie, hahaha,
wenn ich lache, hahaha! "

Que


AnotherSpin

Schumann has been a constant presence in recent days, and it seems the moment has arrived when I can never have too much of him. Nearly every performance has its own merits, save for the ever-problematic Richter. Why must his genius, his unparalleled talents, always be accompanied by such perfumed ostentation and mannerism?

At this moment, the serene and quietly joyful Penelope Crawford commands my attention.


AnotherSpin

Quote from: Que on March 26, 2025, 12:23:47 AM

You are most likely far more acquainted with Bach's Cantatas than I am. I must say, I am quite fond of the recording you have just mentioned, BWV 82. How would you compare it to other interpretations of this particular cantata? Are there any version/s that you hold especially dear?

Elgarian Redux

#126229
Quote from: Der lächelnde Schatten on March 25, 2025, 06:23:47 PMNP:

Elgar
The Spirit of England, Op. 80
Teresa Cahill, soprano
Scottish National Orchestra & Chorus
Gibson



I'm sure @Elgarian Redux knows this Cahill/Gibson performance.

Indeed, I've been raving about it for years: there was a lot of conversation about The Spirit of England back in 2009, when I wrote about this particular performance:

Quote from: Elgarian on July 27, 2009, 11:09:56 AMSpeaking purely personally, and realising that it may seem absurd to anyone else, it's the most essential CD that I own, not just by Elgar, but by anyone. If the Coronation Ode were missing, and only the half-hour of The Spirit of England were there, it would still be the most essential CD I own - the one I would keep if I had to give everything else away.

It sounds like hyperbole, but the fact is that I haven't changed my mind since. Teresa Cahill sings it as no one else can.

Que

 

Disc 5, which is recorded on the Renaissance organ (1600/1669) of the Église Saint Jacques-Le-Mineur in Liège and on a harpsichord by Keith Hill after Iohannes (Johannes) Ruckers, 1624.


https://aeolus-music.com/pages/page-liege-eglise-saint-jacques

Roasted Swan

#126231
Quote from: Elgarian Redux on March 26, 2025, 01:14:08 AMIndeed, I've been raving about it for years: there was a lot of conversation about The Spirit of England back in 2009, when I wrote about this particular performance:

It sounds like hyperbole, but the fact is that I haven't changed my mind since. Teresa Cahill sings it as no one else can.


Yes absolutely agree with all positive comments about the Gibson/Cahill/Spirit of England.  She sings "ardent-eyed" in a way that no other performer on disc to date has.  I think the recording location of Paisley Abbey adds a rolling-grandeur to the acoustic impact of the work too.  Madness to think this recording will be 50 years old next year..... (the lovely warm analogue adds to the richness as well I reckon).  I'm not quite so besotted by the recording of the Coronation Ode excellent though it is.  For that work Philip Ledger's Cambridge/New Philharmonia/EMI recording is just remarkable

Lisztianwagner

Gustav Mahler
Symphony No.9

Leonard Bernstein & Concertgebouw Orchestra


"You cannot expect the Form before the Idea, for they will come into being together." - Arnold Schönberg

ChamberNut

Quote from: Symphonic Addict on March 25, 2025, 07:26:55 PMIt must be good! Another recording of one of my favorite Langgaard symphonies is very welcome.

Great to see you again @Symphonic Addict!
Formerly Brahmsian, OrchestralNut and Franco_Manitobain

Madiel

#126234
The next Alicia de Larrocha album:



Her 2nd recording of Nights in the Gardens of Spain (out of 4 if you count one that was apparently only on video), with her only Chopin concerto recording to come.

I don't know what quite what they've done in the process of transferring this 1970 recording onto streaming, but the Falla is leaping out of my speakers in the most magnificent full-bodied way.

EDIT: Her relatively muscular approach arguably helps make the Chopin a little more interesting than I typically find it.
Nobody has to apologise for using their brain.

Que

Quote from: Lisztianwagner on March 26, 2025, 02:56:29 AMGustav Mahler
Symphony No.9

Leonard Bernstein & Concertgebouw Orchestra




I think the recordings that Bernstein made with the Concertgebouworkest are different and quite special.  :)

Karl Henning

Quote from: pianococo90 on March 25, 2025, 07:11:01 AMMarcin Stanczyk
Afterhearings (2015) for flute, clarinet, cello, guitar and piano

Listening now!
Karl Henning, Ph.D.
Composer & Clarinetist
Boston MA
http://www.karlhenning.com/
[Matisse] was interested neither in fending off opposition,
nor in competing for the favor of wayward friends.
His only competition was with himself. — Françoise Gilot

AnotherSpin


AnotherSpin

String Quintet, Op.104


Karl Henning

Karl Henning, Ph.D.
Composer & Clarinetist
Boston MA
http://www.karlhenning.com/
[Matisse] was interested neither in fending off opposition,
nor in competing for the favor of wayward friends.
His only competition was with himself. — Françoise Gilot