What are you listening to now?

Started by Dungeon Master, February 15, 2013, 09:13:11 PM

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EigenUser

Ended up listening to all French music today, sort of by coincidence. Most were things that I either hadn't heard or things I forgot and have been meaning to hear again.

Franck's D Minor Symphony -- a disappointment
Roussel's Symphony No. 3 -- only listened to it because it was on the Franck album and LOVED it! Never heard any Roussel before.
Messiaen's Couleurs de la Cite Celeste -- great, as usual.
Dutilleux's 1st and 2nd symphonies -- I remember liking them awhile ago, and I still do.
Beethoven's Op. 133 -- A fugue so bad that even Beethoven himself called it "Grosse".

Mirror Image

Quote from: EigenUser on June 16, 2015, 01:16:21 PM
Roussel's Symphony No. 3 -- only listened to it because it was on the Franck album and LOVED it! Never heard any Roussel before.

Yep, Roussel's 3rd is quite a fine symphony. He's certainly my favorite French symphonist (not that there are many of them).

Dancing Divertimentian

Schubert's D.845. Goode.



[asin]B000005J0Z[/asin]
Veit Bach-a baker who found his greatest pleasure in a little cittern which he took with him even into the mill and played while the grinding was going on. In this way he had a chance to have the rhythm drilled into him. And this was the beginning of a musical inclination in his descendants. JS Bach

San Antone



Been enjoying listening to Liszt, Schumann and Rachmaninoff piano works.  Right now Horowitz playing the Schumann Fantasie, Op.17

Karl Henning

Quote from: sanantonio on June 16, 2015, 09:35:17 AM
Is that Horowitz the 1932 performance that everyone thinks is great(est), or the much later one (1977?) that everyone thought was strange?


This is the 1977 recording.
Karl Henning, Ph.D.
Composer & Clarinetist
Boston MA
http://www.karlhenning.com/
[Matisse] was interested neither in fending off opposition,
nor in competing for the favor of wayward friends.
His only competition was with himself. — Françoise Gilot

San Antone

So today was the first round of the 15th Tchaikovsky Competition and I managed to watch/hear a some of the playing.  Today's program included these works (which everyone played):

Johann Sebastian Bach - The Well-Tempered Clavier, BWV 846-893 More information
Prélude and Fugue in G-sharp minor, The Well-Tempered Clavier, Book 1, BWV 863, No. 18 (I've never really liked this fugue subject)

Ludwig Van Beethoven - Piano Sonata No. 23 in F minor ("Appassionata"), Op. 57
Piano Sonata, No. 23 in F minor, ("Appassionata"), Op. 57

Frédéric Chopin - Études
Op. 10, No. 12 in C Minor

Franz Liszt - Grandes études de Paganini, S. 141
No. 2 in E-flat Major

Sergei Rachmaninov - Études-Tableaux, Op. 33
No. 6 in E flat Minor

Pyotr Ilyich Tchaikovsky - Dumka, Op. 59 (Scenes from a Russian village) for solo piano

Interesting exercise.

bhodges

Quote from: Mirror Image on June 16, 2015, 10:20:34 AM
I didn't really connect with Gilbert's Nielsen for some reason. I don't think Gilbert really brought anything different to the table interpretatively. Oramo, on the other hand, has adopted some swifter tempi and really dug into those climaxes a bit more than Gilbert. I also think Royal Stockholm PO sounded much better in Nielsen than the New York PO. I have yet to hear Storgards' Nielsen cycle (it's in the mail).

Don't believe I've heard heard all of Davis' Nielsen, does he grunt a lot in those recordings? If he does, I'll pass. ;D

Opinions I've heard on Gilbert's Nielsen so far are all over the map, with most on the positive side. I found this Third quite good. I do like Oramo in other repertoire, and will look forward to hearing him at some point.

As far as I can tell on Davis's recording (on LSO Live), there's no grunting - but maybe I was so entranced I didn't notice.  8)

--Bruce

aligreto

Beethoven: Piano Concerto No. 3 - Pollini/Bohm....



ZauberdrachenNr.7

I nearly forgot for some reason how wonderful Liszt's keyboard work is. ???  That's all I need, another favorite composer...thanks a smegging buncharoonies (as Rimmer on Red Dwarf sez).

[asin]B000A7IJUG[/asin]

Bavouzet is tremendous here - too bad the piano's rather recessed (curiously un-MDG-like) but not enough to spoil the show.

Mirror Image

Quote from: Brewski on June 16, 2015, 02:00:29 PM
Opinions I've heard on Gilbert's Nielsen so far are all over the map, with most on the positive side. I found this Third quite good. I do like Oramo in other repertoire, and will look forward to hearing him at some point.

As far as I can tell on Davis's recording (on LSO Live), there's no grunting - but maybe I was so entranced I didn't notice.  8)

--Bruce

Cool, thanks for the feedback, Bruce. :)

Mirror Image

More Atterberg:



Listening to Alven (The River), Op. 33. I don't believe I've ever listened to this work before. Sounds quite nice.

San Antone

Quote from: ZauberdrachenNr.7 on June 16, 2015, 02:22:33 PM
I nearly forgot for some reason how wonderful Liszt's keyboard work is. ???  That's all I need, another favorite composer...thanks a smegging buncharoonies (as Rimmer on Red Dwarf sez).

[asin]B000A7IJUG[/asin]

Bavouzet is tremendous here - too bad the piano's rather recessed (curiously un-MDG-like) but not enough to spoil the show.

There's so much there, too, and I totally agree with you.  I haven't heard Bavouzet play Liszt ... yet.  Has anyone actually bought the Leslie Howard 99-Cd really complete box?  I have about a dozen of the individual discs.

Mirror Image

#47352
Quote from: Mirror Image on June 16, 2015, 03:02:34 PM
More Atterberg:


Listening to Alven (The River), Op. 33 yet again. This is a fine work. Beautiful.

San Antone

What a surprise ...

[asin]B004M6UCPG[/asin]

A very good performance - not because of pyrotechnics, but her narrative command of the work is impressive.  After reading a little about this pianist, who was new to me, I found out she studied at the Liszt Academy, and so knows something about these works.

Very worthwhile.

André

Gluck: Orphée et Eurydice. Version in French with tenor soloist. Juan Diego Florez is the handsome but scholarly hero. Good performances by the female soloists (Amor and Eurydice). The baroque sounding prchestra was comducted by Jesus Lopez Cobos. A radio broadcast. I wonder if there's a disc?

I've always found this a tough nut to crack, being neither fish nor fowl. I suppose the old Fournet version with Simoneau is the one to have. Simoneau's diction is always perfect.

André

Madetoja's  symphony no 1. From the Chandos Encore twofer. Had not listened to it in at least 4, maybe 5 years. Nice, but not on the same level as his mentor.

Mirror Image

Now:



Listening to the Violin Concerto. This isn't one of my favorite Britten works, but I do enjoy it more than Walton's VC. The work that's next up is one of my favorite works from Britten: the Double Concerto. A youthful work, but shows a complete mastery.

Mirror Image

Quote from: André on June 16, 2015, 04:01:59 PMMadetoja's  symphony no 1. From the Chandos Encore twofer. Had not listened to it in at least 4, maybe 5 years. Nice, but not on the same level as his mentor.

To the comment in bold: certainly not! But that's quite a large yardstick to measure up to, wouldn't you say?

PaulR

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Piano Concerto in A Minor

Good evening all.

Ken B

Bach
Sacred Cantatas
Gardiner
Disc 5 of the big box.