Purchases Today

Started by Dungeon Master, February 24, 2013, 01:39:50 PM

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André

#36320
Quote from: Mister Sharpe on September 19, 2025, 05:42:57 AMIt actually does.  What I'm struggling with is the distinctly self-conscious, psychedelic-era marketing. In 1971, if I'd known about this album, would I have bought it and would I have bought into its commercial messaging that classical music can be as heavy as Led Zep?  I certainly loved classical as much or maybe more than rock music...I wish I knew the answer to those questions; I don't and never will, but I can express disappointment at the lack of creativity on the part of classical promoters who thought they were being clever.  Berlioz's Symphonie Fantastique was similary marketed. 

This was very much a fad at the time. There were very distinct schools of marketing back then (1968-1972 - ish), as the Woodstock and Isle of Wight Festivals and Let-it-all-hang-out, Rolling Stones crotch cover provocation were making headlines across the world.

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Classical music marketers couldn't have their fingers sticky of course, but they retained the idea that marketing was fast becoming an attention-grabbing business. So we went from

- the uber serious DGG folks, who had moved from too classical images to people-ism as stars like Karajan took hold of the classical music world:



- to the soft psychedelism of Columbia records, who half-heartedly attempted to sweep cobwebs and plant flowers, rainbows and soft-grained images:

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Not to be outdone - au contraire - DG launched its Festival of Hits series with white background made-up graphism:

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Festival of Hits for Organ: I guess one must be grateful for keeping this one above the belt ... One would expect pipes, but we get a box of ... cigars instead (pun: no cigar for this one !).

- and to the full-on psychedelic, stream of consciousness LP covers from Nonesuch that made quite a splash back then:

Note that this Mahler 1 confection could have adorned a recording of Berlioz' Fantastique or Schonberg's Gürrelieder as well.

- worst (or best ?) of all were the infamous Westminster releases:
Back when whitening stripes were yet to be invented ....



Father and son Brahms: David and Igor Oistrakh - get it ?.



An OMG one this one. Walküre = VW ? How has this one passed the censors ? Unabashedly, unscrupulous, unsubtle commercials have no business in classical music ! Remove those tasteless rims  !

Mister Sharpe

Quote from: André on September 19, 2025, 12:52:05 PMThis was very much a fad at the time. There were very distinct schools of marketing back then (1968-1972 - ish), as the Woodstock and Isle of Wight Festivals and Let-it-all-hang-out, Rolling Stones crotch cover provocation were making headlines across the world.


Thanks, André, I was unaware of those Nonesuch Mahler issues!
"We need great performances of lesser works more than we need lesser performances of great ones." Alex Ross

hopefullytrusting

Want to have a Messiaen Organ weekend, so I had to purchase the complete set from Brilliant ...



Mister Sharpe

I bought three items this morning for the nearly obscene price of $5.  Someone once said that "the more one thinks one knows, the less they actually do." That applies to me, sadly, and 2/3 of my purchase:  I knew nought of the Cypress String Quartet (now disbanded) but they garnered more than respectable reviews for this set. The Verdi, also, is news to me! Speaking of greater knowledge, I always wish I knew more about the provenance of my used CDs (Where did the original owner buy it?; What did he or she think about it?; How many times did it get played?, etc.) For objects that owe their existence to sound, almost all CDs are reticent on these questions. (LPs are far more revealing about their owners). But in the case of the Cypress Set of LvB Quartets, they were a gift in 2017 from the cellist, Jennifer Kloetzel, whose abilities were often called attention to in reviews. Toscanini's TV Concert DVD presents Aida

 
"We need great performances of lesser works more than we need lesser performances of great ones." Alex Ross

ritter

This book on composer Riccardo Malipiero includes a CD with a 1969 Italian Swiss Radio recording, conducted by Edwin Loehrer, of the 12-tone opera buffa La donna è mobile (first performed in Milan in 1957). The libretto, by writer, politician and TV personality Guglielmo Zucconi, is based on the play Nostra Dea by Massimo Bontempelli (one of the introducers of surrealism into Italy).

 « Et n'oubliez pas que le trombone est à Voltaire ce que l'optimisme est à la percussion. » 

Madiel

NOT purchased today: one of the rarest Naive Vivaldi volumes, which has turned up on eBay with the one seller that I have left negative feedback for and vowed never to use again. Aargh.  :o

It appears there might also be a copy in central France if anyone is going past...
Nobody has to apologise for using their brain.

hopefullytrusting

Last 3, at least for a little bit - I need to catch up with my listening: