Blind Comparison: Berlioz Symphonie Fantastique

Started by madaboutmahler, October 27, 2012, 06:55:16 AM

Previous topic - Next topic

0 Members and 1 Guest are viewing this topic.

Sergeant Rock

My belated congratulations to Monkey Greg and Daniel for conducting the Comparison. It was both fun and enlightening in so many ways. I appreciate their patience...and endurance  :D  The only finalist who surprised me (I mean, as far as who it was) was C4. I would never have guessed Solti. It definitely played against stereotype.

Versions I would have enjoyed seeing in the competition: Davis LSO (which I once thought preferable to the Concertgebouw recording--now I'm convinced otherwise); Gardiner (would he have survived longer than Norrington and Immerseel?); and one or more of the Karajans.

Sarge
the phone rings and somebody says,
"hey, they made a movie about
Mahler, you ought to go see it.
he was as f*cked-up as you are."
                               --Charles Bukowski, "Mahler"

xochitl

i just heard the witches' sabbath with karajan/bpo ['75] and i'm pretty impressed

really had no idea he ever came near this music

Sergeant Rock

Quote from: xochitl on March 09, 2013, 09:45:43 PM
i just heard the witches' sabbath with karajan/bpo ['75] and i'm pretty impressed

really had no idea he ever came near this music

He's one of the few German conductors to touch the piece: four recordings: one with the Philharmonia, two in Berlin, one in Paris. I only own the 75 Berlin.

Sarge
the phone rings and somebody says,
"hey, they made a movie about
Mahler, you ought to go see it.
he was as f*cked-up as you are."
                               --Charles Bukowski, "Mahler"

MishaK

Quote from: Sergeant Rock on March 10, 2013, 03:01:36 AM
He's one of the few German conductors to touch the piece: four recordings: one with the Philharmonia, two in Berlin, one in Paris. I only own the 75 Berlin.

Sarge

I think the more interesting German conductor to hear in this piece actually is Kempe. There's an old 60s EMI recording with him conducting BPO. Really atmospheric and not such a Karajanized orchestral sound.

TheGSMoeller

Quote from: MishaK on March 11, 2013, 08:25:27 AM
I think the more interesting German conductor to hear in this piece actually is Kempe. There's an old 60s EMI recording with him conducting BPO. Really atmospheric and not such a Karajanized orchestral sound.

That's one that interests me.