Last Movie You Watched

Started by Drasko, April 06, 2007, 07:51:03 AM

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SimonNZ

Mirror is my favorite Tarkovsky film. In what way is it a homage?

aligreto

Yes Man





I am not a huge Carey fan but I did like this one. I found it quite amusing with not too much face pulling.

Christo

Quote from: SimonNZ on April 10, 2020, 11:44:32 PM
Mirror is my favorite Tarkovsky film. In what way is it a homage?
Great to learn The Mirror - Serkalo - is your favourite Tarkovsky! It is mine too, saw it again last December after a long interval and was completely convinced again. For me the 'ultimate' movie.
I saw Cold War only half, in between other things to do, but was totally impressed. In the final scene 'the' couple takes a seat somewhere along a foothpath in the fields. A breeze stirring the corn - just as it does in The Mirror, a couple of times even. I was/am totally convinced it is a quotation, homage, whatever. There's more in Cold War that reminds of Tarkovsky, though there's much more dynamic in it and it's certainly not derivative (as are some films by Sokurov - seen him?).

Dot you happen to know all Tarkovsky's films?  :)
... music is not only an 'entertainment', nor a mere luxury, but a necessity of the spiritual if not of the physical life, an opening of those magic casements through which we can catch a glimpse of that country where ultimate reality will be found.    RVW, 1948

SimonNZ

Quote from: Christo on April 11, 2020, 11:55:56 AM

Dot you happen to know all Tarkovsky's films?  :)

Oh yes. In fact I was lucky enough in the early 90s to see locally a festival of all his films in new 35mm prints, including his film school graduation work The Steamroller And The Violin. I have a blockmounted poster of that festival which is one of the handful of things I'd try to rescue in the event of a fire.

But I'd seen them before that in the days of poorly available and poor quality VHS when my friends and I would take turns buying tapes from a place called Facets in Chicago and then make copies for each of us. My first exposure to Andrei Rublev was a two tape set taken from a source film so bad that it had white-on-white subtitling right throughout and we had no earthly idea what was being said.

I'll try and check out Cold War. Thanks.

Christo

Quote from: SimonNZ on April 11, 2020, 12:52:55 PM
Oh yes. In fact I was lucky enough in the early 90s to see locally a festival of all his films in new 35mm prints, including his film school graduation work The Steamroller And The Violin. I have a blockmounted poster of that festival which is one of the handful of things I'd try to rescue in the event of a fire.

But I'd seen them before that in the days of poorly available and poor quality VHS when my friends and I would take turns buying tapes from a place called Facets in Chicago and then make copies for each of us. My first exposure to Andrei Rublev was a two tape set taken from a source film so bad that it had white-on-white subtitling right throughout and we had no earthly idea what was being said.

I'll try and check out Cold War. Thanks.

Definitely. And: great story! Speaking for myself: I saw Offret (The Sacrifice) at its release back in 1986 in my student days, was hooked - and the rest is history. Amsterdam - the Eye Complex - did a complete Tarkovsky festival last autumn and I was able to pick a few. My favourites were, and are, The Mirror and Offret, Stalker and Solaris and Andrei Rublev not far behind, as indeed all.  ;D Yes, saw The Steamroller &c. once too. The only one I only saw once, purely by lack of time, is Nostalghia, which I found a bit of a disappointment then. When in Florence a couple of Summers ago, I walked across Tarkovsky's apartment by chance and decided to give his Italian movie another chance, which will happen in short time. Great to see some love for the master, here!  8)
... music is not only an 'entertainment', nor a mere luxury, but a necessity of the spiritual if not of the physical life, an opening of those magic casements through which we can catch a glimpse of that country where ultimate reality will be found.    RVW, 1948

SimonNZ

Have you read Roadside Picnic - the book which Stalker is adapted from? I finally got around to it last year, and was hugely impressed even though its different to the film in many ways.

I tried reading Tarkovsky's book Sculpting In Time in my 20s and found it very heady stuff, even by his standards. Must give it another go sometime soon.

aligreto

Den of Thieves





This is a hard hitting action packed thriller with a bit of a twist. Worth watching.

Madiel

Sunshine Cleaning



Any movie starring Amy Adams and Emily Blunt immediately scores points with me.

It's good. Not amazing, but entertaining and well done.
Nobody has to apologise for using their brain.

Christo

Quote from: SimonNZ on April 11, 2020, 01:33:55 PM
Have you read Roadside Picnic - the book which Stalker is adapted from? I finally got around to it last year, and was hugely impressed even though its different to the film in many ways.

I tried reading Tarkovsky's book Sculpting In Time in my 20s and found it very heady stuff, even by his standards. Must give it another go sometime soon.

Sorry, no, I haven't. Yes, I own and read some in Sculpting in Time, but the essence is there before your very eyes and I don't feel the need to read about it. In other words: Tarkovsky's films are self-evident in my eyes.

What I find even more intriguing: in both The Mirror and Offret everything happens real time, though simultaneously at different moments (even decade in the case of The Mirror). Yet the feeling is very sur-real, caused by the layers he interweaves. I find it superb, 'mysticism' created with no other means than daily realities - and happily devoid of all psychology.  :)
... music is not only an 'entertainment', nor a mere luxury, but a necessity of the spiritual if not of the physical life, an opening of those magic casements through which we can catch a glimpse of that country where ultimate reality will be found.    RVW, 1948

Todd




Joker.  Commodus loses his shit.  Zzzz.
The universe is change; life is opinion. - Marcus Aurelius, Meditations

People would rather believe than know - E.O. Wilson

Propaganda death ensemble - Tom Araya

Christo

Quote from: Todd on April 12, 2020, 07:30:35 AM

Joker.  Commodus loses his shit.  Zzzz.
Aha, still busy with under age 8 films.  ???
... music is not only an 'entertainment', nor a mere luxury, but a necessity of the spiritual if not of the physical life, an opening of those magic casements through which we can catch a glimpse of that country where ultimate reality will be found.    RVW, 1948

Karl Henning

The Thing From Another World (1951)

First I ever watched it. Cool.

Neighbors (1981)

The first I've seen it since it opened in the cinema;  I under-appreciated it then.
Karl Henning, Ph.D.
Composer & Clarinetist
Boston MA
http://www.karlhenning.com/
[Matisse] was interested neither in fending off opposition,
nor in competing for the favor of wayward friends.
His only competition was with himself. — Françoise Gilot

André

Quote from: k a rl h e nn i ng on April 13, 2020, 06:37:27 PM
The Thing From Another World (1951)

First I ever watched it. Cool.


I saw that on the telly when I was little. I was scared witless  ???. It's actually an excellent film. Saw it again as an adult, still gave me the creeps. Music by Dimitri Tiomkin.

Karl Henning

Quote from: André on April 13, 2020, 06:47:16 PM
I saw that on the telly when I was little. I was scared witless  ???. It's actually an excellent film. Saw it again as an adult, still gave me the creeps. Music by Dimitri Tiomkin.

Aye, between my having become a fan of the John Carpenter remake, and the Tiomkin score, it was high time I watched it!
Karl Henning, Ph.D.
Composer & Clarinetist
Boston MA
http://www.karlhenning.com/
[Matisse] was interested neither in fending off opposition,
nor in competing for the favor of wayward friends.
His only competition was with himself. — Françoise Gilot

Karl Henning

And, because I find it a great way to hit Life's Pause Button for four hours:

Dances With Wolves
Karl Henning, Ph.D.
Composer & Clarinetist
Boston MA
http://www.karlhenning.com/
[Matisse] was interested neither in fending off opposition,
nor in competing for the favor of wayward friends.
His only competition was with himself. — Françoise Gilot

SonicMan46

Quote from: k a rl h e nn i ng on April 15, 2020, 10:56:12 AM
And, because I find it a great way to hit Life's Pause Button for four hours:

Dances With Wolves

Hi Karl - a fav of mine! :)  Own the 20th Anniversary BD below - BUT, for those interested in Native American history, I can strongly recommend the documentary narrated by Kevin Costner '500 Nations' - 4 DVDs w/ 8 episodes + a CD-ROM - the CGI recreations of the Native civilizations going back to the Aztecs are just superb.  Dave

 

Karl Henning

Quote from: SonicMan46 on April 15, 2020, 12:15:10 PM
Hi Karl - a fav of mine! :)  Own the 20th Anniversary BD below - BUT, for those interested in Native American history, I can strongly recommend the documentary narrated by Kevin Costner '500 Nations' - 4 DVDs w/ 8 episodes + a CD-ROM - the CGI recreations of the Native civilizations going back to the Aztecs are just superb.  Dave

 

Cheers, Dave!
Karl Henning, Ph.D.
Composer & Clarinetist
Boston MA
http://www.karlhenning.com/
[Matisse] was interested neither in fending off opposition,
nor in competing for the favor of wayward friends.
His only competition was with himself. — Françoise Gilot

greg

Quote from: k a rl h e nn i ng on April 15, 2020, 10:56:12 AM
And, because I find it a great way to hit Life's Pause Button for four hours:

Dances With Wolves
Seriously, that one took like 3 or 4 days to finish in one of my high school history classes.
Wagie wagie get back in the cagie

Karl Henning

Quote from: greg on April 15, 2020, 08:47:17 PM
Seriously, that one took like 3 or 4 days to finish in one of my high school history classes.

Not how I would suggest viewing it.  Kinda sounds like a lazy teacher, too.
Karl Henning, Ph.D.
Composer & Clarinetist
Boston MA
http://www.karlhenning.com/
[Matisse] was interested neither in fending off opposition,
nor in competing for the favor of wayward friends.
His only competition was with himself. — Françoise Gilot

ritter

Luigi Zampa's 1954 film adaptation of Alberto Moravia's La Romana, starting a very young Gina Lollobrigida.