What are you listening to now?

Started by Dungeon Master, February 15, 2013, 09:13:11 PM

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Brian

Friday afternoon, none of my coworkers will notice.


Karl Henning

Дмитрий Дмитриевич [ Dmitri Dmitriyevich (Shostakovich) ]
Concertino for two pianos in a minor, Opus 94 (1953)
The Composer & Son
Karl Henning, Ph.D.
Composer & Clarinetist
Boston MA
http://www.karlhenning.com/
[Matisse] was interested neither in fending off opposition,
nor in competing for the favor of wayward friends.
His only competition was with himself. — Françoise Gilot

Karl Henning

Дмитрий Дмитриевич [ Dmitri Dmitriyevich (Shostakovich) ]
Prelude & Fugue in g# minor, Op.87 № 12
Olli Mustonen


[asin]B00012SZFO[/asin]
Karl Henning, Ph.D.
Composer & Clarinetist
Boston MA
http://www.karlhenning.com/
[Matisse] was interested neither in fending off opposition,
nor in competing for the favor of wayward friends.
His only competition was with himself. — Françoise Gilot

ritter

Claude Debussy: 12 études pour piano...

...from this set:

[asin]B007WA1348[/asin]

Debussy at his most impressive, and surely one of the all-time summits of piano literature...





André

Michael Nyman: String Quartets 1 - 3. The Balanescu Quartet, on Argo. Strangely, the sequence on the disc is quartet 2, then, 3, then 1. Well, it was a perverse idea to start the disc with # 2. This has to be the shittiest piece of music I've heard in many a moon. Total skata, lemme tell you. Last on the disc is quartet 1, and it's at least listenable - although distinctly uninteresting.

Schumann: Kindesrszenen, by Clara Haskil. On Philips. Old, hissy and scrawny recording, but an excellent interpretation. The disc ends with Beethoven's 4th concerto. More hiss and some distortion to boot, and another very good interpretation. I don't think it was worth including this in that Haskil compendium. At a certain point, the minuses far outweigh the artistic plusses.


kishnevi

#30326
Well performed in its own right, and a good baseline to measure Monteverdi's achievement in L'Orfeo

79 minutes in prologue and one act.  There is also a DVD with a film about the performance and recording.

Mirror Image

Quote from: Jeffrey Smith on September 19, 2014, 08:40:57 AM

Solid on all counts but does not dislodge Mullova from the top spot for VC 1.

I felt the same way but only substitute Mullova for Batiashvili.

Mirror Image

Now:



Listening to Symphony No. 6 'Sinfonia semplice'. A symphony that gave me some trouble years ago, but I've really come full circle with it over the past year or so. Fantastic!

kishnevi

Quote from: Mirror Image on September 19, 2014, 05:39:21 PM
I felt the same way but only substitute Mullova for Batiashvili.

I need to get that Batiashvili.  I got her new Bach CD the other day, nicely done....and not all the usual suspects.  Her oboist husband is co-soloist in a double concerto and a transcription of Ebarme dich. 

Thread duty
Debussy Preludes Book 1 Images Paul Crossley piano

Mirror Image

Quote from: Jeffrey Smith on September 19, 2014, 05:50:57 PMI need to get that Batiashvili.  I got her new Bach CD the other day, nicely done....and not all the usual suspects.  Her oboist husband is co-soloist in a double concerto and a transcription of Ebarme dich.

Yeah, she's one of my favorite violinists. I think one thing she brings to the musical table is a purity of tone that I find so inviting and soothing. Even her Shostakovich sounds beautiful. The way she played the Passcaglia for example is the best I've heard. No joke, she's amazing. She treated this movement more as a lament or a requiem of sorts. Extremely gorgeous. She seems to bring a sense of refinement to the music she performs. I wouldn't mind getting her Brahms Violin Concerto recording with Thielemann. Have you heard that one?

TheGSMoeller

Really enjoying this recording. Already a fan of Currentzis and his Dido & Aeneas and DSCH 14th, so I've been really interested in hearing this.
I love the MusicaEterna and the clarity and balance they offer from the score, the singers are excellent and very expressive.
I admit I was skipping through a bit, and have to mention the one moment that really stopped me in my tracks. The Contessa perdono right before the ending. I can't remember if it was the NPR review I heard or a written review, but someone referred to this moment performed here like a "hushed prayer", it's sublime and more effective than I've ever heard it.

[asin]B00CE26AU6[/asin]

Todd




Hot damn!  The Vorisek D Major symphony is new to me, and Hengelbrock makes this Mozart/early LvB/Bizet-ish blend rock.  The usual afterthought that is Schubert's D Major symphony comes alive, too, sounding more vivacious than either Bohm or Barenboim (the only two versions I've heard). Supremely well executed and in superb sound, this is another knockout from Hengelbrock, who has emerged as one my major finds this year.
The universe is change; life is opinion. - Marcus Aurelius, Meditations

People would rather believe than know - E.O. Wilson

Propaganda death ensemble - Tom Araya

kishnevi

Quote from: Mirror Image on September 19, 2014, 05:58:00 PM
Yeah, she's one of my favorite violinists. I think one thing she brings to the musical table is a purity of tone that I find so inviting and soothing. Even her Shostakovich sounds beautiful. The way she played the Passcaglia for example is the best I've heard. No joke, she's amazing. She treated this movement more as a lament or a requiem of sorts. Extremely gorgeous. She seems to bring a sense of refinement to the music she performs. I wouldn't mind getting her Brahms Violin Concerto recording with Thielemann. Have you heard that one?
No. Brahms is low on priorities at the moment.  I think the only other CD I have from her is the Lindberg/Sibelius.  IIRC, you like that Lindberg as much as I do.

Mirror Image

Quote from: Jeffrey Smith on September 19, 2014, 06:19:33 PM
No. Brahms is low on priorities at the moment.  I think the only other CD I have from her is the Lindberg/Sibelius.  IIRC, you like that Lindberg as much as I do.

Ah, okay. Yep, that Lindberg was a fine performance.

Madiel

Without having known what Karl was up to, String Quartet No.2

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Every single post on the forum is unnecessary. Including the ones that are interesting or useful.

Brian

Quote from: Todd on September 19, 2014, 06:10:39 PMsounding more vivacious than either Bohm or Barenboim (the only two versions I've heard).

Good grief! You have to hear Harnoncourt or maybe Immerseel, though not as much as I have to hear Hengelbrock.

The Schubert symphonies are still the best Harnoncourt I've heard, with his Dvorak a close second.

Todd

Quote from: Brian on September 19, 2014, 06:32:11 PMGood grief! You have to hear Harnoncourt or maybe Immerseel, though not as much as I have to hear Hengelbrock.


I'm not that big of a Harnoncourt fan, though maybe one day the Immerseel may find its way to my ears.  I must say that Bohm is one of the great Schubertians.  His live 9th is monumental.  His First may not be the best, but then who buys Schubert for the First?  Okay, I did with Hengelbrock, but that's the first time.

Anyway, revisiting a disc I haven't heard in a while:

The universe is change; life is opinion. - Marcus Aurelius, Meditations

People would rather believe than know - E.O. Wilson

Propaganda death ensemble - Tom Araya

Mirror Image

Now:



Listening to Job, A Masque for Dancing. Such a masterpiece.

Mirror Image

Now:



Listening to Flos campi. Gorgeous piece.